Daughter of the Tong

This film is rather well known for a B picture, I have heard of it since a long time and I understand why. Showing a villain female lead character is of course amazing, especially in those periods. Even now in 2024, it would be daring, so imagine in 1939. Evelyn Brent is perfect in this role, and the film is entertaining, more than so many others from this period. But I expected something more powerful, unusual, poignant. Evelyn Brent robs the whole film, it was foreseeable after seeing her for only a few minutes. The last minutes could have saved the story, at least for me. But this ending is just lousy; such a shame.

This is a classic non classic. It has a simple plot of Hollywood's "B" movies of the time and is predictable in its outcome from the go. Never the less it is fun to watch, with the old cars and bad stunts and its standard (this type of movie) plot. The acting is almost laughable in some places, but this is what makes this movie so much fun to watch. It truly reminds me of the hundreds of movies i went to as a kid, prior to the arrival of television.

Props to Evelyn Brent for playing this role as George Raft -- in fact many choices seem to deliberately ignore the out-dated 'yellow peril' tropes implied by the title.

Despite a wig and some eye makeup Brent is no dragon lady. She delivers every line in a gangster monotone with a gun in her hand -- decidedly un-feminine and tough. She never seduces or simps, and there's no 'caught between worlds' diatribe. She's too busy plotting how she'll murder her next business partner.... Even her kimono has shoulder pads!

Her ONE Asian henchman, played by Richard Loo (often cast to subvert stereotype by being very American) is commanded to perform an 'oriental manicure', and instead of an elaborate Fu Manchu torture scene we get what looks like an actual manicure, complete with nail-clipping sounds.... I'm now obsessed with the idea that all lady gangster movies should replace the ubiquitous 'rough up the detective' scene with a 'force the detective to trim his nails' scene.

While it starts as a 'yellow peril' -- most of the action takes place in the Oriental Hotel (HQ for human trafficking, obviously) with an un-convincing import/export business in the front parlor -- no one seems interested in resolving that story.... By '39 tastes had shifted to organized crime and political corruption so the production feels patched together and the script almost incoherent, climaxing as noisily as they could afford: car chases, gun shootouts, and 2-fisted brawls.

It's a B-movie from a B-studio. If you watch with low (no) expectations you might be amused by a film struggling to figure out its genre, and an unapologetic lady crime boss performance by Brent which somehow isn't sabotaged by the goofy script.

Thanks to the movie's extended prologue I now know who the FBI is. Like most Americans, I was in serious doubt. Kidding aside, the prologue is rather odd in its assumptions, even for 1939. All in all, there's nothing special about this 60-minute programmer that mainly dramatizes the agency at work in stopping an Asian smuggling ring. It appears the culprits smuggle people into the country inside sealed boxes who apparently breathe by magic. Anyway, despite the title, the flick's not very ethnic, Loo being the only real Asian, and with no real presence of a tong.

Story-wise, Withers goes undercover to penetrate the gang and its mysterious mastermind, Carney. But to us viewers, the culprit's pretty apparent from the outset. Don't worry, though, if things slow down there's always a brawl available- I hope the guys got double pay for all the acrobatics. And catch the great Richard Loo already planning his many sinister roles in WWII, along with Dave O'Brien taking a break from six-shooters and cowboy hats. On the other hand, it's too bad Brent didn't make a stronger try at acting evil since she really looks the part. The best part to me was the well-crafted car chase over mountain roads that's worthy of a more expensive production. Anyway, the flick's an okay action feature for a slow evening, but nothing more.

"An F.B.I. operative goes undercover to infiltrate a gang responsible for killing one of his fellow agents. Bearing an uncanny resemblance to the man suspected of being the killer, the agent succeeds in finding the leader of the murderous gang. Known as 'The Illustrious One', this Asian femme fatale controls her gang ruthlessly from the luxury of her space in the Oriental Hotel," according to the DVD sleeve's synopsis. Scar-faced Grant Withers (as Ralph Dickson) stars in this silliness masquerading as a gumshoes verses Asians in San Francisco gangster picture. It isn't even remotely convincing. The highlight is the 1930s Los Angeles area location footage involving Mr. Withers and Dave O'Brien (Jerry Morgan) in a car pursuit. Villainess Evelyn Brent (as Carney), who is inserted into the chase, has some fun with her lines.

*** Daughter of the Tong (8/28/39) Raymond K. Johnson ~ Grant Withers, Evelyn Brent, Dave O'Brien