The Four Feathers

No, this isn't how we regard military service or Empire anymore, and I hope it's not how we regard other peoples and races, but there are things about this picture that still getcha.

The film celebrates friendship and mutual obligation. It celebrates courage and determination. It celebrates a beautiful young couple and the love that conquers all, and celebrates the fact that the movies never let the funny-looking guy get the girl. It celebrates C. Aubrey Smith's eyebrows, and that's reason enough to watch any film.

The real heroes are Ralph Richardson, for acting at least 100% in every scene, never coasting or losing concentration for a minute, and the euphoniously named Osmond Borrodaile, whose second unit cinematography in faraway locations with monstrous cameras under difficult conditions enlivened many a movie.

I have seen both the 1936 and 2005 versions of this film. Of the 2, the 1939 version is far preferable as it is a film about bravery, cowardice, duty, and devotion rather that a psycho-politico voyage about retribution, consequences, and punishment. The 1939 film is nonapologetic and does not need to be, as it is an exploration of one man's duty to friends and not a political statement.

I believe that the main reason this film is not given more credit is that it happened to be made in the watershed year of 1939, a year of legendary films, filmmakers, and stars. (Think "Gone with the Wind" and "The Wizard of Oz", among others.) The action scenes are as good as you can get. The technical direction is well done and the cinematography excellent. While the camaraderie is, at times, a little forced, it is probably fairly accurate.

The travails of the protagonist are straightforward and unimpeded by the burdens of political overtones or ethereal punishments for current retrospections on political transgressions and apologetic political correctness. I'll forego the 5.1 surround sound for the far better entertainment factor of the real "Four Featers" made in 1939

One of my all-time favourite films of the 30s, perhaps even ever. For me, this is my personal favourite of all the Korda brothers films, and it is a true gem of a film that shouldn't be missed.

There is very little to fault The Four Feathers. It has truly evocative location work, sweeping cinematography and rich bold colours that still look amazing. The script is tight, the story is epic and always compelling and the film is perfectly paced with some great action. Miklos Rosza's score is just outstanding, easily up there as one of his best, while Zoltan Korda directs beautifully, and the acting of John Clements, Ralph Richardson and C.Aubrey Smith is excellent.

Overall, this film is a must see for so many reasons especially for its wonderful visuals and score. 10/10 Bethany Cox

A British army officer is forced to redeem himself after being branded a coward by his Army buddies and the woman he loves. Improbably, he decides to go off to the war in the Sudan to rescue his fallen comrades. That is the gist of this story--but it makes a powerful, absorbing British film in excellent early Technicolor.

June Duprez is the scornful woman, pretty as a picture in the only feminine role. Uncharismatic British actor John Clements is only adequate as the man who receives the "four feathers" and must redeem himself--but Ralph Richardson has the most memorable scenes as the sun-struck soldier who loses his helmet under the blazing sun and is blinded. Many gripping scenes as the hero undertakes a long journey to the Sudan.

Handsome Alexander Korda production rightfully deserves its ranking as a screen classic of 1939, but I have to say it's not without its faults as far as the structure of the story goes.

First of all, too much time is spent on hundreds of extras in battle scenes that become repetitious after awhile and interrupt the flow of the story and what is happening with our hero. Furthermore, the actor chosen for the "stiff upper lip" role of Haversham is John Clements, and much of his performance is too stiff to come alive. A more appealing and charismatic actor from that era would have sufficed and made the story stronger. Thirdly, there's a hint of incredibility in the tale of a man who would go to such extremes to regain his honor and go on a mission in which he would be reunited with the very men who scorned him. A bit much in the realm of credibility, but it does make a good story.

Summing up: Good adventure tale in which C. Aubrey Smith has one of his most memorable character roles as a stuffy "Colonel Blimp" type of career soldier recounting his favorite war tales.

A young English army officer resigns his commission just as war in Africa breaks out. His 3 best friends, officers all, and his fiancée each give him a white feather - the sign of the coward. Shunned & ostracized, he undertakes a mission to clear his honour & prove his courage.

This is a wonderful British adventure film, equally on a par with anything Hollywood was to produce in that golden year of 1939. Shot in color, with spare-no-expense filming in the Sudan, THE FOUR FEATHERS is a paean to the glory days of Victoria's Empire & the men who fought to build it.

Sir John Clements is excellent as the young hero. Although virtually unknown to American audiences his entire career, Sir John was a very fine actor with a warmly distinctive voice which he uses here to advantage. Sir Ralph Richardson appears, terrific as always, as one of the friends; so does John Laurie, very good as the troublesome Khalifa. Sir C. Aubrey Smith, magnificent as a curmudgeonly old general, provides the final hurdle Sir John must jump to regain his reputation.