Ex-safecracker Michael Lanyard now works legally, but an old rival frames him for stealing secret documents. He's caught between seductive Karen and loyal girlfriend Val Carson.Ex-safecracker Michael Lanyard now works legally, but an old rival frames him for stealing secret documents. He's caught between seductive Karen and loyal girlfriend Val Carson.Ex-safecracker Michael Lanyard now works legally, but an old rival frames him for stealing secret documents. He's caught between seductive Karen and loyal girlfriend Val Carson.
- Director
- Writers
- Stars
Harry Adams
- Doorman
- (uncredited)
Frank Baker
- Doorman
- (uncredited)
James Blaine
- Duty Cop at Party
- (uncredited)
Sammy Blum
- Counterman at Italian Restaurant
- (uncredited)
Stanley Brown
- Party Guest
- (uncredited)
Russ Clark
- Evans
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
While no reasonable reviewer would give any B-detective series movie a score of 10 (after all, they were not exactly deep and they tended to focus much more on entertainment instead of originality), for such a film, this Lone Wolf film scores a bullseye. As far as quality and watchability goes, I would place it on par with the average Sherlock Holmes, Charlie Chan or Saint film of the era. In fact, in many ways, this film seems a lot like one of the Saint films because the hero is a reformed gentleman thief who investigates crimes for kicks--and chases women along the way. While the film starred Warren William, I could have just as easily imagined Tom Conway or George Sanders (from the Saint and Falcon detective series) playing the lead in this film. This isn't meant as a negative per se--it's a very familiar but also very satisfying formula.
Warren William was wonderful in the lead but he was also ably supported by a better than usual supporting cast. Having Ida Lupino AND Rita Hayworth playing the female leads was pretty amazing, as neither were exactly stars at the time and it was just a case of dumb luck in casting. In addition, the other supporting players all provided some needed depth to the film--something often lacking in B-movies.
As far as the plot goes, it was pretty interesting but also purely secondary--not at all unusual for this type of film. You certainly don't watch this type of film because of the finely crafted mystery, but more for the personalities and style. In many ways, this sort of film is like a warm and familiar pair of old shoes you put on after a long day at work.
Warren William was wonderful in the lead but he was also ably supported by a better than usual supporting cast. Having Ida Lupino AND Rita Hayworth playing the female leads was pretty amazing, as neither were exactly stars at the time and it was just a case of dumb luck in casting. In addition, the other supporting players all provided some needed depth to the film--something often lacking in B-movies.
As far as the plot goes, it was pretty interesting but also purely secondary--not at all unusual for this type of film. You certainly don't watch this type of film because of the finely crafted mystery, but more for the personalities and style. In many ways, this sort of film is like a warm and familiar pair of old shoes you put on after a long day at work.
Once you've watched a few Warren William pictures you'll find yourself loving the guy. If that's you, this film is brilliant because it's essentially just him having a blast....plus there's Ida Lupino who is clearly a goddess.
Is this culturally, historically, or aesthetically significant? No, definitely not but it's great fun and a perfect example of those fast moving, comedy murder mystery type of things that these days make up about half our TV schedules. Had TV been around in the mid-thirties, this would have been on Saturday nights.
So what's the point of watching this? 1) it's predictable, it's corny but it's dripping with wonderful 1930s atmosphere. 2) Warren William fans (if you're not already, you will be) will love this. 3) It's got 21 year old Ida Lupino (already in her 22nd film) looking unbelievably stunning. Having left Twickenham Films for Hollywood a few years earlier, she was now starting to get lead roles in B pictures like this. She really shines here - you can see that she's destined for stardom. She's not just another pretty Hollywood face but, like she did in her early English films, she emotes real character and personality.
So do you want an action packed adventure where you don't have to engage your brain too much? Do you want a dashing hero (complete with a sarcastic butler), a secret sinister organisation with a dastardly plot, a pair of bumbling policemen, a classic femme fetale (Hayworth) and Ida (I think I'm in love with her) Lupino? This might just be what you're looking for.
Is this culturally, historically, or aesthetically significant? No, definitely not but it's great fun and a perfect example of those fast moving, comedy murder mystery type of things that these days make up about half our TV schedules. Had TV been around in the mid-thirties, this would have been on Saturday nights.
So what's the point of watching this? 1) it's predictable, it's corny but it's dripping with wonderful 1930s atmosphere. 2) Warren William fans (if you're not already, you will be) will love this. 3) It's got 21 year old Ida Lupino (already in her 22nd film) looking unbelievably stunning. Having left Twickenham Films for Hollywood a few years earlier, she was now starting to get lead roles in B pictures like this. She really shines here - you can see that she's destined for stardom. She's not just another pretty Hollywood face but, like she did in her early English films, she emotes real character and personality.
So do you want an action packed adventure where you don't have to engage your brain too much? Do you want a dashing hero (complete with a sarcastic butler), a secret sinister organisation with a dastardly plot, a pair of bumbling policemen, a classic femme fetale (Hayworth) and Ida (I think I'm in love with her) Lupino? This might just be what you're looking for.
Viewed on Turner tonight, and found myself being fascinated with the diction. Especially Lupino and Hayworth (maybe because they're easier to look at). Good (and fun) dramatic emphasis, syllabled but natural. Understood every word from the entire cast. What a contrast from more modern productions where mumbling seems to be in vogue and my wife and I are constantly backing up to catch what was said. So, whatever happened to those diction coaches? This was 1939 sound recording technology for Pete's sake. Okay, now filling out the 10 lines that seem to be required. Yes this was B-movie fare, but good costumes, production values AND, all too rare, some fun for the kids. Also, we enjoy these older films for the time machine aspects, e.g., the cars, the decor, cityscapes and the cultural values in evidence. For instance, lots of furs on the gals in this one--one thing we're well without now, unlike the diction.
I dusted this one off after nearly 10 years to see if it was really as bad as the previous reviewers stated. I'm glad to say at least I didn't waste my 67 minutes precious time watching (and then passing comment on) rubbish but imho rather a good grade B screwball comedy.
Michael Lanyard (45 year old Warren William's first of nine films as the reformed cracksman) is being framed by an arch-enemy and his inept gang as part of a plot to steal some secret government plans. For most of the picture he also has to fend off the attentions of his jealous and lively girlfriend Val (21 yo Ida Lupino) and scatty stepdaughter Pat played by the always exuberant Virginia Weidler. Rita Hayworth played baddie Ralph Morgan's sexy sidekick, but seemed out of place, and I half expected Tom Dugan as the detective to launch into some wacky routine every time he appeared; thankfully he didn't. And at the surrealist party Lanyard was standing outside the upstairs window simply by means of an elaborate balcony with plenty of climbing plants on show so no goof there (as stated in the goofs section) from the Columbia continuity department!
To fans of this film genre, a pleasure from start to finish, to others, why bother?
Michael Lanyard (45 year old Warren William's first of nine films as the reformed cracksman) is being framed by an arch-enemy and his inept gang as part of a plot to steal some secret government plans. For most of the picture he also has to fend off the attentions of his jealous and lively girlfriend Val (21 yo Ida Lupino) and scatty stepdaughter Pat played by the always exuberant Virginia Weidler. Rita Hayworth played baddie Ralph Morgan's sexy sidekick, but seemed out of place, and I half expected Tom Dugan as the detective to launch into some wacky routine every time he appeared; thankfully he didn't. And at the surrealist party Lanyard was standing outside the upstairs window simply by means of an elaborate balcony with plenty of climbing plants on show so no goof there (as stated in the goofs section) from the Columbia continuity department!
To fans of this film genre, a pleasure from start to finish, to others, why bother?
This was an interesting low budget film with Warren William,(Michael Lanyard) playing the Lone Wolf safe cracker who gets involved with secret weapons and their blueprints. Ida Lupino,(Val Carson) constantly follows everywhere he goes and even walks in while he is having a shower in his bathroom. Val knows that Michael likes plenty of women and she has her designs on him for marriage. There is plenty of laughs and Rita Hayworth,(Karen) plays the role of a sexy gal who tries to trap the Lone Wolf breaking into a safe and obtain these government secret weapons plans. Lupino and Hayworth were just starting out their careers on the silver screen and both became great movie stars and producers. Enjoy
Did you know
- TriviaAlthough the literary source of the film was the unpublished script of Columbia's The Lone Wolf's Daughter (1929), the story was so completely changed it could hardly be considered a remake.
- GoofsWhen Gromar comes down the staircase, from the second floor, the burglar alarm goes off. He runs back upstairs to check out the alarm. As he does so, the Lone Wolf is standing on the ground outside the window watching him - even though Gromar is supposed to be on the second floor.
- ConnectionsFollowed by The Lone Wolf Strikes (1940)
Details
- Release date
- Country of origin
- Language
- Also known as
- The Lone Wolf's Daughter
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 11m(71 min)
- Color
- Aspect ratio
- 1.37 : 1
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