Peace on Earth

Love animation, it was a big part of my life as a child, particularly Disney, Looney Tunes and Tom and Jerry, and still love it whether it's film, television or cartoons.

Know Hugh Harman more for his cartoons that have a cute approach with a lot of sentiment. There have been times where this approach has been done sweetly and charmingly, there have also been other times where it can be too cutesy and cloying. My review summary is in no way a derogatory knock against Harman, far from it. It is alluding to that 'Peace on Earth' is a Harman cartoon that is darker and grimmer to usual. A more mature Harman cartoon and it's good, great even.

'Peace on Earth' is not what one would call subtle, there is a very important, admirable and powerful message that certainly makes its point and at times in too thick a way perhaps. It is though a message cartoon, meaning that there was always a trap of it being on the preachy side.

Regardless, 'Peace on Earth' makes a big emotional impact. It packs a very poignant punch and really makes one think about what it's trying to say. The beginning and end scenes are cute but not too sentimental, while the darker content in between provokes thought and moves. Story-wise, it's simple but this is a good thing, making the cartoon easier to understand and resonate with.

The characters carry the cartoon beautifully, they look adorable in appearance but show stronger personalities than one would expect. Mel Blanc voices beautifully, this is a less manic Blanc than in his Looney Tunes oeuvre, something that was a perfect fit and the right one.

Animation is rich in detail for design and backgrounds, vibrant in colour and crisp. Composer for the prime-era 'Tom and Jerry' cartoons and regular Tex Avery composer Scott Bradley provides a lush and atmospheric music score.

Overall, great cartoon, as well as being perhaps Harman's most mature cartoon it's one of his best. 9/10 Bethany Cox

Back in the 1940's, men fought a cataclysmic war until all were killed, leaving the animals behind to build a peaceful society in the ruins.

This has probably the strongest impact of any cartoon I have ever seen -- taking the era in which it was made into account -- and must have been virtually without precedent in 1939. Powerful post-war rivals might include "Animal Farm", "Watership Down", or "When the Wind Blows". Or Art Spiegelman's Pulitzer Prize-winning "Maus" in the field of the graphic novel.

There are scenes here of animated warfare which are still a little grim by modern standards. Childlike innocence gets temporarily suspended. "All Quiet on the Western Front" is an immediate comparison.

As was normal in the '30's, the coming war in Europe was viewed as an extension of the Great War, so we see the technology familiar from 20 years previous -- trenches, gas masks, unturreted tanks. When Neville Chamberlain bought peace for all time from Hitler at Munich, the sort of war he had succeeded in averting was the one depicted in this film. The new World War II technology did not enter the general consciousness until the averted war got underway in Sept. 1939.

I first saw this film about a decade ago, and rediscovered it recently on a compilation video entitled "MGM Cartoon Christmas". The other cartoons on the tape, "Alias St. Nick" and "Pups' Christmas", show quite clearly what a break with convention "Peace on Earth" was at the time.

A squirrel grandad visits his boy/girl twins on a snowy Xmas eve to tell them the story of 'Man' - violent, terrible creatures who killed each other off in a never-ending series of wars. As the last man on earth dies the animals take it back and build a happy utopia on the charred rubble. Naturally, cute, furry animals won't be using flame-throwers on each other any time soon. Though I'm not really sure if the animals taking cues from an old bible negates the point.

It's a very important cartoon and was nominated for an Academy Award (losing to Disney's much less significant The Ugly Duckling) as well as a Nobel Peace prize - the only cartoon ever to do so. Of all the Xmas cartoons and specials, this is probably the most poignant.

I saw this cartoon exactly once, when I was about 8. Even as a child, I found it compelling; the radarscope battle scenes still show up in my dreams from time to time. As with many childhood memories, one wonders if it will have the same impact when you see it again, as an adult. Well, having fortunately stumbled upon this by accident on the internet, I was pleased to find it did wear well. Of course, knowing as I do now, that this was made in 1939, I can see it as one of the high moments of American Isolationist sentiment and thus, a mistake. But, setting that aside, it is well-intentioned and eloquent. The usually saccharine Hugh Harman rises above his oeuvre here; the squirrels and bunnies have aren't merely cute. The framing device at the begging and end, if typically cute, is arguably necessary; Harman gets the balance right. The remake of this cartoon -- 1955's "Good Will to Men" manages to miss the balance, and just does not have the same impact. "Peace on Earth" was voted one of the Fifty Greatest Cartoons of All Time in 1994. It is said that this cartoon was nominated for a Nobel Peace Prize, perhaps an apocryphal tale, but one that indicates the significance of "Peace on Earth" really well.

This was the first short subject to receive the highly-coveted Parents Magazine Medal as "Parent's Magazine's" Movie of the Month. It also received a (not-paid-for-by M-G-M) half-page spread tribute in the November 27, 1939 issue of "Life Magazine," with three stills from the film.

The trade press also raved: "Definitely a 'must'...should be seen by every man, woman and child...(Showmen's Trade Review) "A cartoon off the beaten track. Timely, amusing! (Film Daily) "Timely. Excellent. Admirably suited to Christmas programs!" (Motion Picture Daily)

The M-G-M ads for "Peace On Earth" all carried an uncommon "Created by Hugh Harman" attribute.