Nancy Drew and the Hidden Staircase

Warner Bros. filmed several of these Nancy Drew stories in the late 1930s with Bonita Granville, Frankie Thomas and John Litel top-billed and this one is probably the best--and the only one actually based on one of the early Carolyn Keene novels.

But the script is a hapless, far-fetched one and really stretches credibility and patience when viewed today. Only a certain nostalgia for these kind of B-films that played the lower half of a double bill can have any appeal for modern viewers.

The actors aren't to blame. Bonita Granville as Nancy does an excellent job, as does Frankie Thomas as her All-American boyfriend Ted, and John Litel as her lawyer father. All of it, however, is weakened by a poor script and a weak storyline. Only the last twenty minutes or so maintains any real suspense.

Most of it is pretty uninvolving but appeals more as a curiosity piece than anything else.

It always was a great joy to read Nancy Drew books and being able to see "The Hidden Staircase" was a wonderful thing Hollywood was able to give to the public in the 1940's. Bonita Granville, Frankie Thomas and John Litel gave excellent performances and made the Drew characters come to life. Films in those days had a limited budget and it was an innocent age without all the blood and gore in todays films. No criticism is necessary for these Classic Films with Classic actors which are still being shown in the year 2000 and forever.

Bonita Granville has the title role in "Nancy Drew and the Hidden Staircase," the final entry into the Nancy Drew series. It also stars Frankie Thomas and John Litel. This particular film is based on one of the actual books, but how closely it sticks to the story - well, I haven't read Nancy Drew in nearly 50 years, so I can't remember. Since in the books, Nancy had two girlfriends, missing in the series, it probably doesn't stick all that closely.

In this one, Nancy is determined to make sure that two elderly sisters keep to their father's will so that the house can be donated to a hospital. That won't happen unless at least one of them is in the house every night for twenty years. With only two weeks to go, and their chauffeur shot dead in the house, the ladies want out - fast.

Nancy manages to drag Ted Nickerson, her quasi-boyfriend, into all kinds of trouble, and that's where the fun happens. Thomas is a riot. Nancy always got into deep water in the books, but I remember her as more serious and perfect. That wouldn't have worked for the films, so Nancy is kind of a Lucy and Ted is Ethel, an unwilling participant in her schemes.

Bonita Granville was a fine movie Nancy, very lively, wacky, and likable. It's a shame there are only four "Nancy Drew" films. It is a very good series.

This is the fourth of four Nancy Drew films by Warner Brothers starring Bonita Granville. It was based on the Drew story "The Hidden Staircase", though I've never read the book and have no idea how close it is to the original tale. But, knowing Hollywood, many liberties were taken with the story.

The story begins by learning that two elderly sisters, the Turnbulls, stand to inherit the home they've been living in many years. However, the will has an odd proviso--that they MUST remain in it every night until some goal is met. Well, they've abided by the will so far, but when their servant is murdered and all sorts of mayhem follows, the sisters' resolve begins to wane. Naturally, the pushy Nancy Drew has decided to make the case her business and naturally the cops investigating are all idiots!

This film is one of about 600,000 B-mysteries made by Hollywood...and they were churned out like mad by both the big studios and the tiny ones. Why? Well, they were pretty cheap to make and made plenty of money! And, compared to the rest of them, this one is a bit better due mostly to better and more competent direction. Too many of them simply looked rushed but this one seemed more polished and complete. Well worth seeing.

I stumbled upon this series, courtesy of TCM, and was pleasantly surprised by their almost effortless charm. Bonita Granville was especially well cast as Drew, and cohort Frankie Thomas shared a good onscreen chemistry with her. I too wish there were more episodes in this underrated series; one can still appreciate its breezily innocent yet often witty qualities--all too rare to find let alone do nowadays. It remains a homage to the skills of workaday backlot Hollywood, circa 1939, showcasing plenty of talent for an otherwise unassuming footnote in the Warner Bros. vault. Thanks again, TCM.