Susannah of the Mounties

SUSANNAH OF THE MOUNTIES (20th Century-Fox, 1939), directed by William A. Seiter, stars Shirley Temple, now 11-years-old, trying new ground so not to repeat herself. No songs or dance numbers here, just plain outdoors adventure between white men and Indians.

Set in the Canaadian mounties of the 1880s, the story revolves around Susannah Sheldon (Shirley Temple), a young girl who is orphaned after her family is killed in an Indian massacre, thus, becoming the sole survivor found and taken in by a Canadian Mountie, Angus Montagu (Randolph Scott). She soon bonds with the Mountie who assists she overcome her fear of Indians by living in peace among them.

Not as memorable as some of her earlier outings, but watchable. Temple has her moments with Scott in a scene in which she tries to teach him how to dance in order to impress an attractive visitor, Vicky Standing (Margaret Lockwood). Margaret Lockwood, an English actress, is best known for her performance in the Alfred Hitchcock's suspenser, THE LADY VANISHES (1938). She also worked in another Hollywood produced feature, RULERS OF THE SEA (Paramount, 1939) before returning to England where her roles surpassed those made in Hollywood. As for Shirley, she is even given some screen time opposite an Indian boy, Little Chief (Martin Good Rider), who calls her "papoose," which is Indian for "baby." Also featured in the cast are J. Farrell MacDonald, Moroni Olson and Victor Jory. As mentioned during the opening credits, scenes were filmed on location in the Canadian Mounties. With plenty of background scenery, one wonders why it wasn't done in Technicolor. Otherwise, it's convincing actioner.

SUSANNAH OF THE MOUNTIES, which can be found on video cassette from Playhouse Video, formerly played in the colorized context on the Disney Channel in the early 1990s, later on American Movie Classics (1996-2001), the Fox Movie Channel, where it's presented either in its original black and white format or colorization, and later on Turner Classic Movies (TCM premiere: August 4, 2019). (***)

As always with any movie Shirley was in, she did a brilliant job.Her lines were good, not missing any, and her dance routines were excellent as always. I have seen her perform with the best of the best, and she stands right out as being very professional. She is a child actress that never let success go to her head. She always comes off as being sweet and caring and in my opinion never once got arrogant even though she made it big. you can see the sincereness that she had when portraying Susannah and in every other roll she portrayed. There will never be another actress who will even come close to her talents and spirit. She is a once in a lifetime person.

Mountie Randolph Scott is leading a patrol when they discover a massacred wagon train with the sole survivor, a little girl hidden inside a barrel. Scott takes Shirley Temple back to the post where she becomes the mascot of the post.

Susannah of the Mounties borrows a whole lot from Shirley's previous film Wee Willie Winkie. She's the granddaughter of the post commandant there, also becomes a mascot. She's got an Irish sergeant as a special friend in Wee Willie Winkie it's Victor McLaglen, here it is J. Farrell MacDonald. And of course the little child in all her innocence brings about an accommodation between Indians on two separate continents and the white man.

The period identified here is 1882-1884 when the Canadian Pacific Railway is being constructed and that's worked into the plot also. I thought I had spotted a goof in Susannah of the Mounties when I saw during a flag raising ceremony a British Union Jack raised. A Canadian cyberfriend says I was wrong and proved it. Canada even though it became a self governing dominion in 1867 never got its own flag until 1965. Learn something new every day.

Susannah of the Mounties also reminded me of the Rin Tin Tin series from back when I was a lad. A boy and a German Shepherd puppy were the only survivors of a wagon train massacre and Lee Aaker as Corporal Rusty got to grow up on Fort Apache. I thought the same back in the Fifties when I saw this film re-released as the second half of a double bill.

Randolph Scott and Shirley Temple show some real affection for each other, he may have been the best of her adult male co-stars. Of course Scott also has eyes for the extraordinarily beautiful Margaret Lockwood who is his commanding officer's daughter. Lockwood did two films in Hollywood, Rulers of the Sea and this one before returning to the UK.

Although Shirley was getting a bit old and her box office was just beginning to wane, Darryl Zanuck still made a mint off Susannah of the Mounties. And the public got its money's worth too.

"Susannah of the Mounties" begins with a group of Canadian Mounted Police (the 'Mounties') coming upon some wagons that were attacked by the Natives. All the settlers, aside from a child (Shirley Temple as the title character), have been killed and the girl is taken back to the fort to live. She is taken in by a handsome young officer (Randolph Scott) and she soon adjusts to camp life.

Because of this and other attacks, the leader of the Mounties calls a meeting with the local Chief. The two swear to end the violence and as a sign of his integrity, the Chief sends his young son to live with the white folks. Soon, he and Susannah are at odds with each other. BUT, because she is so gosh-darn spunky and sweet, soon she and the boy become best friends. However, a small group of evil renegade natives are bent on stoking the fires of war. Can resourceful little Susannah bring everyone together? Considering how many times she hit the peace pipe with her new friend, it's a good bet she can.

The film gets some credit for having a tribe of actual Indians play the natives....with a few obvious exceptions. The chief and the leader of the renegades are BOTH played by white guys painted up to look like natives. Why did Hollywood always insist in this era in giving all the major roles for most every ethnic group to white folks?! This is especially silly with the chief-- a guy by the name of Maurice Moscovitch! However, Shirley's acting is great (as usual) and the film is never boring. Overall, a pretty good family film--even if it isn't 100% politically correct!

Shirley Temple is the only survivor of a raid on a wagon train. Randolph Scott rescues her, and takes her back to the Mounties. There she is placed in the charge of Scott's orderly, J. Farrell MacDonald. She soon makes friends with Martin Good Rider, and does her futile best to spoil Scott's courtship of Margaret Lockwood.

Scott's detachment of Mounties is present to guard the building of the Canadian Pacific, and keep the treaty with the local Indians. When a local Indian persists in stealing a man's horses and then trying to sell them back to him, the man threatens him with the entire British army. Can Shirley Temple stop the war and save MacDonald's toupee.

This strikes me as an attempt to recapitulate the success of WEE WILLIE WINKIE. While it's certain pleasant enough, and cameraman Arthur C. Miller gets some lovely shots of Indians against a blank sky, the formula looks a little tired, despite the splendid Technicolor and several members of the Blackfeet tribe hired to play Indians -- it's true enough that Maurice Moscovitch and Victor Jory play the Indians with the most lines, but the rest are genuine enough.