Saloon Bar

This is probably the greatest film, set entirely inside a pub, ever made (admittedly a small field). The interest is not on the whodunit plot, and certainly not on the plausibility of the premise that the regulars in a pub could solve a mystery in a single night before closing time. But the combination of a group of vintage character actors doing their stuff, in a setting dripping with nostalgic possibilities, is irresistible. Mervyn Johns at his most lugubrious, spending virtually the entire picture on a barstool; Gordon Harker as a bumptious bookie; Roddy Hughes as a vague, cheery doctor; a wonderfully characterised set of bar staff; a hilarious group of cheeky carol singers (including the young Roddy McDowall). The film gives a tremendous sense of the small communities in the middle of London in the immediate pre-war, and the transient populations of rich and poor alike who might wander through. The historians and sociologists can detect the wartime social solidarity about to break down; those who lived through the times can enjoy the nostalgia. Warm, funny and brilliantly realised.

That it was directed by Walter Forde and starred Gordon Harker led me to expect a comedy, and it's certainly played with tongue in cheek, as well as frequently earthy touches (the plot nonchalantly throwing in both prostitution and bigamy).

Obviously based on a play, it never leaves the studio, but the material is lively enough (and atmospherically photographed by Ronald Neame) for it not to matter.

The fact that the plot depends upon the novelty value of pound notes dates it (as does the barrel organ heard outside on the street); while the murder itself recalls the Oscar Slater case of 1908. Amidst the large cast, Harker, Mervyn Johns, Eliot Makeham and Felix Aylmer were plainly never young. But the film's age is also signalled by the extreme youth of Martin Clunes' father Alec (who died fifty years ago), Roddy McDowall popping up under an umbrella as a little boy singing carols; and Mavis Villers, still propping up a bar over twenty years later in 'Victim'.

Supporting the rest of the reviews, this is a lovely little film, really worth watching (I've seen it twice). Indeed the story doesn't really matter, it is the pleasure of watching a tight knit cast who all seemed to be enjoying their work! Gordon Harker was brilliant as was Mervyn Johns, slightly out of the type of character he became better known for later in his career. There were no well known 'stars' just an ensemble of good character actors given a chance to shine.

The film, although released in 1940 is clearly set before the war as apart from anything else, all lights in the pubs were blazing away and there was no mention of the war and no sign of the blitz which started in September 1940.

A little light relief then and now!

British character actors at their best. The wonderful Gordon Harker stands out as usual but there isn't a weak link in the cast. The story is okay but doesn't matter that much, it's all about the atmosphere and the cast. A real comedy drama with the accent on the comedy. Why don't the make films like this any more and thank you Talking Pictures for making so many available.

From 1940, the British "Saloon Bar" takes place mostly in a couple of bars as characters work to save a friend from hanging. Their friend, Eddie (Alec Clunes), has been convicted of killing an old woman for her money. The money hasn't been found; however, a list of the serial numbers were submitted to pubs and stores.

One of the bills shows up at the bar. The group endeavors to find out where it came from - is that person perhaps the murderer?

Warm film that takes place around Christmastime and is complete with awful carolers, one of whom is little Roddy McDowall.

The cast includes Mervyn Johns, Gordon Harker, Roddy Hughes, Elizabeth Allan as the condemned man's girlfriend, Joyce Barbour, and Judy Campbell. Allan is quite beautiful - I wasn't really familiar with her until this film. The acting was all solid from veteran character actors.

Recommended.