Seven Sinners

An American drama; A story about a saloon entertainer banished from various American protectorates in the Pacific, who uses her femme-fatale charms to achieve her aims including wooing a Navy officer in a South Seas gin joint. This is an enjoyably exotic adventure with raffish comedy, romance and glamour. The film's enduring strength is confined to how Marlene Dietrich thrives as the flamboyant torch singer and scarlet woman. Dietrich satirises the Shanghai Lil stereotype sirens of Far East showbusiness past with aplomb and humour. The young and handsome Naval Lieutenant playing amorous to her is John Wayne, who smooches up to create some nice chemistry. Broderick Crawford, Mischa Auer, Samuel S Hinds, Reginald Denny, and Oscar Homolka all give fine supporting performances. The production standards are good. The sets are reminiscent of film director Josef von Sternberg's films. The atmosphere of a cheap, evil island cafe is captured well. The bar-room finale is preposterous but the rumbustiousness and playful excess the audience experiences from the beginning was energy that had to go somewhere, so the film going out like a thermobaric implosion seemed like a fitting fortissimo coda.

It's not wonderful but it is fairly good especially of course that Marlene Dietrich is more than okay with the wonderful costumes, even if she is best as a sailor, and the songs are fine. John Wayne had dozens of small parts through the 20s and many westerns during the 30s and in this one he is really good and is so fresh you might have thought he hadn't already made almost a hundred films before this. I really like Broderick Crawford and he is splendid in this funny and chasing around and brawling all the time with looking after Dietrich. There is enough going on without noticing that there isn't really any story.

This was a fair adventure story with some eccentric characters. For example:

Albert Dekker as "Dr. Martin, the musician; Broderick Crawford as "'Litle Ned' Finnegan," Marlene Dietrich's punch-happy protector, and Dietrich as 'Bijou Blanche," a cabaret singer bouncing from place to place.

Dietrich loved to play Cabaret singers and "Bijou Blanche" is a great name for her. She didn't look pretty in here, more grotesque with the super-thin eyebrows and tons of lipstick. She was definitely unappealing....and I like her, normally. Her "makeup" sins, if nothing else, made me dump this VHS.

Of note, John Wayne, Anna Lee, Mischa Auer, Billy Gilbert, Richard Carlson, Oscar Homolka, Reginald Denny and James Craig are all familiar names that add to the cast. Yet despite all the impressive names, I don't think it was that great. I wouldn't watch it again.

Its fun and spunky enough, but it has the schizophrenic feel of a "B" film with "A-list" actors. It was made by Universal, which had taken a chance the year before, and cast Dietrich in "Destry Rides Again" following her inclusion in the famous "box-office poison" list. Wayne was just transitioning from shoestring Republic Pictures; he had made zillions of minor films, and his career was just starting to take off. Dietrich often seems to be in a different film altogether; the way she looks and acts goes way above what the material calls for - she was always extremely conscious of her "look" and image. Her musical numbers are fun, especially the awesome nightclub number in Navy uniform drag - who else could pull THAT one off so successfully!

An OK Marlene Dietrich film. I didn't find her as beautiful and talented as a lot of others must have. John Wayne looks very young and earnest. It was interesting to see Broderick Crawford in a role like this. But, again, this film was just OK. Grade: C-