Teddy the Rough Rider

ONCE AGAIN WE are indebted to Turner Classic Movies for bringing us together with movie shorts which are not comedies (farce usually) and introducing many to the "educational" or "historic" types. Although confined to the sum of two reels of celluloid, these pictures do serve at least to a sort of primer on a given area of study. Their exhibition invites the viewer to do some further research of his own at rge local public library.

AS FOR THE production itself, TEDDY THE ROUGH RIDER turns in a remarkably Grade "A" look from stem to stern. This was no doubt at least due in part to the resourcefulness of the Warner Brothers'/Vitaphone's extensive experiences at using and reusing just about every sort of action, adventure and dramatic scene and out take available. Hence, you may see many shots here that were taken from the likes of DODGE CITY (Warner Brothers, 1939).

AS FOR THE treatment of History in this Historical Mini-Biography, t is, of necessity condensed, compressed and somewhat freely embellished. We learn that Roosevelt was rapidly promoted up the political ladder from NYC Police Commissioner, New York State Assemblyman, NY Governor and then to the Office of VP under William McKinley -all basically for being a thorn in the side of the Political Machine.

BUT IN THE END, Teddy fooled them, succeeding McKinley as President upon the assassination of the latter on September 14, 1901. This was the ultimate culmination in a most diverse and obstacle laden life, even for a "spoiled" rich kid.

TEDDY HAD STARTED his life as an asthmatic plagued, skinny, little kid. He spent a good deal of his youthful time in making himself bigger, stronger and much more masculine and robust individual. He could have been called the original "97 pound weakling", even before the days of the Charles Atlas ads.

THIS NEED AND drive to both prove and improve his masculine self continued right up to his organizing the famous U.S. Army Rough Riders of the Spanish- American War.

WHICH NEATLY BRINGS us back to the title of this film.

his two-reel short won an Oscar in 1940 and is a fairly good look at Teddy Roosevelt and reasonably historically accurate, for Hollywood. Sidney Blackmer actually looks like TR (thanks to a good makeup job) and it suffers only sligtly from melodramatic excess. The performances are for the most part good and it's a good example of an all but lost form-the 20 minute short film. Turner Classic Movies runs this occasionally as filler and it generally runs as part of their "31 Days of Oscar" feature in March. Recommended.

It's an Oscar winning short of the life of Theodore Roosevelt from police commissioner of New York City to Assistant Secretary of the Navy to his charge up San Juan Hill during the Spanish-American War and his rise in the political world.

It's an old fashion film. The writing is very old style. Of course, it has "Speak softly but carry a big stick". The acting is very broad almost to the point of being a cartoon. It is what it is. It's an old fashion filler acting as a historical newsreel.

Sidney Blackmer plays the 28th president of the United States in this short, which won the Oscar for best two-reel movie in the next set of Oscars. Blackmer played Roosevelt seven times on the screen and probably terrorized his entire neighborhood keeping in practice.

This movie covers the period of Roosevelt's life from 1895, when he was Police Commissioner of New York City through his death.

This was director Ray Enright's first short subject in twenty years. Over the past dozen years, he had been one of Warner Brothers' workhorse directors, turning out three or more features a year. Enright was never distinguished as a stylist, but he turned out a long series of money-making movies. This movie looks like it was intended from the first to be Warner Brother's candidate for Oscar gold.

Sidney Blackmer certainly couldn't be accused of being half-hearted with his downright ebullient portrayal of American politician Teddy Roosevelt. Beginning with his determination to rid the police department of it's corruption through to his visionary anticipation of the Spanish-American War before his election as Governor of New York. In all of those positions he managed to irritate just about every vested interest, so they decided to put him up for McKinley's Vice-President where they assumed he could do no great harm. Unfortunately, a gunman managed to see he was unexpectedly elevated to the top job and there he remained until succeeded by Taft. All of that is crammed into a twenty minutes that really doesn't do much justice to his achievements and relies far too much of the exuberance of his performance and of a series of soundbite-style clips of his famous and vibrantly flag-waving speechifying. It might encourage more exploration of the career of this formidable man, but as a stand alone drama it's far too rushed and superficial.