IMDb RATING
7.2/10
5.8K
YOUR RATING
Why is Inspector Ed Cornell trying to railroad Frankie Christopher for the murder of model Vicky Lynn?Why is Inspector Ed Cornell trying to railroad Frankie Christopher for the murder of model Vicky Lynn?Why is Inspector Ed Cornell trying to railroad Frankie Christopher for the murder of model Vicky Lynn?
- Director
- Writers
- Stars
- Awards
- 2 wins total
May Beatty
- Lady Handel
- (as Mae Beatty)
Brooks Benedict
- Nightclub Patron
- (uncredited)
Edward Biby
- Nightclub Patron
- (uncredited)
Stanley Blystone
- Police Detective
- (uncredited)
- Director
- Writers
- All cast & crew
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Being a fan of old movies, I must say that Cregar's performance in this film interested me a great deal. Having only been in his mid 20's at production, he is able to come off as a man who has indeed been on the force for some years. I've enjoyed his work in other movies, and wonder while watching his work what might have been had he lived beyond the young age of 28.
There's a lot to like about this Film Noir: excellent use of shadows (some spectacular patterns), Victor Mature's best acting role, Carole Landis' (who's both a better actress & prettier than Betty Grable) juicy part, Laird Cregar in one of the best scary roles of his too short career, & a strong plot. For cheesecake fans: yes, you do get to see Betty's great legs in a swimming pool scene that seems to have been incorporated into this film for just that purpose. For beefcake fans: yes, you do get to see Victor's chest in the same swimming pool scene. So everyone should have something to be happy about. There's lots of suspects here (five solid ones) to choose from, & I got it wrong, so the film gets an extra point for that. I rate it 9/10.
Despite Victor Mature's claim that he never 'acted' in any of his films, he does well enough here. Full of shadows, sly humour and a storyline which keeps you guessing, plus that wonderful soundtrack (including snatches of Over The Rainbow), this stands as a monument to film noir - Betty Grable could clearly handle a non-musical role, Elisha Cook Jnr displays his twitchy vulnerability as he would in so many 40s thrillers. The real-life early deaths of Landis (playing Vicki here in a manner which reminded me of Vivien Leigh's Blanche Dubois, all flirty giggles) and Cregar (superb here as the corrupt detective gliding and purring in that unusual voice like a huge cat) do affect viewings of this film and give the proceedings a hint of sadness. This aside, there is much to enjoy, particularly in the supporting characters of Mature's actor and columnist friends. One niggle though, given the plot dependence on various people letting themselves into other people's apartments, how come Vicki got herself locked out?
Evocatively directed by Bruce Humberstone, this absorbing early film noir contains a surface sheen, polished elegance, and haunting ambiguity that anticipate similar noirs by Otto Preminger. Its cast of unusual actors and all-time greats is uniformly excellent. Betty Grable is quite revealing and capable of expressing a genuine human emotion in the rare dramatic role of Jill Lynn, the sister of the slain victim Vicky (Carole Landis). Victor Mature looks suitable for his part. Laird Cregar (who would later play the Devil in Lubitsch's "Heaven Can Wait") may be the most memorable character in the film; he is truly scary as the corrupt detective investigating the murder case. Director Humberstone's way of handling the two disjointed flashback structures in the beginning, narrated by Mature & Grable in their two separate rooms is quite intriguing and masterful. The film has a way of surprising us with its captivating twists and revelations, never failing to arouse the viewer's imagination. One of the most enjoyable noirs of the 40s.
When the model Vicky Lynn (Carole Landis) is found murdered in her apartment in New York, the promoter of sports Frankie Christopher (Victor Mature) becomes the prime suspect of Inspector Ed Cornell (Laird Cregar) and is brought to the precinct for interrogatory. Christopher discloses how he promoted the career of Vicky when she was a waitress after making a bet with his friends Robin Ray (Alan Mowbray) and Larry Evans (Allyn Joslyn). After reaching the stardom, Vicky tells Christopher that she would leave him to go to Hollywood and on the next day, she was killed. Ed Cornell insists that Christopher is the killer and frames him, and Christopher can only have the support of Vicky's sister, Jill Lynn (Betty Grable), who has fallen in love with him. Who Killed Vicki?
"I Wake Up Screaming" is a film-noir with a story of unrequited love and obsession and "Over the Rainbow" as the music theme (after "The Wizard of Oz" of two years before). Laird Cregar is scary in the role of Inspector Ed Cornell and the final twist surprises and is well resolved. My vote is seven.
Title (Brazil): "Quem Matou Vicki?" ("Who Killed Vicki")
"I Wake Up Screaming" is a film-noir with a story of unrequited love and obsession and "Over the Rainbow" as the music theme (after "The Wizard of Oz" of two years before). Laird Cregar is scary in the role of Inspector Ed Cornell and the final twist surprises and is well resolved. My vote is seven.
Title (Brazil): "Quem Matou Vicki?" ("Who Killed Vicki")
Did you know
- TriviaThe writers used the name "Cornell" for the obsessive cop played by Laird Cregar, a tribute to noir writer Cornell Woolrich.
- GoofsJill's new address is apartment F, but when Cornell visits, the door is clearly marked 3B.
- Quotes
Ed Cornell: I'll follow you into your grave. I'll write my name on your tombstone.
- Crazy creditsOn BBC Two UK broadcasts, the 20th Century Fox logo does not appear at the beginning; instead there's an opening credit saying "Twentieth Century-Fox Presents".
- ConnectionsEdited into I Wake Up Screaming: Deleted Scene (2006)
- SoundtracksStreet Scene
(uncredited)
Music by Alfred Newman
[Played over main titles, then heard as background music throughout the movie]
- How long is I Wake Up Screaming?Powered by Alexa
Details
Box office
- Budget
- $462,000 (estimated)
- Runtime
- 1h 22m(82 min)
- Color
- Aspect ratio
- 1.37 : 1
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