Out of the Fog

John Garfield must have felt right back home with this gritty and relevant social drama that was originally on Broadway in 1939 as a Group Theater production. He fits the lead of Goff who's a dirty little protection racket gangster, terrorizing the gentle people who inhabit the Sheepshead Bay area of Brooklyn.

What must have annoyed Garfield no end was the ethnic cleansing of the story, the uprooting of all the Jewishness from the original play to the film. Out Of The Fog was originally entitled The Gentle People which was written by Irwin Shaw and ran for 141 performances on Broadway in 1939. If Garfield had not been in Hollywood in 1939 he could easily have been in the lead on Broadway.

On Broadway the part was played by Franchot Tone. Garfield fits the role perfectly, but I certainly would love to have seen what Tone did with the part. The Gentle People was hardly the kind of property that his studio MGM would have bought. Over at Leo the Lion Franchot Tone was rarely out of his dinner clothes, it was later when freelanced that he showed he was capable of this kind of role on screen.

The parts played by the two older men who are among several of Garfield's 'clients' are John Qualen and Thomas Mitchell. On Broadway they had distinctly Jewish last names and were played by Lee J. Cobb and Sam Jaffe. Garfield approaches these two men who are partners in a fishing boat and offers them 'protection' for $5.00 a week, a special rate because he's liking Mitchell's daughter Ida Lupino.

Shaw's play is of course an anti-Nazi allegory, but Warner Brothers decided to take the ethnicity away from the victims. Still the message is comes through loud and clear as Qualen and Mitchell decide that when the law doesn't work, they have to take matters in their own hands.

As always the mark of a good play or film is the development of lesser characters like Aline McMahon who is the longstanding perpetually suffering mother with continual aches and pains. Also Eddie Albert who plays Ida's steady reliable beau who looks rather plain next to Garfield's flash.

Robert Homans as the Irish cop on the beat who delivers a final summation for the results of the story has some words to the wise. There are times when conventional law enforcement won't do the job.

'Out of the Fog' is director Anatole Litvak's excellent film version of the Irwin Shaw play, 'The Gentle People,' starring two of Warner Brothers greatest stars, John Garfield and Ida Lupino. Garfield plays a cruel, small-time racketeer who terrorizes two Brooklyn fishermen as the one's restless daughter (Lupino) falls in love with him. Both stars offer terrific performances, with Garfield especially good in a rare villainous role. Top honors, though, go to Thomas Mitchell and John Qualen, two of our very best character actors, who steal the film from the stars with their top-notch performances as the terrorized fishermen.

Highly recommended.

Always liked John Garfield films and his style of acting, in this film John plays the role as Harold Goff who is a racketeer who lives around the water front and burns people's boats who do not pay for his protection money. Jonah Goodwin, (Thomas Mitchell) is an elderly man who owns a business and loves to fish along with his friend, Olaf Johnson, (John Qualen) who is a chef in a local store. These two men are confronted by Harold Goff who demands five dollars a week protection money for their boat, they eventually give in and start paying him. However, Harold starts dating Jonah Goodwin's daughter, Stella Goodwin and she starts falling in love with him. Harold finds out that Jonah has saved one-hundred and ninety dollars and so he decides to grab that money from him and that is when the trouble starts to happen. This is a great picture and one you will not want to miss. Enjoy.

I found "Out of the Fog" to be a dreary film, in part because it takes place entirely at night (in a Hollywood studio's version of the slums of Brooklyn), and in part because its take on human nature is bleak.

John Garfield, as a small-time gangster, offers up no redeeming qualities; he's pure evil in a smarmy sort of way, and so not very interesting. According to TCM's Robert Osborne, Humphrey Bogart was considered for this role. Though Garfield was strong in other movies, I believe Bogie would have brought more to the table in this one than we see from Garfield.

Ida Lupino as the working class girl who wants to see a bigger, brighter world, falls equally short. She's sweet and kind to her father, yet dates Garfield's Goff character even after learning that Goff is shaking down dear old Dad. Her acting fails to reconcile these two facts (although the screenplay may equally be to blame).

Though "Out of the Fog" apparently had its roots in socialist perspective, it comes off as patronizing; the working class folk should be happy with their lot, it suggests, and when their pleas for help are ignored by their government (represented by the court here), their only ally is the working class cop who walks the local beat.

"Out of the Fog" fails as a film noir crime drama and as a morality tale. The ending is happy -- though everyone we're supposed to care about returns to their bleak existence -- but it is an unsatisfying resolution.

John Garfield is a sadistic, heartless thug in "Out of the Fog," starring Ida Lupino, Thomas Mitchell, John Qualen, and Eddie Albert. Garfield's life centers around intimidating scared, weak people into coughing up "protection" money so that he won't set their boats or businesses on fire or beat them to a pulp. Ida Lupino plays Stella, a young woman who's bored with her boyfriend (Eddie Albert) and sick of her life, and when she meets Garfield, she sees a chance for excitement. Little does she know that he's shaking down her father (Mitchell) and his partner in a fishing boat (Qualen).

This drama was interesting, had a rich atmosphere and a good cast. That, however, doesn't mean I enjoyed it. Garfield was so mean he was disgusting, John Qualen was so lily-livered I wanted to slap him, and all I could do was pity poor Thomas Mitchell. How Lupino could have had anything to do with Garfield after she found out he was demanding money from her father is beyond me.

The point of the film, brought home by Eddie Albert and Mitchell, is that Stella is just an ordinary girl and she shouldn't want or reach for anything special. Well, maybe she shouldn't have wanted or reached for any special via John Garfield, but how's that for a nice sexist 1940s message. However, the ending (not liked by at least one of the posters commenting here) does indicate that Stella will be able to achieve a balance in her life, so in that way, it was very satisfying.

The best characters were played by Mitchell and Qualen who, not surprisingly, give the best performances. They had a lot more to work with, Mitchell especially, and he gave it everything he had. Garfield's role was one-dimensional, and we learn nothing about how he came to be such a rat, so all you can do is hate him. Lupino's role is strictly ingénue - she found a better niche later on.

Interesting movie that, whether you like it or not, will hold your interest.