John Sands, a former Texas marshal turns to ranching, and later to a gunfighter when he sets out to prove that casino/saloon owner, Matt Garson, had his brother, a newspaperman, killed.John Sands, a former Texas marshal turns to ranching, and later to a gunfighter when he sets out to prove that casino/saloon owner, Matt Garson, had his brother, a newspaperman, killed.John Sands, a former Texas marshal turns to ranching, and later to a gunfighter when he sets out to prove that casino/saloon owner, Matt Garson, had his brother, a newspaperman, killed.
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Panhandle is directed by Leslie Selander and written by John C. Champion and Blake Edwards. It stars Rod Cameron, Cathy Downs, Reed Hadley, Anne Gwynne, Blake Edwards, Dick Crockett and Rory Mallinson. Music is by Rex Dunn and cinematography by Harry Neumann.
John Sands (Cameron) has to return to his gunfighter ways when news reaches him that his brother has been murdered...
Filmed in Sepiatone and a little more serious than many other 1940's Westerns, Panhandle is a satisfying experience for genre enthusiasts. Formula is rife as we would come to know it in Oaters, though, as picture ticks off the check list: badman turned good who is forced to turn bad again for revenge, romance tingling in the air, quick draw shoot-outs, punch-up, weasel villain and his hired cronies, poker games with the inevitable cheat called out and the "hooray" finale. All of which is nicely directed and performed by the cast. The location scenery doesn't get much chance to shine through, and in truth the Sepiatone does little to improve the picture, but this is easily recommended to the Western faithful. 7/10
John Sands (Cameron) has to return to his gunfighter ways when news reaches him that his brother has been murdered...
Filmed in Sepiatone and a little more serious than many other 1940's Westerns, Panhandle is a satisfying experience for genre enthusiasts. Formula is rife as we would come to know it in Oaters, though, as picture ticks off the check list: badman turned good who is forced to turn bad again for revenge, romance tingling in the air, quick draw shoot-outs, punch-up, weasel villain and his hired cronies, poker games with the inevitable cheat called out and the "hooray" finale. All of which is nicely directed and performed by the cast. The location scenery doesn't get much chance to shine through, and in truth the Sepiatone does little to improve the picture, but this is easily recommended to the Western faithful. 7/10
John Sands is a famed ex lawman ,most celebrated for having faced down Billy the Kid .He is now living in Mexico ,having fallen foul of the law in the States,and is working as a storekeeper when news reaches him that his brother has been murdered .He vows to return to America to avenge his brother despite knowing full well this places him at risk of arrest . He is drawn into enmity with the ruthless Matt Garson who is also his rival for he hand of Garson's secretary (Joan O'Carroll)and to complicate matters he law is on his tail.
Blake Edwards -a man mostly known for his acerbic comedic scripts-co wrote this movie and the screenplay is above average for the genre, and the era .Add some lively action ,including the old genre staple of a bar -room brawl ,and some capable performances and the result is a good and watchable B movie that devotees of the Western will especially enjoy
Blake Edwards -a man mostly known for his acerbic comedic scripts-co wrote this movie and the screenplay is above average for the genre, and the era .Add some lively action ,including the old genre staple of a bar -room brawl ,and some capable performances and the result is a good and watchable B movie that devotees of the Western will especially enjoy
Having fled to Mexico to escape murder charges, a former lawman by the name of John Sands (Rod Cameron) is told by a young woman named "Jean 'Dusty' Stewart" (Cathy Downs) that his brother has been killed in Texas. That said, he decides to ride north to find the man responsible and seek revenge. To that effect, when he arrives in the town where his brother was murdered, it doesn't take long for John to suspect that a man named "Matt Garson" (Reed Hadley) was directly involved. But before he can do anything, he needs proof, which means gathering information from the local townspeople. It's during this time that he meets a young woman named "June O'Carroll" (Anne Gwynne), and they quickly become attracted to each other. The problem, however, is that she works for Matt Garson, who has his own romantic hopes for her and doesn't like seeing her with another man-especially John Sands. Now, rather than reveal any more, I will just say that, despite the general B-movie aspects surrounding this film, it still turned out quite entertaining, with Rod Cameron putting in a solid performance overall. Personally, I'm not sure why both Cathy Downs and Anne Gwynee were cast as the director, (Lesley Selander) could have easily combined both roles and made things much simpler. Not that I'm complaining about having two attractive actresses in the same film, mind you, but it does seem somewhat puzzling. In any case, I believe that viewers looking for a solid traditional Western could certainly do a lot worse, and I have rated this movie accordingly.
"Panhandle" is a B-western from Allied Artists...the same company formerly known as Monogram Pictures. I am not sure of the name change and assume it was simply because Monogram had a pretty poor reputation and the name change would possibly evoke more positive imagery to the consumer. However, despite this, "Panhandle" was actually a pretty good film...better than I expected.
John Sands (Rod Cameron) was a feared gunman long ago. However, he tired of the life and retired to a small border town. But this quiet life is interrupted when he learns that his brother was murdered in another town. And, when he arrives in the town, he realizes NOTHING is done without the local boss' permission. In other words, Matt Garson (Reed Hadley) is clearly behind his brother's murder. But since he's the boss, he has lots of men to go through and John will sure have a difficult time getting to him.
Apart from one woman who is inexplicably nasty towards a poor Mexican guy, the acting was very good and the villain easy to hate. I also thought Cameron and the fight scenes were done very well. I have no major complaints about the story and it held my interest throughout.
John Sands (Rod Cameron) was a feared gunman long ago. However, he tired of the life and retired to a small border town. But this quiet life is interrupted when he learns that his brother was murdered in another town. And, when he arrives in the town, he realizes NOTHING is done without the local boss' permission. In other words, Matt Garson (Reed Hadley) is clearly behind his brother's murder. But since he's the boss, he has lots of men to go through and John will sure have a difficult time getting to him.
Apart from one woman who is inexplicably nasty towards a poor Mexican guy, the acting was very good and the villain easy to hate. I also thought Cameron and the fight scenes were done very well. I have no major complaints about the story and it held my interest throughout.
I know nothing about Director Leslie Selander, but in PANHANDLE he gets a catchy film going on a constantly calm note, until the final deluge and shootout.
He is most calmly helped by the rather laid back and softly singing Rod Cameron, one of the tallest male actors to appear in B Westerns and this time out to avenge his brother's murder. Two beautiful females in Cathy Downs and Anne Gwynne do not hurt one bit.
Reed Hadley plays the master villain Garson rather convincingly, down to thinking that he is the sharpest knife in town and claiming that he makes no mistakes. Of course, such overconfidence seldom bodes well for one's safety, as Garson finds to his cost.
Cinematography in PANHANDLE is rather curious: it features some gorgeous sights as John Sands escapes a trio of killers early on, then it gets rather dark inside the villain's saloon, and finally it is shot in near complete blackness and under a deluge of rain. Sadly the quality of photography decreases as the screen gets darker and darker.
All right script by Blake Edwards (of later Pink Panther fame) and Champion.
He is most calmly helped by the rather laid back and softly singing Rod Cameron, one of the tallest male actors to appear in B Westerns and this time out to avenge his brother's murder. Two beautiful females in Cathy Downs and Anne Gwynne do not hurt one bit.
Reed Hadley plays the master villain Garson rather convincingly, down to thinking that he is the sharpest knife in town and claiming that he makes no mistakes. Of course, such overconfidence seldom bodes well for one's safety, as Garson finds to his cost.
Cinematography in PANHANDLE is rather curious: it features some gorgeous sights as John Sands escapes a trio of killers early on, then it gets rather dark inside the villain's saloon, and finally it is shot in near complete blackness and under a deluge of rain. Sadly the quality of photography decreases as the screen gets darker and darker.
All right script by Blake Edwards (of later Pink Panther fame) and Champion.
Did you know
- TriviaIn the original script Rod Cameron's character was supposed to be killed, but that ending was scrapped.
- GoofsObvious stunt double for Rod Cameron (John Sands) in bar-room fight, as stand-in has lighter colored hair and a different hair style.
- Quotes
John Sands: Seems like nothing happens around here without your say-so.
Matt Garson: That's right.
John Sands: Tell me, what do you do when it rains?
Matt Garson: I generally go inside.
- ConnectionsFeatured in American Masters: Blake Edwards: A Love Story in 24 Frames (2024)
- How long is Panhandle?Powered by Alexa
Details
- Runtime
- 1h 25m(85 min)
- Color
- Aspect ratio
- 1.37 : 1
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