Fresh Hare

Bugs Bunny is the last surviving rabbit in the countryside – or, at least, I presume this to be true, because Elmer Fudd seems to have killed and eaten quite a few! This particularly-rotund version of Fudd was a short-lived design used in five cartoons in 1941 and 1942, and was based upon the dimensions of voice actor Arthur Q. Bryan, who played him. In 'Fresh Hare (1942),' Fudd braves the snow and ice of the Canadian wilderness (where his added layers might actually come in handy) to capture the wanted outlaw Bugs Bunny, who is charged with a long list of crimes, everything from jaywalking to "conduct unbecoming to a wabbit." Of course, Bugs has little respect for the Royal Canadian Mounted Police (colloquially known as the "mounties") and, as might be expected, has no intentions of surrendering without a fight.

This cartoon, while nothing particular special amid a vast catalogue of similar Bugs-Fudd encounters, has enough interesting and funny moments to keep the viewer entertained for the full seven minutes. After the inept hunter tracks Bugs to his rabbit-hole, via a trail of graffiti-vandalised WANTED posters (and a rather risqué picture of a woman), he discovers that finding the fugitive was only the beginning of his troubles. When Bugs finds himself handcuffed early in the film, we're certain that this couldn't possibly be the end of the struggle, and, sure enough, the rabbit somehow contorts himself out of custody and replaces his wrist with a fuse-lit bomb. Later, Fudd is stripped off all his clothing – well, almost all his clothing – and left completely exposed to the elements, while Bugs makes a quick getaway; there are also a few amusing visual gags with the characters' outlines in the ice.

Having seen Tex Avery's 'The Heckling Hare (1941)' earlier today, I noticed that here director Friz Freleng recycles one of the gags from that film, as Bugs' ears miraculously separate to avoid an obstacle as he darts through the deep snow. Most often nowadays, 'Fresh Hare' is noted only for its somewhat controversial ending, which has subsequently been censored by do-gooders to gloss over America's darker racial history. Personally, I didn't really find anything particularly wrong with the ending, in which Bugs bursts into a chorus of "I Wish I Was in Dixie" and the cast briefly performs a few lines of "Camptown Races" in black-face. True, it's completely random and doesn't contribute much to the story, but my greater annoyance, in any case, is with the attempt to alter the film itself, which I regard as cultural vandalism in a sense. Keep an eye out for the unedited version.

"Fresh Hare" is one of several Warner Brothers cartoons that has been pulled from the market because of its racial insensitivities. While offensive, the company sure made worse (such as "Coal Black and de Sebben Dwarfs"--which would probably give the politically correct out there heart attacks if they see it). Now I am not excusing the ending--it was pretty offensive and I could see why the powers that be decided to yank this from the market.

The cartoon finds Elmer Fudd as a Mountie out to get his man....I mean, rabbit. It seems that the screwy rabbit has crossed the line too many times and he's wanted by the authorities. What follows is generally quite funny and is well animated. However, completely out of left field comes a final weird and not very funny joke--one that leads to Bugs, Elmer and the rest of the Mounties putting on an impromptu minstrel show. Overall, much of the cartoon is cute and enjoyable and the ending is just plain odd and rather offensive.

The much-discussed black-face ending is a non-sequitur, by its nature completely gratuitous. It is blurred out in a recent Digiview Public Domain version and an R - for Restricted? - appears in a box at the top left of the screen.

Other versions are available without the censorship. Or used to be.

Of its time and not a good gag but such meddling does not reflect well on the company. All it says to me is that these PD racketeers just want to market their wares to kiddies.

I'd cite this title as fairly strong evidence that Bugs is a gay character. Maybe someone with a bad conscience will censor the kissing, the sexualized power-games and the give-away silhouette in the snow. But who is the lady in this relationship? We are left guessing.

This is a Bugs Bunny cartoon with an old version of Elmer Fudd.

I was asking my family about the black and white minstrels, after reading reviews for this episode I wanted to know more about them. My family came to a decision that the black and white minstrels were more of a tribute to black people than an insult and it was only really in this day and age that they have been portrayed as politically incorrect. So why are so many people on here (including adults) saying that the black and white minstrels point at the end is racist?! It does not make any sense. Either my family has the wrong idea, or they have the wrong idea - and frankly, my familys' opinion is MY familys', so I will stick with theirs. :)

Anyhow, now that I've heaved that off my shoulders, this is one fun Bugs Bunny cartoon! There is nothing insulting in it at all (as far as I know) and it has a great deal of good jokes packed in! This episode is particularly funny. I also like Bugs Bunny and Elmer here, I wish they kept Elmer's animation like that (he is also smarter here than in his more well-known appearances).

I recommend this fun cartoon to anyone who likes old Bugs Bunny cartoons and does not mind anything too badly that is portrayed as politically incorrect nowadays. Enjoy "Fresh Hare"! :-)

You know the quality is going to be above average when a cartoon starts with an big orchestral intro and a still picture to complement the titles. Bugs Bunny, looking slightly less cute than he would in later years (and still having to be content with his name under the titles) evades and tricks Elmer the Mountie at every turn. Back in these days Elmer was so overweight he had to wear a girdle. But if you look closely you can actually see him sweating off those pounds during the wild chase scenes.

In the forties the Warner Studios were still competing with Disney to produce the best looking animation around. It is obvious a lot of thought and care went into the backgrounds and character animation. Yet they still could not compare to the competition. However when it came to gags the Merry Melodies were unbeatable. There are probably more jokes crammed into these 7 minutes than in any 7 Disney cartoons of the same era. Only the final scene involving a black and white minstrel show feels a bit awkward nowadays, for we like to forget that these totally incorrect programmes ever existed. In fact it was not until the late Sixties that this type of shows was banned, about the same time the Merry Melodies ended their run.

7 out of 10