Her Cardboard Lover

Firstly, I cannot believe that Norma Shearer is 40 in this film. She looks absolutely incredible and doesn't look a day over 30! Besides being beautiful, Norma Shearer was fantastic in this film! She was brilliantly funny and sophisticated. I once read that Norma Shearer couldn't act (I don't recall who this person is who claimed that), but this person is wrong. Norma can act, and it was definitely proved in this film. Luck was on Norma's side because she ended her acting career with this amusing film.

And Robert Taylor -- what a gag! I love his acting and he's just so adorable! He was fabulous in this film! I won't give anything away, but the definite high point in the film (as well as Robert Taylor's funniest scene) happens in the middle of the movie and deals with a 'sleepy' Taylor...

With such a little -- but talented cast -- this movie is fantastically funny and has hilarious moments and wonderful acting. I cannot rave enough about Norma & Taylor -- just see the film yourself!!

This is the second attempt to bring Jacques Deval's play to the screen. The first one was a vehicle for Marion Davies and Nils Asther, directed by Robert Z. Leonard. This new version bears George Cukor's signature as the director. The film is interesting for two reasons: it marked the last time its star, Norma Shearer, appeared on a film, and it also has Robert Taylor doing comedy, something he wasn't seen in often.

"Her Cardboard Lover" is a sophisticated comedy that capitalizes on the strength of its stars. The screen play by Valerie Wyngate has some ups and downs in it that even the great Cukor wasn't able to solve. First, there is a marked age difference between the stars, not because Ms. Shearer looks older, on the contrary, she is in excellent form, but Mr. Taylor appears to be much younger.

The film has some good moments for everyone. The best thing Mr. Cukor was able to do was to give the suave George Sanders the part of Tony Barling, the playboy who comes back to claim the love of Consuelo Croyden. They have parted in a bad way, but there's still something between the former lovers. By hiring Terry Trindale as the "fake" lover, in order to make Tony Barling jealous, a new dynamic enters into play.

There are two extraordinary sequences toward the end of the film. The first one is the fight between Tony and Terry in the hotel's pantry when dishes, vases, and all kinds of porcelain gets smashed against walls. The second one is in the court that is presided by judge Sam, brilliantly portrayed by Chill Wills. The acting is first rate by this marvelous cast. In minor roles Frank McHugh and Elizabeth Patterson shine.

The film is a light comedy that is a delight to watch.

Someone posted the comment that this film is "forgettable" and "triffling." But I saw Norma Shearer and Robert Taylor playing off each other with such spontaneity that I could only admire their talents all the more. Also, compare their rare comedic talents together in this film, along with their deep and tragic mutual acting in "Escape." Such a pair of talent-generating stars!

This version was so bad that Norma Shearer retired from the screen. I actually liked the quirky 1931 version with Irene Purcell in the same role, but it had the same effect on her career, and would be the last film in which she ever performed, though she was primarily a stage actress. Only the silent 1928 version with Marion Davies did not destroy the career of the leading lady.

Anyways, back to this version. In it Norma Shearer hires a lovestruck Robert Taylor (sporting a Bela Lugosi Dracula haircut with a point down the middle) to protect her from herself. Norma plays a Palm Beach vacationer hopelessly in love with a womanizer, played by, who else, George Sanders. Shearer hates that she can't control her desires for Sanders. Since Taylor owes her a gambling debt, he can pay it off by being Norma's secretary. His job doesn't involve typing. He's there to keep her away from Sanders, a job he performs too well, practically keeping her hostage in her own room. The chemistry between Shearer and Taylor is okay. But not as charged as her scenes with Sanders. You get the sense the two of them could have a happy open marriage. Shearer excels at playing liberated women (A Free Soul), (Private Lives). Norma wouldn't lose sleep over a philandering husband, as she would have her own trove of lovers. Of course, this is not Pre-Code Hollywood, which was something that worked in the favor of the 1931 version - "The Passionate Plumber".

I give Taylor credit for playing against type. Some of the comedic tropes for keeping Norma and George separated are funny, and some come across as creepy. This film has gorgeous sets, Harry Stradling's rich B&W photography, the elegant atmosphere, and of course Norma Shearer. But still, it just feels like the story is playing out in the wrong era.

Norma Shearer retired after this film. Apparently, during its making, someone said she had "jiggling grandma arms", and that was enough to have her hang it up at age 40. Although she still looked mighty fine to me.

Why does George Sanders always play the cad? I think he's very sexy, and this was the perfect role for him. Too bad Sanders was always cast as the cad/rival. I would like to have seen him as a romantic lead more often. Anyway Sanders and Shearer are delightful and very watchable in this film. They're both extremely talented actors, and the chemistry was believable. Shearer wasn't at her best, and didn't have much of a script to work with, but she proves she's one of the great movie stars - you simply cannot take your eyes off her. However, Taylor stole the show with his brilliant comedic expression and timing. He's a marvelous actor and used those eyebrows to their full potential in "Her Cardboard Lover". This is a very cute romantic romp of a film with some truly funny scenes.