Members of an opera company are being blackmailed by someone called the Black Panther.Members of an opera company are being blackmailed by someone called the Black Panther.Members of an opera company are being blackmailed by someone called the Black Panther.
- Director
- Writers
- Stars
Rick Vallin
- Anthony 'Tony' Abbot
- (as Ricki Vallin)
Thornton Edwards
- Enrico Lombardi
- (as Joaquin Edwards)
Joseph DeVillard
- Antonio Spogucci
- (as Joseph M. De Villard)
Jacques Vanaire
- Guiseppe Bartarelli
- (as Jack Vanaire)
Willy Castello
- John Martin George
- (as William Castello)
Harry Clark
- Officer Lou Levinsky
- (as Harry Clarke)
Lew Leroy
- Apartment Manager
- (as Lou LeRoy)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
When people start getting letters instructing them to leave money in public places ( or else!), the police get them together to figure out how to catch "the panther". Sydney Blackmer is Commissioner Colt, and the cops spend a LONG time bugging Mister Digberry (Byron Foulger), even putting him in a police line-up, when there is no witness. They realize he is yet another citizen falling for this scheme, like opera singer Nina Politza, played by Gerta Rozan. Check out Rozan's trivia on imdb... she had an interesting response when her part was cut from a film. The story is pretty slow, light-weight and linear. no surprises, no depth to the characters. Another very long scene between the singer and Enrico Lombardi, a minor, upper-class character who may or may not be involved in any of this. They seem to spend a lot of time on scenes that aren't important to the plot; they should have spent more time on developing the plot rather than filming all these minor scenes that have nothing to do with the story. As usual, in the old black and white films, the police are chasing their own tail rather than find the right suspect. Rick Vallin and John Ince play supporting roles as coppers. Ince was one of the three Ince brothers, all successful stars in holly-weird. Picture quality is just terrible, but it'll do. Directed by William Beaudine, who had directed a bunch of the Bowery Boys films. this one is very okay. meh.
"The Panther's Claw" is a B-movie from tiny PRC--a tiny studio that made a ton of cheap low-budgeted Bs. While this film isn't that much different from the norm for PRC, it is, inexplicably, more enjoyable than most of their output. Now I am NOT saying it's an especially well made film--it's full of plot holes and the ending is one giant plot hole! But, despite all this, it is fun to watch and much of it is because of the inexplicable choice for a main suspect in this murder mystery.
When the film begins, a very mousy man, Everett Digbury (Byron Foulger) is caught climbing over the wall from the cemetery. According to Digbury, he HAD to go to the place to drop off extortion money from an unknown person who calls them self 'The Panther'. However, the cop insists on taking Digbury downtown and he's treated like a criminal! Fortunately, the Chief of Police isn't as stupid as the rest of the cops and he feels sorry for Digbury and feels that he is a victim of a crime--not some evil perpetrator. However, over time, this confidence is shaken as several times murders occur and all the evidence points to poor old Digbury!
As I mentioned above, seeing one of the meekest men in all of Hollywood playing a guy who MIGHT be a multiple murderer and extortionist is pretty funny. Additionally, despite a few plot holes, the script actually is pretty good--particularly when it comes to snappy dialog. Although this is far from a great film, it is entertaining and fans of old B-mysteries would surely enjoy this one.
When the film begins, a very mousy man, Everett Digbury (Byron Foulger) is caught climbing over the wall from the cemetery. According to Digbury, he HAD to go to the place to drop off extortion money from an unknown person who calls them self 'The Panther'. However, the cop insists on taking Digbury downtown and he's treated like a criminal! Fortunately, the Chief of Police isn't as stupid as the rest of the cops and he feels sorry for Digbury and feels that he is a victim of a crime--not some evil perpetrator. However, over time, this confidence is shaken as several times murders occur and all the evidence points to poor old Digbury!
As I mentioned above, seeing one of the meekest men in all of Hollywood playing a guy who MIGHT be a multiple murderer and extortionist is pretty funny. Additionally, despite a few plot holes, the script actually is pretty good--particularly when it comes to snappy dialog. Although this is far from a great film, it is entertaining and fans of old B-mysteries would surely enjoy this one.
A milquetoast of a man is caught climbing out of a cemetery late one night. Its transpires that he had left 1000 dollars on a grave, in response to a letter sent to him warning of death if did not do so. When he and the copes return to the grave the money is gone. The cops haul the man in to the precinct for trespass and other charges. It transpires that the note is one of many that has been sent to a group of people in the hopes of extorting cash. Murder and mayhem follow.
Low budget PRC special is an odd mix of comedy and mystery. Its a mix that doesn't fully work since the comedy tends to over power the mystery at the most in opportune times. Part of the problem is that the very good Byron Foulger, a supporting stalwart has been pushed to the fore as our milquetoast lead. There is nothing wrong with Foulger in the lead, its just that decades of playing similar roles, usually for comic effect undercuts some of the tension.(I'm guessing this may play better on a second viewing when the flaws might be forgiven or at lest accepted). I know the film was also hurt for me by the cheapness of the sets which included numerous rear screen projections which result in a couple of screens where people just seem to be standing in front of a wall instead of being somewhere.
Worth a look in an undemanding mood.
Low budget PRC special is an odd mix of comedy and mystery. Its a mix that doesn't fully work since the comedy tends to over power the mystery at the most in opportune times. Part of the problem is that the very good Byron Foulger, a supporting stalwart has been pushed to the fore as our milquetoast lead. There is nothing wrong with Foulger in the lead, its just that decades of playing similar roles, usually for comic effect undercuts some of the tension.(I'm guessing this may play better on a second viewing when the flaws might be forgiven or at lest accepted). I know the film was also hurt for me by the cheapness of the sets which included numerous rear screen projections which result in a couple of screens where people just seem to be standing in front of a wall instead of being somewhere.
Worth a look in an undemanding mood.
No need to recap the well-reviewed plot beyond that grabber opening scene.
Is it possible that the meekest character actor in Hollywood, Byron Foulger, is actually a slick and clever murderer. Anyway, it looks that way in Claw, even as his Digberry (great name) fumbles around with the cops in scene after scene. From the way he looks and acts, could it be that he's guilty of anything more than an overdue parking ticket. But then, it turns out in the first part he really is the Black Panther or should I say the white kitty. It's a clever premise, using addled actor Foulger as chief suspect as events unfold. In fact, he gets more screen time than even top-billed Blackmer. There should be a special place in Hollywood heaven for unheralded talents like his.
Anyway, it's a generally entertaining little flick from budget-minded PRC. Blackmer turns in a faintly bemused turn as the police commissioner and I like the way he's nagged by the lynch-minded DA (Rawlinson) that sets up an unusual and well-handled conflict. On the downside are a number of plot holes (as others point out), along with an embarrassing turn by Edwards as a hammy Italian, and Mitchell as a stereotypically silly Black of that comedic period. Nevertheless, there's enough imagination and upper-billed acting to lift this little flick beyond the strictly ordinary.
Is it possible that the meekest character actor in Hollywood, Byron Foulger, is actually a slick and clever murderer. Anyway, it looks that way in Claw, even as his Digberry (great name) fumbles around with the cops in scene after scene. From the way he looks and acts, could it be that he's guilty of anything more than an overdue parking ticket. But then, it turns out in the first part he really is the Black Panther or should I say the white kitty. It's a clever premise, using addled actor Foulger as chief suspect as events unfold. In fact, he gets more screen time than even top-billed Blackmer. There should be a special place in Hollywood heaven for unheralded talents like his.
Anyway, it's a generally entertaining little flick from budget-minded PRC. Blackmer turns in a faintly bemused turn as the police commissioner and I like the way he's nagged by the lynch-minded DA (Rawlinson) that sets up an unusual and well-handled conflict. On the downside are a number of plot holes (as others point out), along with an embarrassing turn by Edwards as a hammy Italian, and Mitchell as a stereotypically silly Black of that comedic period. Nevertheless, there's enough imagination and upper-billed acting to lift this little flick beyond the strictly ordinary.
This is a cute blend of comedy and mystery as others have said. It is at least as good as a modern TV sitcom. I thought Byron Foulger did a great job as the suspicious character who just might be a bad guy. He is so addled being questioned by the police and so scared of his wife and 5 daughters it makes for a sympathetic and charming hero. The plot slowly bumps along with plenty of red herrings thrown around and more humour stirred in with the stereotyped black elevator operator doing the step and fetch it style humour good for a little chuckle. If hubby who really does not like B and W movies stayed interested, then that is enough to recommend it.
Did you know
- TriviaThis PRC programmer provided a rare starring role for the very prolific character actor Byron Foulger. Although he gets only third billing, his character has the most screen time.
- GoofsThe first name of the character "Guiseppe Bartarelli", as it is shown in the closing credits, is a misspelling of "Giuseppe", the Italian form of Joseph.
- Quotes
Miss Spencer: Is he arrested?
Nicodemus J. Brown: That ain't Santa Claus walkin' along side of him!
- ConnectionsFeatured in Terror! Theatre: The Panther's Claw (1957)
Details
- Release date
- Country of origin
- Language
- Also known as
- Shake Hands with Murder
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 10m(70 min)
- Color
- Aspect ratio
- 1.37 : 1
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