The official World War II US Government film statement defining the various enemies of the Allies and why they must be fought.The official World War II US Government film statement defining the various enemies of the Allies and why they must be fought.The official World War II US Government film statement defining the various enemies of the Allies and why they must be fought.
- Won 1 Oscar
- 5 wins total
Photos
- Narrator
- (voice)
- (uncredited)
- Self
- (archive footage)
- (as Lord Lytton)
- Self
- (archive footage)
- (as General Chaing Kai-Shek)
- Self
- (archive footage)
- (as Darré)
- Self
- (archive footage)
- (as Dietrich)
- Self
- (archive footage)
- (as Frank)
- Self
- (archive footage)
- (as Doctor Goebbels)
- Self
- (archive footage)
- (as Goring)
- Self
- (archive footage)
- (as Hess)
- Self
- (archive footage)
- (as Hitler)
- Self
- (archive footage)
- (as Kurusu)
- Self
- (archive footage)
- (as Ley)
- Self
- (archive footage)
- (as Yosuke Matsuoka)
- Self
- (archive footage)
- Self
- (archive footage)
- Self
- (archive footage)
- (as Reinhardt)
- Self
- (archive footage)
- (as Doctor Alfred Rosenberg)
Featured reviews
Judged in hindsight Prelude packs vast amounts of information in its engrossing less than an hour running time about threats to the American way, soberly and effectively narrated by Walter Huston. Filled with charts and graphs it divides the planet in two ( the world of light and the world of darkness) as the iconic symbols of the axis powers advance across territories in black, inter cutting documentary footage of atrocity.
Over 60 years after it was made this documentary about world wide life and death struggle remains compelling viewing as the universe still wrestles with massive conflict today. I can only imagine the massive emotional weight this film must have had on an American film audience as the conflagration still raged in 1943. To sit in a darkened theater suddenly illuminated by blast and explosion viewing visions of civilian slaughter in city streets like ours must have shaken audiences to the core. Frank Capra made some classic films in his day but he never made more important ones than the Why We Fight series.
If you are looking to buy a copy, CARE SHOULD BE EXERCISED due to the existence of a fraudulent film by the same title. The original is a classic, starting with a lively series of shots, often employing double exposures and fading edits, listing the fallen nations to the axis powers. One poorly done fraud, sold in a set of four with three of the original series titles, has a narrator reading a textbook or encyclopedia and turning the pages...
Obviously, this was made before political correctness existed, and you can tell: there is talk of 'Japs', the Holocaust is largely ignored. Also, the movie is necessarily ambivalent about the Russian role, who were allies at the time. For example, the Molotov-Von Ribbentrop pact (especially the annex about the division of Eastern Europe) goes virtually unmentioned, and the Red Army's reasons for showing up in Eastern Poland are nebulous.
On the other hand, the movies are quite detailed about the people involved, the various Nazi leaders and so on - who would have been household names at the time, but would probably be left out of present day WWII documentaries. Also interesting is that one of the reasons, apparently, why Nazism must be fought was their union busting - surely a reflection of the post-Depression Roosevelt era.
All in all, well worth watching. I rate this highly both because it is essential viewing as an historical document, and because it is very well done propaganda (Frank Capra, animations by Disney)! Note that the US government has placed these movies in the public space, which means that perfectly legal, digital versions can be found on the internet.
But there is more than I expected here, which is what is so fascinating and satisfying. Capra is a real filmmaker, he's not just some gun for hire that the Army would get to make something fast and message heavy without any artistic merit. So even when Capra's imagery and tactics of narrative devices beat the drum over the head- perhaps for good reason as it was, again, for the US Army- is really does drive the points home as solid propaganda. And, sometimes, as some decent history too about how Germany and Japan got to where they were in the lead-up into the war. On top of this is Capra's skill in combining documentary footage of Nazis and "the Japs" with various maps showing what the axis powers would do with their far-reaching goals in taking over the road (like an oil-slick it goes over the map), and there's even some really creative animation used. Plus, of course, some actual interviews and footage of politicians.
Overall, while not subtle in the slightest, Prelude to War is a fine piece of film-making that achieves its principle goal: get the soldiers (or the audience in general) riled up about what has happened up until this point in time, and, of course, to 'know-your-enemy' as it were. It's no less an artistic achievement really than anything else Capra was doing in the 1940's.
Did you know
- TriviaThis film is in the public domain. As a work by Federal Government employees on behalf of the Federal Government, the film is by law ineligible for copyright protection and was released into the public domain at its creation.
- GoofsDuring the (silent) footage of Ethiopians shouting, the angry voices are actually shouting in Kiswahili: "Kwenda!" ("go:), etc. The principal language of Ethiopia is Amharic. Kiswahili (commonly known as "Swahili") is the main language of Kenya, Tanzania and Uganda.
- Quotes
Narrator: [Last line] For this is what we are fighting: Freedom's oldest enemy, the passion of the few to rule the many. This isn't just a war. This is the common man's life and death struggle against those who would put him back into slavery. We lose it, and we lose everything. Our homes; the jobs we want to go back to; the books we read; the very food we eat. The hopes we have for our kids; the kids themselves. They won't be ours anymore. That's what's at stake. It's us or them! The chips are down. Two worlds stand against each other. One must die, one must live. One hundred seventy years of freedom decrees our answer.
[Legend - not spoken]
Narrator: "... victory of the democracies can only be complete with the utter defeat of the war machines of Germany and Japan." G.C. Marshall, Chief of Staff
- ConnectionsEdited into The Road to War: Japan (1989)
- SoundtracksThe Star Spangled Banner
(1814) (uncredited)
Music by John Stafford Smith (1777)
Played often in the score
- How long is Why We Fight?Powered by Alexa
Details
- Runtime
- 52m
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1