Documentary focusing on the contributions to the American war effort of African-American soldiers.Documentary focusing on the contributions to the American war effort of African-American soldiers.Documentary focusing on the contributions to the American war effort of African-American soldiers.
- Awards
- 2 wins total
Max Schmeling
- Self
- (archive footage)
Henry Johnson
- Self - WW1 Soldier
- (archive footage)
George Washington Carver
- Self - Chemist of Agriculture
- (archive footage)
James S. Watson
- Self - Elected Judge in New York City Courts
- (archive footage)
- (as Elected Judge in New York City Courts)
Matthew Henson
- Self - Explorer
- (archive footage)
- (as Explorer)
Vivien Theodore Thomas
- Self - Leading New York City Surgeon
- (archive footage)
- (as Leading New York City Surgeon)
W.C. Handy
- Self - Father of the Blues
- (archive footage)
- (as Father of the Blues)
C.B. Powell
- Self - Financier and Publisher
- (archive footage)
- (as Financier and Publisher)
Gertrude Elise Ayer
- Self - Principal of a New York City Public School
- (archive footage)
- (as Principal of a New York City Public School)
Lawrence Reddick
- Self - Curator, Schomburg Collection of Literature
- (archive footage)
- (as Curator)
Richmond Barthé
- Self - International Prize Winning Sculptor
- (archive footage)
- (as International Prize Winning Sculptor)
Marian Anderson
- Self - Singer
- (archive footage)
- (as Singer)
Jesse Owens
- Self - Sprinter at the 1936 Summer Olympics Final
- (archive footage)
- (as Owens)
Erich Borchmeyer
- Self - Sprinter at the 1936 Summer Olympics Final
- (archive footage)
- (as Borchmeyer)
Ralph Metcalfe
- Self - Sprinter at the 1936 Summer Olympics Final
- (archive footage)
- (as Metcalfe)
Martinus Osendarp
- Self - Sprinter at the 1936 Summer Olympics Final
- (archive footage)
- (as Osendarp)
Gustav Weinkötz
- Self - High Jumper at the 1936 Summer Olympics Final
- (archive footage)
- (as Weinkötz)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
8sbox
This is a good patriotic documentary which focuses on blacks' role in World War II. Made in 1944, this film includes many interesting scenes, from training to actual service.
A US World War 2 propaganda film, showing how African-American soldiers are helping the Allied cause.
A well-made propaganda film. Quite stirring in showing the contribution African-Americans had made to previous wars and were making to the current war, World War 2. Made to convince African-Americans to join up and help win the war it does well to paper over the race-based social divide that existed in the US at the time.
Quite sad in the respect in that, while it was okay for African-Americans to fight and die for their country, they were treated as second class citizens at home, with less rights than whites. Just the fact that the film had to be made is a sad reflection of the times.
This said, it is very effective in its purpose and is even quite emotional at times. Some good military footage too.
A well-made propaganda film. Quite stirring in showing the contribution African-Americans had made to previous wars and were making to the current war, World War 2. Made to convince African-Americans to join up and help win the war it does well to paper over the race-based social divide that existed in the US at the time.
Quite sad in the respect in that, while it was okay for African-Americans to fight and die for their country, they were treated as second class citizens at home, with less rights than whites. Just the fact that the film had to be made is a sad reflection of the times.
This said, it is very effective in its purpose and is even quite emotional at times. Some good military footage too.
As all "good" propaganda this also is telling the truth. Well part of it at least. Omissing crucial other things that may not serve the purpose the movie/documentary had in mind. Because this was about recruiting people of color to the military. So you know, they only tell the people the good stuff, not the things that were still dividing America. It's almost tragic, but some of the things dividing are still very apparent (especially with number 45 in power).
You may say, why go to current politics? The question should not be raised, because while there is no commentary at hand (at least not with Netflix), this is a testament to a part of history some like to forget. And how devious methods were applied to benefit an army, pretending to be more than it was ...
You may say, why go to current politics? The question should not be raised, because while there is no commentary at hand (at least not with Netflix), this is a testament to a part of history some like to forget. And how devious methods were applied to benefit an army, pretending to be more than it was ...
The Negro Soldier (1944)
** 1/2 (out of 4)
Mildly entertaining documentary from the War Department, which was made to try and get more black people to join the military. Many of these WWII documentaries were directed by people like Frank Capra and John Huston but this one here comes from Stuant Heslier who got the job at William Wyler quit the project thinking that the documentary was too fake for its own good.
If you recently viewed this film on Turner Classic Movies then you probably saw the introduction with author Mark Harris. If not, his book "Five Came Back: A Story of Hollywood and the Second World War" has some information about this film. From Harris, the War Department feared that black people weren't going to join the Army because there were reports out there that their lives might be better if the United States lost the war. When viewing this film it's obvious the see that the "truth" was being left out and especially since this film tries to make it seem like black people were "free" during 1944.
Of course, we know that a lot of hard times laid ahead but, as Harris states, it's important to remember that this film was made during wartime and the War Department needed people to join. The documentary features Joe Louis as someone doing it "right" and there's a lot of footage from the Olympics that were held in Germany where Jesse Owens shined. The film also talks about Hitler wanting to destroy black people and their freedom. There's a lot of interesting stuff going on here and the film is certainly entertaining but there's just too much missing or covered up for it to be a complete entertainment.
** 1/2 (out of 4)
Mildly entertaining documentary from the War Department, which was made to try and get more black people to join the military. Many of these WWII documentaries were directed by people like Frank Capra and John Huston but this one here comes from Stuant Heslier who got the job at William Wyler quit the project thinking that the documentary was too fake for its own good.
If you recently viewed this film on Turner Classic Movies then you probably saw the introduction with author Mark Harris. If not, his book "Five Came Back: A Story of Hollywood and the Second World War" has some information about this film. From Harris, the War Department feared that black people weren't going to join the Army because there were reports out there that their lives might be better if the United States lost the war. When viewing this film it's obvious the see that the "truth" was being left out and especially since this film tries to make it seem like black people were "free" during 1944.
Of course, we know that a lot of hard times laid ahead but, as Harris states, it's important to remember that this film was made during wartime and the War Department needed people to join. The documentary features Joe Louis as someone doing it "right" and there's a lot of footage from the Olympics that were held in Germany where Jesse Owens shined. The film also talks about Hitler wanting to destroy black people and their freedom. There's a lot of interesting stuff going on here and the film is certainly entertaining but there's just too much missing or covered up for it to be a complete entertainment.
I am continuing my US military propaganda film viewing series. I was surprised that this was available on Netflix, but grateful because some of the other films are much harder to come by. Of course, the word "negro" is no longer acceptable, but I'm not going to blame the film as racist for using it, since it was a vastly different time. If there is racism in the film, I will address it separately, but only for historical and cultural analysis, and not to blame the filmmakers or offer a prohibition on its content.
The film starts out with exterior shots of people of color entering a church and a minister leading a sermon. Everyone looks proper and staged, almost whitewashed. The minister recalls the names of a few soldiers in the pews, except he forgets the only female soldier's name and she reminds him. It seems like an odd detail to add to the film. Why forget the only girl's name? This may be an example of sexist microaggression in America, but it also may be nothing at all. Many things are trivial, but just like using the word "negro", it may have been nothing at the time or even normal, but looking at it with a modern lens, it is clear there may be some underlying opinions or motives. Whether they are conscious or not, these racist terms and sexist attitudes were normalized and led to much greater examples of racism and sexism. Of course, like I prefaced, I am not calling this a racist or sexist film thus far nor am I saying it is prejudice material, but I am trying to recount that there are behaviors that either justify or develop into worse things. By looking back at a film like this, these things are more noticeable and it inspires me to take a closer look at the things we're saying now and how they may be interpreted in the future.
Aside from the representation of women and people of color, the true racism in the film lies in the hatred towards Germany and a little bit of Japan, too. Of course, they are the enemies in this war, but the film is essentially flexing America's muscles over Germany and Japan's. In addition to war footage, they show black people beating Germans and Japanese at several sporting events. Then, they emphasize the evil that those countries have done during war. Of course, while this is true, we don't see any of the horrible things America did during the war or any of our losses in sports. The key to propaganda is showing why we're good and they're bad. We're supposed to be focused only on how we're flawless and the enemy is evil and weak. Obviously, they're not going to show America's weakness and faults, but I think it's good to keep in mind that America isn't perfect, so we don't watch this film agreeing that the only problem is the enemy.
Aside from social analysis, the production value of this film is very good. I don't know how much stock footage was used vs shot footage, but there was clearly a lot of work put into the film. The plot involves a sermon glorifying the need for people of color to serve in WWII and includes a lot of examples and parallels to other wars and sports. While the minister speaks, footage of his examples are shown. These images are interesting to see as well as the amount of nice closeups of people in the church. Overall, it is just American military propaganda, but among the other films, this one is the most interesting to watch so far.
Did you know
- TriviaIn 2011, the film was selected for preservation in the National Film Registry by the Library of Congress with the following statement: "'The Negro Soldier' showcased the contributions of blacks to American society and their heroism in the nation's wars, portraying them in a dignified, realistic, and far less stereotypical manner than they had been depicted in previous Hollywood films."
- Alternate versionsAccording to government documents, a two-reel shortened version of the film was released in July 1944.
- ConnectionsEdited from America (1924)
Details
- Release date
- Country of origin
- Language
- Also known as
- The Negro Soldier in World War II
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $78,254 (estimated)
- Runtime
- 43m
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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