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Why We Fight

Original title: Prelude to War
  • 1942
  • Not Rated
  • 52m
IMDb RATING
7.0/10
2.5K
YOUR RATING
Why We Fight (1942)
DocumentaryWar

The official World War II US Government film statement defining the various enemies of the Allies and why they must be fought.The official World War II US Government film statement defining the various enemies of the Allies and why they must be fought.The official World War II US Government film statement defining the various enemies of the Allies and why they must be fought.

  • Directors
    • Frank Capra
    • Anatole Litvak
  • Writers
    • Julius J. Epstein
    • Robert Heller
    • Williband Hentschel
  • Stars
    • Walter Huston
    • Victor Bulwer-Lytton
    • Kai-Shek Chiang
  • See production info at IMDbPro
  • IMDb RATING
    7.0/10
    2.5K
    YOUR RATING
    • Directors
      • Frank Capra
      • Anatole Litvak
    • Writers
      • Julius J. Epstein
      • Robert Heller
      • Williband Hentschel
    • Stars
      • Walter Huston
      • Victor Bulwer-Lytton
      • Kai-Shek Chiang
    • 26User reviews
    • 4Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Won 1 Oscar
      • 5 wins total

    Photos

    Top cast40

    Edit
    Walter Huston
    Walter Huston
    • Narrator
    • (voice)
    • (uncredited)
    Victor Bulwer-Lytton
    • Self
    • (archive footage)
    • (as Lord Lytton)
    Kai-Shek Chiang
    • Self
    • (archive footage)
    • (as General Chaing Kai-Shek)
    Walter Darré
    • Self
    • (archive footage)
    • (as Darré)
    Otto Dietrich
    • Self
    • (archive footage)
    • (as Dietrich)
    Hans Frank
    Hans Frank
    • Self
    • (archive footage)
    • (as Frank)
    Joseph Goebbels
    Joseph Goebbels
    • Self
    • (archive footage)
    • (as Doctor Goebbels)
    Hermann Göring
    Hermann Göring
    • Self
    • (archive footage)
    • (as Goring)
    Rudolf Hess
    Rudolf Hess
    • Self
    • (archive footage)
    • (as Hess)
    Adolf Hitler
    Adolf Hitler
    • Self
    • (archive footage)
    • (as Hitler)
    Saburo Kurusu
    • Self
    • (archive footage)
    • (as Kurusu)
    Robert Ley
    • Self
    • (archive footage)
    • (as Ley)
    Yôsuke Matsuoka
    • Self
    • (archive footage)
    • (as Yosuke Matsuoka)
    Frank McCoy
    • Self
    • (archive footage)
    Benito Mussolini
    Benito Mussolini
    • Self
    • (archive footage)
    Puyi
    • Self
    • (archive footage)
    • (as Henry Pu-yi)
    Fritz Reinhardt
    • Self
    • (archive footage)
    • (as Reinhardt)
    Alfred Rosenberg
    Alfred Rosenberg
    • Self
    • (archive footage)
    • (as Doctor Alfred Rosenberg)
    • Directors
      • Frank Capra
      • Anatole Litvak
    • Writers
      • Julius J. Epstein
      • Robert Heller
      • Williband Hentschel
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews26

    7.02.5K
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    Featured reviews

    8st-shot

    Capra assembles powerful argument for getting involved.

    The first an probably the best of the US Government's Why We Fight Series due to its overview of Democracy's three enemies Nazi Germany, Fascist Italy and Imperial Japan as opposed to concentrating on one theatre of War in subsequent series entries. Hitler, Hirohito and Mussolini need little makeover to demonize as their words and actions vividly captured and powerfully edited show a world on the brink of annihilation as the three war machines ratchet things up in the thirties.

    Judged in hindsight Prelude packs vast amounts of information in its engrossing less than an hour running time about threats to the American way, soberly and effectively narrated by Walter Huston. Filled with charts and graphs it divides the planet in two ( the world of light and the world of darkness) as the iconic symbols of the axis powers advance across territories in black, inter cutting documentary footage of atrocity.

    Over 60 years after it was made this documentary about world wide life and death struggle remains compelling viewing as the universe still wrestles with massive conflict today. I can only imagine the massive emotional weight this film must have had on an American film audience as the conflagration still raged in 1943. To sit in a darkened theater suddenly illuminated by blast and explosion viewing visions of civilian slaughter in city streets like ours must have shaken audiences to the core. Frank Capra made some classic films in his day but he never made more important ones than the Why We Fight series.
    Cookie003

    A great look at American propaganda

    This film is a great opening to the entire series convincing and American public why they are entering WW II. This film shows the viewer much more about American ideals right after the events of Dec 7th 1942.

    Some of the language is a little hard to handle and the overt nature makes the viewer laugh more than once, its great to look at old training videos as the try and instill a sense of pride in America and hate over the enemy. Recommended viewing for anyone looking into WW II propaganda, also used as a good counter argument to Triumph of the Will.
    tombeaman

    An excellent example of propaganda

    This is Frank Capra's classic first installment from the seven film series entitled, "Why We Fight." It is a masterpiece of US propaganda, shown first to soldiers, later to the US public, and eventually to our allies (including the Soviet Union). With dramatic narration and musical score, it drives home the point that "Our World, the free world" must fight "That other world." Capra's idea was to use the film archives of Japanese, German, and Italian propagandists against them with, of course, careful editing and translating.

    If you are looking to buy a copy, CARE SHOULD BE EXERCISED due to the existence of a fraudulent film by the same title. The original is a classic, starting with a lively series of shots, often employing double exposures and fading edits, listing the fallen nations to the axis powers. One poorly done fraud, sold in a set of four with three of the original series titles, has a narrator reading a textbook or encyclopedia and turning the pages...
    7ma-cortes

    Jingoistic and propaganda documentary co-realized by Frank Capra and Anatole Litvak

    ¨Why we fight ? ¨ , results to be a series of seven information films Special Service Division Information Film , produced by the War department , SOS , with cooperation of research Council Academy of Motion Picture Arts and Sciences . This film the first of a series has been prepared by the War Department to acquaint members of the Army with factual information as to the causes , the events , leading up to our entry into the War and the principles for which we are fighting.

    E. G. Marshall chief of staff tells : ¨A knowledge of these facts in an indispensable part of military training and merits the thoughtful consideration of every American soldier ¨ . ¨We are determined that before the sun set on this terrible struggles , our flags will be recognized throughout the world as a symbol of freedom on the one hand , an overwhelming power on the other ; no compromise is possible and the victory of the democracies can only be complete with the latter defeat of the war machines of Germany and Japan¨. And Vice-President Henry Wallace says : ¨This is a fight between a free world and slave World ¨.

    Meanwhile in Germany, Italy and Germany is prohibited the reunion , public assembly of more than five persons is strictly forbidden, violators will be prosecuted ; only the application of brutal force used continuously and ruthlessly can bring about the decision in favor of the side it supports : ¨Mein Kampf¨ . As foes of Putch slain in Munich, the ex-premier crushed Hitler's attempt to seize power in 1923 ; in Italy Giacomo Matteotti socialist leader murdered to silence him and slain by Italian Fascisti ; in Japan General Watanabe and Viscount Saito are assassinated by Tokyo clique and Japanese statesman murdered in bed by rebel force of Army officers, plus Inspector General of Military Education slain by group of young rebels and Inoyuye Minister of Finance is also slain . Furthermore in Germany Roehm assassinated in Nazi purge with hundreds dead . Hitler attempts the Christian cross is to be removed from all churches and cathedrals and is to be replaced by the immortal symbol of Germany, the swastika. Berlin , 1935, 700.000 members of the Protestant youth organizations were forced to disband , Nazis storm cardinal Faulhaber's palace and bricks and clubs are hurled at windows . Pastor Niemoller is sent to prison camp and other Pastors are imprisoned in homes ; Nazis jail priests , friars and nuns , arrest follows search and rampage of convents and monasteries. Nazis vent rage on Jews , riots all over Germany, mobs kill , loot and burn . The fascism , Imperialism and Nazism have their own slogans as Hitler says : ¨I want to see again in the eyes of youth the gleam of the beats of prey ¨ ; as Japanese Army slogan : ¨To die emperor is to live forever ¨; as Mussolini : ¨Three cheers for war , noble and beautiful above all ¨ .

    The film terminates with a patriotic words : ¨Victory of the democracies can only be completed with utter defeat of the war machines of Germany , Italy and Japan ¨. The story is interestingly written by Philip and Julius Epstein , Casablanca's writers . This documentary-propaganda is well directed by Frank Capra and by Anatole Litvak , though uncredited .
    9BrandtSponseller

    Well-done and educational propaganda

    Prelude to War is the first in a series of well-made propaganda films that were co-directed by Frank Capra during World War II with the intention of educating new U.S. soldiers about the war while inspiring them to fight for "what's right". Watching them at this point in time, they are fascinating as a glimpse into more or less official propagandistic stances. Of course it's to be expected that the films go to pains to dehumanize, even demonize, then enemy cultures. Because this specific material is so far removed from our current stances and concerns, it's instructive to watch and especially to show it to students, because it's much easier to see through the propaganda tactics, enabling similar tactics to more easily be identified in modern politics.

    But perhaps surprisingly, Prelude to War and the other films in the series also contain a good deal of accurate factual information, so that unless you're a World War II buff, you can learn quite a bit about how the war progressed and at least one side of why it progressed (one of many necessary sides)--if you watch the series with a critical eye.

    The series also contains a lot of intriguing historical footage--including films of Axis military campaigns in execution, and some of the more typical newsreel-type shots of the three Axis leaders--Hitler, Mussolini and Hirohito, their right-hand men and their military and civilian support systems. Just as notable now is footage of various aspects of American life that would have passed by without much thought in 1943--such as cars traveling on relatively sparse, newly built U.S. highway interchanges. You can gain as much from Prelude to War by simply watching the images and keeping in mind the historical context as you can by listening to the narration.

    There are a couple rough spots--a montage of Axis armies marching like huge, well-oiled machines probably goes on too long 60-something years later, but surely the aim was to put just a bit of fear as well as an increased fervor to conquer into the new U.S. military recruits.

    This film isn't crucial viewing for everyone, but for those who study history, politics, sociology, the military and especially World War II, it is essential.

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    Documentary
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    War

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      This film is in the public domain. As a work by Federal Government employees on behalf of the Federal Government, the film is by law ineligible for copyright protection and was released into the public domain at its creation.
    • Goofs
      During the (silent) footage of Ethiopians shouting, the angry voices are actually shouting in Kiswahili: "Kwenda!" ("go:), etc. The principal language of Ethiopia is Amharic. Kiswahili (commonly known as "Swahili") is the main language of Kenya, Tanzania and Uganda.
    • Quotes

      Narrator: [Last line] For this is what we are fighting: Freedom's oldest enemy, the passion of the few to rule the many. This isn't just a war. This is the common man's life and death struggle against those who would put him back into slavery. We lose it, and we lose everything. Our homes; the jobs we want to go back to; the books we read; the very food we eat. The hopes we have for our kids; the kids themselves. They won't be ours anymore. That's what's at stake. It's us or them! The chips are down. Two worlds stand against each other. One must die, one must live. One hundred seventy years of freedom decrees our answer.

      [Legend - not spoken]

      Narrator: "... victory of the democracies can only be complete with the utter defeat of the war machines of Germany and Japan." G.C. Marshall, Chief of Staff

    • Connections
      Edited into The Road to War: Japan (1989)
    • Soundtracks
      The Star Spangled Banner
      (1814) (uncredited)

      Music by John Stafford Smith (1777)

      Played often in the score

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    Details

    Edit
    • Release date
      • May 27, 1942 (United States)
    • Country of origin
      • United States
    • Languages
      • English
      • German
      • Italian
      • Japanese
      • Amharic
      • Russian
    • Also known as
      • Prelude to War
    • Production companies
      • U.S. War Department
      • Academy of Motion Picture Arts and Sciences (AMPAS)
      • U.S. Army Special Service Division
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 52m
    • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.37 : 1

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