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6.7/10
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In Nome, Alaska, miner Roy Glennister and his partner Dextry, financed by saloon entertainer Cherry Malotte, fight to save their gold claim from crooked commissioner Alexander McNamara.In Nome, Alaska, miner Roy Glennister and his partner Dextry, financed by saloon entertainer Cherry Malotte, fight to save their gold claim from crooked commissioner Alexander McNamara.In Nome, Alaska, miner Roy Glennister and his partner Dextry, financed by saloon entertainer Cherry Malotte, fight to save their gold claim from crooked commissioner Alexander McNamara.
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John Wayne is a gold prospector who romances Marlene Dietrich and fights crooked Randolph Scott, who's out to steal both his claim and his woman. Strong cast in a fairly typical but enjoyable gold rush western. Dietrich sizzles. She has great chemistry with both Wayne and Scott. Lots of innuendo in her dialogue. For their parts, the two western stars are solid. Scott shines in a rare villainous role. His cohorts in crime in this one are, surprisingly, Samuel S. Hinds and pretty Margaret Lindsay. Duke is good. His climactic bar fight with Scott is the movie's highlight. Harry Carey plays Duke's friend. George Cleveland and Russell Simpson are fun as a couple of grizzled prospectors.
We are in Nome, Alaska, miner Roy Glennister (John Wayne) and his partner Dextry (Harry Carey), are forced to fight to save their gold claims from the crooked commissioner, Alexander McNamara (Randolph Scott). Backed by sultry saloon owner and entertainer Cherry Malotte (Marlene Dietrich), the team must overcome both the odds and suspect politicians in order to get their just deserts.
Rex Beach's novel has been adapted five times thus far, and it's not hard to see why because the story is as solid as it gets. This take on the source has a wonderful sense of fun and adventure oozing from it, the cast are uniformly great and the direction from Ray Enright is tight and unobtrusive. Some fine set pieces dot themselves throughout the picture, culminating in a right royal (and lengthy) punch up between Wayne & Scott. No overkilling or tediously ham sequences are here, this is simply an enjoyable Western achieving all it set out to achieve from the off. 7/10
Rex Beach's novel has been adapted five times thus far, and it's not hard to see why because the story is as solid as it gets. This take on the source has a wonderful sense of fun and adventure oozing from it, the cast are uniformly great and the direction from Ray Enright is tight and unobtrusive. Some fine set pieces dot themselves throughout the picture, culminating in a right royal (and lengthy) punch up between Wayne & Scott. No overkilling or tediously ham sequences are here, this is simply an enjoyable Western achieving all it set out to achieve from the off. 7/10
This movie's got a good enough plot that it's been made at least 4 times, so you know that part's covered. It's a good story that holds up and moves at a good pace. The cast of stars are caught at interesting times in their varying careers. Dietrich is riding the Destry saloon girl role in a carbon copy of the original that belabors a huge oversized Gibson-girl wig and multiple extraordinary outfits befitting Marlene "the star". She brings her distinctive charm to the role and has a tongue-in-cheek ball with the sexually loaded script, but her role has nothing extra-special or magical. John Wayne is full of swagger and charm and working his way up the ladder towards the title of big stud cowboy on campus. Randolph Scott is turning the corner of his career into Westerns also; abandoning those light comedy or milquestoast leading roles and showing a glimpse of the hardnose tough guy & questionably moral cowboy that he came to be in later career moves. This is the penultimate film for Richard Barthelmess and his role is a morose and bitter one that fits his personal situation of a star who had had his day in the sun and was ready to step-down. Kudos, big laughs and a robust round of applause to the best delivery, lines and most entertaining scenes which are all handled by Marlene's maid - Idabelle - played beautifully and naturally by Marietta Canty. She WILL have you laughing out loud! This film is chock full of sexual innuendo, lust-filled motivation and snide comments; all subtly and enjoyably delivered.
The old Rex Beach chestnut, The Spoilers, has been filmed several times, from the early silent days to the Eisenhower fifties. A durable tale indeed. When the first version was made the Emperor Franz Josef was still on the throne in Austria. All versions feature the famous fight between McNamara and Glennister, that begins in a saloon and ends several miles down the street. Windows get shattered, tables and chairs fly through the air, and people gasp in horror.
This 1942 film, directed by the reliable Ray Enright, is actually genteel compared to the silent versions, and as much a vehicle for Marlene Dietrich as anything else. As she was riding the comeback trail, in the wake of her spectacular success in Destry Rides Again, she plays a saloon singer, which had become her specialty. A rousing "Northern" western, set in the days of the Alaskan Gold Rush (which was, incidentally, closer in historical time to the year this film was made than we are to World War II), The Spoilers has a fairly conventional plot about prospectors, claim-jumpers, and the various hangers-on, honest and crooked, that made mining towns like Nome so exciting,--and so dangerous.
Leading men Randoloph Scott and John Wayne make rugged adversaries, though I find Scott somewhat more appealing, which isn't supposed to be the case. Wayne is competent if a little anonymous here. The supporting cast includes the reliable Harry Carey, Richard Barthelmess, Samuel Hinds, and in a cameo (I'm not making this up), the poet, Robert Service, best known for "The Shooting Of Dan McGrew". I guess if you're going to cast a poet in a film like this you don't go for Edna St. Vincent Millay. Service is most appropriate casting.
The sets are quite good, and at times quite fancy; and the streets are muddy, though I seem to remember the earlier films as having a more realistic, dirty look, as Alaska here is cleaner and at least physically less forbidding than one might expect. As to the climactic fight, it is well enough done, and properly violent, though neither participant seems nearly so bloodied up as he ought to. Overall, the movie is satisfying, more routine than I expected, and yet a worthy entry in that fascinating sub-genre, the Gold Rush Western.
This 1942 film, directed by the reliable Ray Enright, is actually genteel compared to the silent versions, and as much a vehicle for Marlene Dietrich as anything else. As she was riding the comeback trail, in the wake of her spectacular success in Destry Rides Again, she plays a saloon singer, which had become her specialty. A rousing "Northern" western, set in the days of the Alaskan Gold Rush (which was, incidentally, closer in historical time to the year this film was made than we are to World War II), The Spoilers has a fairly conventional plot about prospectors, claim-jumpers, and the various hangers-on, honest and crooked, that made mining towns like Nome so exciting,--and so dangerous.
Leading men Randoloph Scott and John Wayne make rugged adversaries, though I find Scott somewhat more appealing, which isn't supposed to be the case. Wayne is competent if a little anonymous here. The supporting cast includes the reliable Harry Carey, Richard Barthelmess, Samuel Hinds, and in a cameo (I'm not making this up), the poet, Robert Service, best known for "The Shooting Of Dan McGrew". I guess if you're going to cast a poet in a film like this you don't go for Edna St. Vincent Millay. Service is most appropriate casting.
The sets are quite good, and at times quite fancy; and the streets are muddy, though I seem to remember the earlier films as having a more realistic, dirty look, as Alaska here is cleaner and at least physically less forbidding than one might expect. As to the climactic fight, it is well enough done, and properly violent, though neither participant seems nearly so bloodied up as he ought to. Overall, the movie is satisfying, more routine than I expected, and yet a worthy entry in that fascinating sub-genre, the Gold Rush Western.
You wait for their final settlement throughout the film, but in the end you will be rewarded. Marlene is the star here, she shines in every scene like the lighthouse in the storm of chaos, and her acting and presence reduce both Wayne and Scott to almost dummies or at least puppets. Wayne has something to defend though and does so with a vengeance, while your sympathies for Scott are constantly reduced, so that you finally even are tempted to say 'good riddance' to the judge when he leaves the sinking ship of lawlessness and brings the law out of the country with him. For once individual rights get the better of bureaucracies and formalities. It's great entertainment all the way, although the plot gets rather mixed up with details, but it's the brawl scenes that make the film, which above all is worth watching for the splendour of Marlene Dietrich.
Did you know
- TriviaThere were tensions between Scott and Wayne during filming. Scott's contract with Universal entitled him to billing above Wayne who was on loan from Republic, but he too had wanted the role of Glennister. Wayne was also depressed by his recent separation, and Dietrich sought to distract him with outings to restaurants and sporting events as well as hunting and fishing trips on weekends.
- GoofsAt about 0:30:00 during the first confrontation in front of the mine, Harry Carey fires three shots from a single-shot rifle without reloading.
- Quotes
Cherry Malotte: We'll have no brawls here, gentlemen, unless they're over me.
- ConnectionsFeatured in Precious Images (1986)
- SoundtracksBuffalo Gals (Won't You Come Out Tonight)
(1844) (uncredited)
Written by William Cool White
Heard as background music in the saloon
- How long is The Spoilers?Powered by Alexa
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- Indomable
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- Budget
- $723,455 (estimated)
- Runtime
- 1h 27m(87 min)
- Color
- Aspect ratio
- 1.33 : 1
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