Submarine Raider

... especially if one is making a movie less than a year after one of the most brazen attacks on American soil in U.S. history, the attack on Pearl Harbor. Given that this is a B film and there is no time or desire to plug vital plot holes, this is an interesting little piece of B film history.

The premise of the film is outrageous enough - a Japanese aircraft carrier on route to Pearl Harbor spots a pleasure cruise yacht way out in the distance. The people on board are civilians, with one couple just arguing over whether or not they should get married without the least interest in what is going on in the sea around them. With discretion and surprise being key to the Japanese attack on Pearl Harbor, the captain of the Japanese aircraft carrier decides to start a potential international incident by blowing the yacht to kingdom come, then trying to kill the survivors in the life raft with one of his aircraft, then trying to sink the passing American sub that picks up the lone woman survivor.

Meanwhile back in Honolulu, American secret agent Bill Warren is having a hard time clearing out "fifth column" saboteurs, and no wonder. He openly discusses his true identity and his profession with his girl - nothing impresses the ladies like a little international intrigue! - and with the conversation clearly audible by his chauffeur. When another car pulls up next to his car and takes a shot at him and it turns out his chauffeur is in on the deal he is shocked!...shocked I say!... that everybody seems to know who he really is.

Back on the sub, commander Chris Warren is trying to get a message through to somebody - anybody - about the acts of war taken by the Japanese, but all they can do is pick up music from a club in Honolulu. The scene switches to said club where the rattled Bill Warren is discussing the attempt on his life and his fears of Japanese aggression to an acquaintance. Meanwhile in that very club a waiter/Japanese agent goes into the coat room, opens a secret panel and walks into a fully outfitted radio room manned by another Japanese agent! Clever agents to architect and add such a room without the owner or American staff ever noticing! What follows is the attack on Pearl Harbor by the Japanese predicted by Bill Warren, and a cat and mouse game between commander Chris Warren's submarine and the Japanese aircraft carrier that blew up the yacht. Key to the plot - the sub commander and not-so-secret American agent are brothers, and the captain of the Japanese aircraft carrier is the father of the pilot lost at sea trying to sink Warren's sub.

The propaganda is blatant and the plot holes border on just too silly, but it is by no means boring. I'd recommend it just for illustrating that to make an effective war picture requires the passage of time so that some perspective can be gained. However, in 1942, the home front probably appreciated little pictures like this that likely raised morale.

What's particularly interesting is that it is the supporting ranks of the players here that had bigger careers later on, such as Bruce Bennett as the first officer of the sub and Larry Parks as the radio operator on the sub. Also note that is Lloyd Bridges' voice over the sub intercom in an uncredited role.

This is probably the most important and factual Pearl Harbor movie ever made. Oliver Stone and James Cameron could not have painted a truer picture. The effects are magnificent, and the acting better than Ben Affleck in "Pearl Harbor" or Leo DiCaprio in "Titanic", if that could ever be possible. If you hold your nose, keep your eyes closed and sneeze real hard you will see colors and be dizzied by this masterpiece. A sequel was rumored to have been in the works, but was squelched by foreign powers. Some say it was the investment by offshore interests in Hollywood by means of arbitrage and loose lips. Others say the original cast was so overwrought with their original efforts that they could not perform again for years after, and were not able to be re-cast by new up-and-comers. Rumors will swirl for years, but the original film adds a great insight to future generations as to what it was all about.

To be fair, Submarine Raider was conceived, written, produced and released within 7 months of the attack on Pearl Harbour. The special effects are not great by today's standards, but for a low budget production with little time, they are adequate and consistent with what came out of many studios at the time (and later), as is the script. The American cast's acting is isnt bad but the Japanese, particularly the aircraft carrier captain played by Italian born Nino Pipitone isnt great. Submarine Raider could be put in a 'worst movie' list, but the context - a quick response to the start of America's involvement in WW2 lifts it away slightly from that by giving the American public a bit of rah rah...and as the captain says at the end, 'Remember Pearl Harbour'.

Marguerite Chapman is picked up by a submarine on its way to the Sea of Japan during the Second World War, and it looks like this movie was plundered for the Blake Edwards comedy OPERATION PETTICOAT almost twenty years later, except for the long spy subplot in which every Asian American crosses his eyes because he's a Jap spy.

It's a competently managed programmer for the era, but this sort of movie was fairly commonplace during the Second World War and the cheapness of the production shines through, both in the cast and the lighting -- there are lots of day-for-night shots, outdoors scenes shot during the day which we're supposed to think are at night because they were printed dark --- black cars with blacker shadows. See it or don't see it and your life won't be much different either way.

When the US entered WWII, Hollywood's studios suddenly became ultra-patriotic and they made a ton of propaganda films aimed at bolstering the war effort. Some were very good...a few were very poor...such as "Submarine Raider".

The story begins just before the Japanese attack on Pearl Harbor. Soon after you see a Japanese aircraft carrier heading towards Hawaii, the ship blows up a nearby yacht and then sends a fighter plane out to strafe the survivors. What they don't realize is that an American submarine is nearby...and the captain of the ship is baffled as to why the carrier would attack a yacht. However, they soon get word that this and other Japanese carriers just attacked Pearl Harbor...and so the captain is determined to find the carrier and destroy it.

The basic story isn't bad and much of the acting decent. However, it's essentially a cheap B from Columbia and the Japanese are essentially cartoonish (such as pilots who laugh hysterically while bombing civilians) and their airplanes defy all the rules of aeronautics...such that if they REALLY could have flown this way (making tight u-turns, landing every second or two on the carrier, etc.) they would have won the war in a month! Additionally, the film promotes the commonly accepted myth that evil spies ('fifth columnists') abounded in Hawaii and this laid the groundwork for folks in the US accepting the internment of the Japanese-Americans.

Overall, a real mixed bag. The crew of the sub consists of some decent actors but one-dimensional writing make this a film that simply hasn't aged well.