Henry falls in love with Billie, one of seven daughters of an eccentric hotel owner. Billie loves him back but refuses marriage because family tradition demands that the eldest daughter must... Read allHenry falls in love with Billie, one of seven daughters of an eccentric hotel owner. Billie loves him back but refuses marriage because family tradition demands that the eldest daughter must marry first.Henry falls in love with Billie, one of seven daughters of an eccentric hotel owner. Billie loves him back but refuses marriage because family tradition demands that the eldest daughter must marry first.
- Director
- Writers
- Stars
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Seven Sweethearts has Van Heflin as a news reporter sent on a puff assignment to cover the famous Tulip Festival in Delft, Michigan. Then as now Michigan has a large Dutch population, at the time it was represented in the US Senate by Arthur Vandenberg. But this particular town has turned into a veritable Dutch Theme Park.
All presided over by the local innkeeper S.Z. Sakall whose hotel staff includes his seven lovely daughters and Louise Beavers. All have some kind of talent, but Sakall wants to keep them near. The oldest daughter is Marsha Hunt and Sakall if he has to lose them wants them married off in descending order. He pushes Heflin and Hunt together who just wants to get out of Delft and go on the stage.
But Heflin has eyes for Kathryn Grayson. The plot premise is the same as in the Fred Astaire/Rita Hayworth classic You Were Never Lovelier being done the same year at Columbia. It's a much better film than Seven Sweethearts, having those two as leads and a Jerome Kern score give it an insurmountable boost over this film.
Not that Seven Sweethearts isn't bad. It's the kind of romantic tale that Frank Borzage loved and while this isn't one of his classics it's passable enough entertainment. Kathryn Grayson sings some nice melodies nothing special though. And Van Heflin is a favorite.
Seven Sweethearts is old fashioned, but still good entertainment.
All presided over by the local innkeeper S.Z. Sakall whose hotel staff includes his seven lovely daughters and Louise Beavers. All have some kind of talent, but Sakall wants to keep them near. The oldest daughter is Marsha Hunt and Sakall if he has to lose them wants them married off in descending order. He pushes Heflin and Hunt together who just wants to get out of Delft and go on the stage.
But Heflin has eyes for Kathryn Grayson. The plot premise is the same as in the Fred Astaire/Rita Hayworth classic You Were Never Lovelier being done the same year at Columbia. It's a much better film than Seven Sweethearts, having those two as leads and a Jerome Kern score give it an insurmountable boost over this film.
Not that Seven Sweethearts isn't bad. It's the kind of romantic tale that Frank Borzage loved and while this isn't one of his classics it's passable enough entertainment. Kathryn Grayson sings some nice melodies nothing special though. And Van Heflin is a favorite.
Seven Sweethearts is old fashioned, but still good entertainment.
An American man from NYC arrives in a small town where Dutch people live.This is a very strange place to be ,predating Minnelli's "Brigadoon" .A place where time stood still:you do not pay when you are staying at the hotel,the girls all bear boys' name -cause dad wanted boys-and they can 't get married till the eldest does.By no means one of multi-talented Borzage's greatest achievements (most of them were behind him at the time),his movie retains freshness , a "Carpe Diem" spirit ,a good antidote to stress .My favorite scene takes place in the church.Good performances by the whole cast,particularly Van Heflin who learns to like another way of life.
I just saw this movie a few days ago on TCM (Turner Classic Movies), and I was not disappointed. I wasn't expecting much so I was pleasantly surprised to come away from this film with a smile on my face. The acting was even good for the type of film it was, I have not been the biggest Van Heflin fan but he is actually very likeable in this film, so much so that I think I may be a fan of his now. ;-)
The stand-out performances came from Heflin, Hunt, and Sakall but Grayson was very cute, although I am not a fan of her singing it wasn't THAT bad this time. Although still a little too high and chirpy sounding for me.
I must praise Marsha Hunt though, she seems to be good in every film she's in, even when the role doesn't call for her to do much of anything. In this role she really gets to show a comedic side that I've never seen from her before, and it gave me even more respect for her. It's such a pity she didn't become a bigger star cause she had the beauty and the talent for it.
I recommend this film if you're in the mood for some light entertainment, Toots. ;-)
The stand-out performances came from Heflin, Hunt, and Sakall but Grayson was very cute, although I am not a fan of her singing it wasn't THAT bad this time. Although still a little too high and chirpy sounding for me.
I must praise Marsha Hunt though, she seems to be good in every film she's in, even when the role doesn't call for her to do much of anything. In this role she really gets to show a comedic side that I've never seen from her before, and it gave me even more respect for her. It's such a pity she didn't become a bigger star cause she had the beauty and the talent for it.
I recommend this film if you're in the mood for some light entertainment, Toots. ;-)
A wonderful film to sit back and simply ENJOY---no pretense, no attempts at greatness...just a chance to escape and enjoy the world as it was once-upon-a-time in Hollywood.
This despite a few references to WWII and even the term "goosestep" used in the lyrics to "You and the Waltz", sung by Kathryn Grayson and accompanied on the piano by Carl Esmond's character. And HEY---why were those five strapping young male suitors always hanging around the hotel, instead of off fighting the war?? But...as one reviewer said, this film was meant to take the viewer away from the overseas hostilities during the very dark and turbulent year of 1942.
I would agree that Miss Grayson's singing can be a distraction, but her light, rather quivery ("tremolo" as it's called in the film), somewhat shrill and brittle sound was the taste of the day....and she WAS in fact a very capable coloratura soprano. I wish she would have sung something other than the big "Mignon" aria at the Festival's concert scene...something more in tune with the film itself, more folksy and romantic. Loved the big outdoor Festival scene (the kind which MGM always did so well), the kitschy all-girl orchestra number as dinner music, and the singing of the moving hymn "We Gather Together" in the church; it's so refreshing and touching to see the sincerity of a scene like that appearing in a mainstream film of that bygone era.
SK Szakall is wonderful in this film; a first-rate, substantial performance, requiring lots of humor, split-second timing, and some very tender pathos. Marsha Hunt is stunningly gorgeous as always, even though her role requires that she play a pain-in-the-neck.
And where did the main pair of lovers decide to settle down? One would hope that they chose to stay right there in Tulip Town.
A delightful precursor to "Brigadoon", with certain similarities to "Seven Brides", both of which MGM would be hard at work on a decade later, during the sad decline of the Hollywood musical.
This despite a few references to WWII and even the term "goosestep" used in the lyrics to "You and the Waltz", sung by Kathryn Grayson and accompanied on the piano by Carl Esmond's character. And HEY---why were those five strapping young male suitors always hanging around the hotel, instead of off fighting the war?? But...as one reviewer said, this film was meant to take the viewer away from the overseas hostilities during the very dark and turbulent year of 1942.
I would agree that Miss Grayson's singing can be a distraction, but her light, rather quivery ("tremolo" as it's called in the film), somewhat shrill and brittle sound was the taste of the day....and she WAS in fact a very capable coloratura soprano. I wish she would have sung something other than the big "Mignon" aria at the Festival's concert scene...something more in tune with the film itself, more folksy and romantic. Loved the big outdoor Festival scene (the kind which MGM always did so well), the kitschy all-girl orchestra number as dinner music, and the singing of the moving hymn "We Gather Together" in the church; it's so refreshing and touching to see the sincerity of a scene like that appearing in a mainstream film of that bygone era.
SK Szakall is wonderful in this film; a first-rate, substantial performance, requiring lots of humor, split-second timing, and some very tender pathos. Marsha Hunt is stunningly gorgeous as always, even though her role requires that she play a pain-in-the-neck.
And where did the main pair of lovers decide to settle down? One would hope that they chose to stay right there in Tulip Town.
A delightful precursor to "Brigadoon", with certain similarities to "Seven Brides", both of which MGM would be hard at work on a decade later, during the sad decline of the Hollywood musical.
This wartime musical comedy is very charming, in part due to its unusual story line. Credit to director Frank Borzage and the writers for including many whimsical elements.
Songstress Kathryn Grayson plays the youngest daughter (Billie) of a Michigan family and carries the biggest load due to her vocalizing. When a New York photojournalist (Van Heflin as Henry Taggart) comes to their small town to cover the local tulip festival, he is caught off guard by the innkeeper's seven daughters, each a stunning beauty.
"Cuddles" Sakall is the father who runs his inn in an unconventional manner, but still clings to traditions. He is a lovable character with plenty of personality.
Though the story has its conflicts, it never feels heavy. This is a quirky film that is fun to watch.
Songstress Kathryn Grayson plays the youngest daughter (Billie) of a Michigan family and carries the biggest load due to her vocalizing. When a New York photojournalist (Van Heflin as Henry Taggart) comes to their small town to cover the local tulip festival, he is caught off guard by the innkeeper's seven daughters, each a stunning beauty.
"Cuddles" Sakall is the father who runs his inn in an unconventional manner, but still clings to traditions. He is a lovable character with plenty of personality.
Though the story has its conflicts, it never feels heavy. This is a quirky film that is fun to watch.
Did you know
- TriviaAlthough the onscreen credits say "original screenplay," a $200,000 lawsuit was filed against the screenwriters, MGM and producer Joe Pasternak by playwright Ferenc Herczeg in 1949, claiming they took the idea from his 1903 play Seven Sweethearts. Herczeg was in a Nazi concentration camp in 1942 when the film was released, and didn't hear about it until 1948. The case was settled out of court for a substantial amount.
- GoofsWhen Billie is singing to Henry, two white doves land on the windowsill. When they fly away, a string can be seen pulling on the leg of the dove on the left.
- ConnectionsFeatured in Personalities (1942)
- SoundtracksTulip Time
(1942) (uncredited)
Music by Burton Lane
Lyrics Ralph Freed
Played during the opening credits and sung by an offscreen chorus
Reprised at the tulip festival and danced by a chorus
Sung by Kathryn Grayson
Details
- Release date
- Country of origin
- Language
- Also known as
- Las siete novias
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $752,000 (estimated)
- Runtime
- 1h 38m(98 min)
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content