Cynical, embittered newspaperman David Charleston (Michael Redgrave) is tormented, then inspired, by visions he keeps having of people who have drowned.Cynical, embittered newspaperman David Charleston (Michael Redgrave) is tormented, then inspired, by visions he keeps having of people who have drowned.Cynical, embittered newspaperman David Charleston (Michael Redgrave) is tormented, then inspired, by visions he keeps having of people who have drowned.
- Awards
- 1 win total
Bryan Herbert
- Flanning
- (as Brian Herbert)
Featured reviews
All the reviewers who wished they could see this film again (some of whom saw it originally in 1942!), can now see it again if they are resident British and subscribe to Freeview tv on Channel 81 It is shown regularly on this wonderful channel which I constantly watch if you can put up with the adverts which finances it, as it saves paying for numerous dvds which I used to do before I discovered this tv station.For example, every Sunday @ 9.p.m. GMT they are repeating the wonderful mid 60s episodes of "The Human Jungle" starring Herbert Lom which I originally saw when it was transmitted (I am now 72).
Some reviewers thought Thunder Rock was too stagey.Does it matter? I saw the classic R.C.Sherriff's "Journey's End" on Youtube the other day which of course is based on his play.What if Michael Redgrave is a bit declamatory at times, he was an accomplished stage actor first.In 1942 Britain was in a precarious position so of course the Government sought propaganda films to help morale & the war effort.See this film on the aforesaid channel, the tv station is bound to repeat it occasionally.
Some reviewers thought Thunder Rock was too stagey.Does it matter? I saw the classic R.C.Sherriff's "Journey's End" on Youtube the other day which of course is based on his play.What if Michael Redgrave is a bit declamatory at times, he was an accomplished stage actor first.In 1942 Britain was in a precarious position so of course the Government sought propaganda films to help morale & the war effort.See this film on the aforesaid channel, the tv station is bound to repeat it occasionally.
When the authorities discover a lighthouse keeper is not cashing his paychecks, they go to visit him to make sure he is OK. One of the visitors gets into a chat with the lighthouse keeper, David Charleston and discovers that his desire to stay in the lighthouse is based on the fact that he is in contact with the ghosts from a ship that sunk many years ago; although the ghosts do not know they are dead. Charleston hides away - having been frustrated by those in power ignoring his warnings about fascism. However he finds that each passenger has had similar experiences that he, with the benefit of future knowledge, can learn from.
The point of this film is both obvious but also too obscure. The message of not giving up is laboured at the end, but for the majority of the film, it is hidden and damages the early meaning of the film. The pre-war setting is a morale boosting tale of sticking at it - for we never know what tomorrow will bring; it delivers a reasonable tale but I found it hard to get into the stories of the various passengers as they were not characters I was given a lot of time to get into and care about. The stuff with Charleston himself works better as I cared about him due to the time spent with him.
The film is very stagy however, it doesn't really flow very well at times and the best scenes are played out as if in a theatre. It is rather heavy at times but it still works if you know what to expect. The cast is OK but really it is all Redgrave's film. He exaggerates his performance as if he is on a stage and needing to project to the back row, but he is still very good. Mason has a minor role but always has such a good presence that it is hard to fault him. The support cast of passengers is less assured and really never get close to being real people - instead their dialogue and stories are too heavily laden with meaning.
Overall this is a reasonably good propaganda. It has more meaning and human pathos than most WWII propaganda films as it is not anti-enemy but pro-spirit and persistence. It may all be a little heavy and too stagy but it is enjoyable if you can do enough to get past the heavy message and some overly worthy acting.
The point of this film is both obvious but also too obscure. The message of not giving up is laboured at the end, but for the majority of the film, it is hidden and damages the early meaning of the film. The pre-war setting is a morale boosting tale of sticking at it - for we never know what tomorrow will bring; it delivers a reasonable tale but I found it hard to get into the stories of the various passengers as they were not characters I was given a lot of time to get into and care about. The stuff with Charleston himself works better as I cared about him due to the time spent with him.
The film is very stagy however, it doesn't really flow very well at times and the best scenes are played out as if in a theatre. It is rather heavy at times but it still works if you know what to expect. The cast is OK but really it is all Redgrave's film. He exaggerates his performance as if he is on a stage and needing to project to the back row, but he is still very good. Mason has a minor role but always has such a good presence that it is hard to fault him. The support cast of passengers is less assured and really never get close to being real people - instead their dialogue and stories are too heavily laden with meaning.
Overall this is a reasonably good propaganda. It has more meaning and human pathos than most WWII propaganda films as it is not anti-enemy but pro-spirit and persistence. It may all be a little heavy and too stagy but it is enjoyable if you can do enough to get past the heavy message and some overly worthy acting.
I saw Thunder Rock as a student in Toronto (Canada)when it came out in about 1942. Thought the plot has faded somewhat in my memory, the acting, the allegorical inferences and the very remarkable optical distortions that said far more than words--all of these have stayed with me for the sixty years since that time.
I'd love to see it revived for viewing.
I'd love to see it revived for viewing.
Holy sh*t, was this a peculiar movie! Slow moving but oddly compelling look at a writer's psyche. A war correspondent desperately wants to awaken Britain's awareness of fascism and the inevitable war and dismally fails -- and this is all shown in flashback. The correspondent is shown as an isolated fellow in a lighthouse on the Great Lakes, post-war, who becomes obsessed with the story of drowned immigrants who never reach the lighthouse a hundred years before (get the connection?), dying at sea. And the story then becomes what he imagines their lives to have been, growing in complexity and realism as he comes to terms with his own defeats. I've never seen the writing process so accurately shown in a film as he talks to the characters in his mind and continues to revise their lives before our eyes. An ambitious film that doesn't entirely work, but that I found fascinating and moving. Michael Redgrave is terrific, too, and James Mason, who appears too briefly, has a really cute wave in his hair (ha).
DON'T GIVE UP, 'CAUSE YOU HAVE FRIENDS
Even if, in as this clever psychological drama about disillusionment the friends are inside your head.
DON'T GIVE UP, YOU'RE NOT BEATEN YET. Even if you've withdrawn from the real world because you think it's a terrible place and despite you trying all your life to make it better you now think it's a place without hope.
DON'T GIVE UP, I KNOW YOU CAN MAKE IT GOOD. Those imaginary people telling you that you can make a difference aren't strangers, they're yourself.
This could have been a dry worthy call to arms but instead it's a clever grown up and uplifting celebration of humanity. It's lively, fast moving and emotionally moving.
DON'T GIVE UP, YOU'RE NOT BEATEN YET. Even if you've withdrawn from the real world because you think it's a terrible place and despite you trying all your life to make it better you now think it's a place without hope.
DON'T GIVE UP, I KNOW YOU CAN MAKE IT GOOD. Those imaginary people telling you that you can make a difference aren't strangers, they're yourself.
This could have been a dry worthy call to arms but instead it's a clever grown up and uplifting celebration of humanity. It's lively, fast moving and emotionally moving.
Did you know
- TriviaBarbara Mullen (Ellen Kirby) was playing a forty-year-old spinster, yet, she was only twenty-eight.
- GoofsDuring the flashback sequence, when "Briggs" walks back into the room to his family, a crew member's hand can be seen outside the door stopping it from slamming shut.
- ConnectionsReferenced in Portrait of Jennie (1948)
Details
- Release date
- Country of origin
- Language
- Also known as
- The Charter Film Production of Thunder Rock
- Filming locations
- D&P Studios, Denham, Uxbridge, Buckinghamshire, England, UK(studio: made at D & P Studios Denham - England)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 30m(90 min)
- Color
- Aspect ratio
- 1.37 : 1
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