Action in the North Atlantic

From what my father described this is pretty much the way it was on the Murmansk run. My father was sunk twice on the way to Murmansk the second time with the PQ-17 convoy (The Massacred Convoy). He was Chief Engineer on the maiden voyage of the liberty ship "Daniel Morgan" and was sunk by the German U-88 on July 4th, 1942. After being picked up by a Russian tanker some three days later he and the survivors hid out behind Russian lines until he came back to Boston on The Queen Mary with hundreds of other merchant seaman that had been sunk. The day was October 15th, 1942...the day I was born.

That wasn't the last time he was sunk.

Raymond Massey and Humphrey Bogart as captain and first mate of a merchant marine ship, see their first ship sunk by a German U-boat. They get a second ship and with some of their surviving crew from the first ship join an international convoy taking supplies to the Soviet Union.

From Halifax to Murmansk quite a flotilla of merchant ships from a whole lot of countries that had declared war on the Axis. The convoy was something like a sea going wagon train which was developed because individual ships were easy prey for submarines. The seagoing wagon train got a destroyer escort and they were armed now as well.

The merchant seaman were not technically part of the armed forces. But that didn't mean they weren't seeing a lot of action as Action in the North Atlantic so clearly demonstrates. Bad enough when the Lend lease was to Great Britain, but when we became allies with the Soviets the only places it could go were the ports of Murmansk and Archangel when they were ice free. That meant a voyage along the long Norwegian coast line which was occupied by Germany.

Bogart and Massey give strong portrayals of dedicated merchant seaman whose life is tough enough in peace time. But they certainly have the right stuff in time of war. Some of the crew of their ship is Dane Clark, Sam Levene, Peter Whitney, and Alan Hale who really steals every scene he's in.

Action in the North Atlantic is filled with a lot of the flag waving that characterized Hollywood era World War II films. The derring do heroics are kept to a minimum. The situations the seaman encounter are quite real for the perilous undertaking they were involved in.

It could probably be remade today and maybe with some of today's stars showing a new generation what it was like to be a merchant seaman in World War II>

Considering the splendid contribution director Lloyd Bacon had made to Warner Bros his treatment by Jack Warner was pretty shabby and having been given the old heave-ho over a contractual dispute, his film was completed by Byron Haskin and Raoul Walsh, both of whom are uncredited. It is based upon the Oscar-nominated story by the ill-fated Guy Gilpatric.

In keeping with a film depicting naval warfare the scenes on dry land are far less effective with the notable exception of the beautifully realised homecoming scenes between the captain of Raymond Massey and Ruth Gordon as his wife. Massey is here stepping in for an otherwise engaged Edward G. Robinson whilst we should be grateful for small mercies in that Humphrey Bogart has replaced George Raft as Massey's First officer. Dane Clark in his biggest role to date, Sam Levene and inveterate scene-stealer Alan Hale role provide the Everyman element.

Combining some stock footage with scenes shot on sound stages, backlots and in the studio water tank, the seaborne action sequences are tense, visceral, thrilling, superbly edited and brilliantly scored. Production design, second unit direction and special effects(for the time) are of the finest. Cameraman Ted McCord warrants a nod as this marks his promotion from B's to A's. An unique feature for the period is that the non-American characters speak in their own language and without sub-titles which lends greater authenticity, not least in the case of the U-Boat crews.

Unashamedly patriotic in nature, simplistic in its sentiments and designed to boost morale this must rank among the best of the 'Hollywood goes to War' movies and certainly does what it says on the tin.

These were battles that saw merchant ships attacked, across the seas like fish in barrels they were tracked, a hidden foe that fought with stealth, their aim to sink the allies wealth, deploying tactics that were tough to counteract. In convoys odds of sinking were reduced, but on occasion isolation was induced, like a lamb that leaves the flock, you were open to be shot, but wise thinking often generates a boost. At its heart there is a little propaganda, encouraging those free to join and clamber, to ride the waves of victory, sailing logistics over sea, there was no reason to abstain, as a bystander.

Humphrey Bogart was a full fledged star when he made this film. Other Hollywood stars not in the military at the time including John Wayne and Errol Flynn were winning the war on screen so why not Bogart. "Action In The North Atlantic" was a natural.

Bogie Plays Joe Rossi, a first mate on a Merchant Marine freighter. The ship gets blown out of the sea and rammed by a Nazi Sub. Bogie gets a new ship, the ship gets even, and delivers their cargo to their destination(Russia of all places).

All of the typical war movie stereotypes are there. Raymond Massey in a departure from his many villainous roles of that era was the father figure Captain. The Warner Brothers Stock Company were all there led by Alan Hale, Sam Levine, and Dane Clark( who for the first time in his career used this name given to him by Bogart--previously he acted under his real name Bernard Zanville).

In addition, Ruth Gordon and Julie Bishop are there for the perfunctory wife/girlfriend scenes.

The title says it all. Except for a few scenes on land most of the film takes place on board ship. Lloyd Bacon and Raoul Walsh(uncredited)make the battle scenes realistic with the guidance of Byron Haskin.

The dialogue some of which was written by John Howard Lawson came under some controversy. In the 1950s Lawson was named as one of the Hollywood 10 and was blacklisted. As relations between the US and Russia deteriorated anti communist factions pointed to this film as pro russian.

In truth this is a one of the great WWII dramas. It is a stirring tribute to the unsung heroes of the conflict, the Merchant Marines