Hoppy Serves a Writ

This traditional "Hoppy" adventure was never meant to be any kind of classic, but mainly functions as Saturday Matinée fare, a pitting of the good guys against the bad guys with plenty of horse chases and gun-play to keep the kids in their seats and wanting to come back for more.

Having grown up in the 1940's, I watch the old Westerns today for reasons other than a gripping plot about which the outcome is clearly foretold. The photography in this one, for example, is exceptional, with cinematographer Russell Harlan going beyond the usual camera set-ups to capture the beauty of location shooting in Lone Pine, California-- the desert-like conditions shot against mountain vistas, the beauty of rustling sycamores framing the action, and exceptional long shots giving us such keen perspectives as robbing of the Well's Fargo Stage from several angles (Harlan, incidentally, went on to film the indelible images of To Kill A Mockingbird). FYI, an unsolicited commercial: Platinum Productions (though Echo Bridge) has released the Cassidy adventures in multiples for very little money, and the transfers are remarkable!

Another incidental pleasure of Hoppy Serves A Writ is Hoppy himself, of course, a cool character who always seems a little above the chaos around him: William Boyd, a leading man from the 1930's found his niche in these Westerns--and we don't have to listen to him sing! Frequently pointed out is Robert Mitchum's first major appearance in a film: a performance at the edge of narcolepsy, but Mitchum actually saddles up a few times and rides; future Superman George Reeves has a meatier role as a dude with attitude, attempting to romance the sole female on the film, but losing her to Hoppy's cute, mild-mannered assistant. And for those with an eye for familiar character actors, the laconic Byron Foulger serves as a shopkeeper; Victor Jory, so often a villain in both Westerns and crime films, sports a nasty scar on his cheek that marks him as the one to hiss.

In all, this is 64 minutes of matinée fun, perfect for a Saturday afternoon with a bowl of popcorn and all your memories of time well spent with your Hollywood pals.

"Hoppy Serves a Writ" is an interesting Hopalong Cassidy film because of its cast. Victor Jory, George Reeves and Robert Mitchum all star as members of a gang of crooks...though, sadly, Mitchum (in his first film) has barely a line of dialog.

This version of "Hoppy Serves a Writ" is a nice because it's 65 minutes and isn't one of those chopped down to about 54 minutes back in the 1950s. This was done to allow the film to be shown in a one hour time slot back in the day. But apparently, the excised portions of Hopalong Cassidy's films were saved and were recently restored. These nice restored prints recently showed up on YouTube...and are well worth seeing. Unlike many B cowboys, Cassidy is no pretty boy nor is her a singer...just a hard-fighting do-gooer.

The film begins with a stage coach being robbed in Texas. However, the baddies run off to the Oklahoma Territory...out of the jurisdiction of Texas authorities. So, Hoppy and his sidekicks, Johnny and California, head there and go undercover. They need to find the loot and the crooks that stole it...but it doesn't look very easy in this lawless land.

This is pretty much a standard sort of Hopalong Cassidy film...well made and enjoyable.

By the way, in one scene Hoppy has a brutal fight with Tom Jordan (Victor Jory). In real life, Jory probably would have won that one as he used to be the champion wrestler and boxer in the Coast Guard.

In Hoppy Serves A Writ Hopalong Cassidy is a sheriff and serving writs is certainly part of those duties. But when you're a Texas lawman and the outlaws are fleeing to Oklahoma Territory that becomes a problem. The outlaws are not only are fleeing to Oklahoma, but they're taking a large amount of rustled cattle there.

In real life this would have been a joint operation between the Texas sheriff and some federal marshals for the Territory. But this is a Hollywood western and a Hopalong Cassidy western and Hoppy settles his own problems albeit with a little incognito spy work. And these are all purpose outlaws that Victor Jory heads they don't specialize.

Hoppy's sidekicks are a little more useless than usual Andy Clyde especially. Though when the outlaws capture he doesn't crack under their brutality. Eventually its California who serves the writ and he does make a botch of it in his inimitable fashion.

Victor Jory is always a nasty and snarling villain and Jory did many a Hoppy film. So did future television Superman George Reeves who plays Jory's younger brother. Further down the cast list and making his film debut is Robert Mitchum definitely the most famous actor to ever appear in Hopalong Cassidy films. Mitchum is one of Jory's henchmen and he did several Cassidy films usually as an outlaw.

Not one of the better Hoppy films, but the film is the birth of the a screen legend.

Unlike the later Hoppy films, this one doesn't follow a mystery outline. We know who the baddie is from pretty near the beginning, & it's just a matter of catching him. Victor Jory (who had already starred in "The Shadow" & "The Green Archer" serials), is featured in this film. George Reeves (later TV's "Superman") has a small part. And Robert Mitchum has a short line. Jan Christy (the heroine) is prettier than most of the Hoppy heroines. Andy Clyde (as "California") gets a serious beating, & "Johnny" (Jay Kirby) doesn't act as silly as other Johnnies in this series. Sounds like it has a lot going for it, doesn't it? Not so, because there's little action aside from a couple of good fight scenes & about three gunfights. The plot is weak, & it's not helped by the fact that there's no mystery involved. Hoppy wears all black at the beginning & end of the film, & wears his rancher's outfit in the middle. It doesn't even have the usual dose of humor for a Hoppy film. I rate it only 5/10.

The 26 year old Robert Mitchum made his screen debut in this film. I'm not too sure how good an actor he really is because he always seems to sound the same. The true test is when you compare him acting as an antagonist as opposed to a protagonist. He's a better protagonist because he's the consistent broad shouldered, tall American.