A nurse is hired to care for the wife of a sugar plantation owner, who has been acting strangely, on a Caribbean island.A nurse is hired to care for the wife of a sugar plantation owner, who has been acting strangely, on a Caribbean island.A nurse is hired to care for the wife of a sugar plantation owner, who has been acting strangely, on a Caribbean island.
- Awards
- 4 nominations total
Theresa Harris
- Alma
- (as Teresa Harris)
Jeni Le Gon
- Dancer
- (as Jeni LeGon)
Richard Abrams
- Clement
- (uncredited)
Doris Ake
- Black Friend of Melise
- (uncredited)
Rita Christiani
- Friend of Melise
- (uncredited)
Vivian Dandridge
- Melisse
- (uncredited)
Alan Edmiston
- Job Interviewer
- (uncredited)
Kathleen Hartsfield
- Dancer
- (uncredited)
Norman Mayes
- Bayard
- (uncredited)
Jieno Moxzer
- Sabreur
- (uncredited)
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Featured reviews
A Tourneur Masterpiece
Director Jacques Tourneur and producer Val Lewton are noted for their more cerebral forays into the horror genre and this is one of the finest of their partnership. The basic story centers around voodoo in the islands and the real or imagined effects it has on one particular family. I never know whether Tom Conway is a good, low-key actor or not an actor at all but here he does a passable job as the tortured husband. Frances Dee is sweet as the nurse who gets entangled in the family problems and tries to help to no avail. Although Christine Gordon says not a word during the whole film, her image and unusual beauty is haunting. Edith Barrett, an actress who was pitifully under used in film, is outstanding as the mother who plays a rather surprising role. The whole film is based on atmosphere and great cinematography....it is chilling without showing much, therefore leaving a lot to the imagination. There is no violence,no special effects and no gore but it will hold you in suspense just the same. The choice of title is unfortunate (but so was "I Married a Monster from Outer Space" which was also a good film). I rate this movie as one of the Tourneur/Lewton masterpieces and highly recommend it to all lovers of the genre.
Ambiguous Zombie Movie
The Canadian nurse Betsy Connell (Frances Dee) is hired to travel to St. Sebastian, in West Indies, to work at Fort Holland nursing Jessica Holland (Christine Gordon), the wife of the sugar plantation owner Paul Holland (Tom Conway). Betsy meets Paul in the ship and is welcomed by Paul's estranged half-brother Wesley "Wes" Rand (James Ellison) in the farmhouse. During the night, she overhears a woman crying and she believes that might be Jessica and goes to her room. She finds a creepy mute woman and she learns that Jessica had a mental paralysis after a severe tropical fever and is a hopeless case, unable to speak or have power. Soon Betsy falls in love with Paul and she decides to help Jessica to be cured to make Paul happier. She suggests an experimental treatment with shock to Dr. Maxwell (James Bell) but it fails. While talking to the maid Alma (Theresa Harris), she discovers that another woman was cured in a voodoo ceremony by a voodoo priest and she decides to use witchcraft to cure Jessica. However the natives believe that Jessica is a zombie that cannot be cured. When Betsy meets Paul and Wesley's mother Mrs. Rand (Edith Barrett), she finds that Jessica was the pivot of a fight between Paul and Wes and she believes that her daughter-in-law is a zombie.
"I Walked with a Zombie" is an ambiguous zombie movie directed by Jacques Tourneur. The plot is a family drama and the zombies in this movie are not like in George Romero's trilogy or "The Walking Dead", but related to voodoo in a Caribbean Island. There is a creepy atmosphere with a beautiful cinematography, the non-stop voodoo drums and the native Carrefour, but no gore, violent death or scream. The conclusion is ambiguous after the revelation of Mrs. Rand. My vote is seven.
Title (Brazil): "A Morta-Viva" ("The Living Dead")
"I Walked with a Zombie" is an ambiguous zombie movie directed by Jacques Tourneur. The plot is a family drama and the zombies in this movie are not like in George Romero's trilogy or "The Walking Dead", but related to voodoo in a Caribbean Island. There is a creepy atmosphere with a beautiful cinematography, the non-stop voodoo drums and the native Carrefour, but no gore, violent death or scream. The conclusion is ambiguous after the revelation of Mrs. Rand. My vote is seven.
Title (Brazil): "A Morta-Viva" ("The Living Dead")
Fascinating and unusual film, very different from other 40s movies
There are a lot of terrific elements in this movie. It is moody and atmospheric, subtly ominous, and like many Lewton movies leaves its supernatural elements ambiguous.
But the most unusual thing aspect from a 1940s movie is how it treats black people. First off, note that the West Indies natives don't speak in either the "yass ma'am" or "ooga booga" styles that represented the entire spectrum of black portrayals in the U.S. at the time. They talk in slightly accented, but perfectly normal English.
Also, the movie specifically mentions the slave industry at least twice. There is a wonderful scene near the beginning in which the main character discusses the island's history with her driver. He mentions they were brought here in chains and she says, well at least they brought you to a beautiful place. "If you say so," he says, very politely
That is such an awesome exchange. He is a servant and he's not going to argue with her, but he also won't kowtow. It is a conversation you can actually believe would happen.
The movie also shows surprising respect for the Voodoo aspects. The natives believe in it, but they aren't mocked for it, and in the ceremony they do actual African dance, instead of some weird Hollywood fakery.
The movie, again typical of Lewton, has a lovely complexity to it. Characters are more than they appear to be, and their motives are not simple.
It's not a perfect movie. Some of the acting is less than stellar and I suspect some explanatory scenes were cut, as it sometimes feels rushed and slightly disconnected. But it is not to be missed.
But the most unusual thing aspect from a 1940s movie is how it treats black people. First off, note that the West Indies natives don't speak in either the "yass ma'am" or "ooga booga" styles that represented the entire spectrum of black portrayals in the U.S. at the time. They talk in slightly accented, but perfectly normal English.
Also, the movie specifically mentions the slave industry at least twice. There is a wonderful scene near the beginning in which the main character discusses the island's history with her driver. He mentions they were brought here in chains and she says, well at least they brought you to a beautiful place. "If you say so," he says, very politely
That is such an awesome exchange. He is a servant and he's not going to argue with her, but he also won't kowtow. It is a conversation you can actually believe would happen.
The movie also shows surprising respect for the Voodoo aspects. The natives believe in it, but they aren't mocked for it, and in the ceremony they do actual African dance, instead of some weird Hollywood fakery.
The movie, again typical of Lewton, has a lovely complexity to it. Characters are more than they appear to be, and their motives are not simple.
It's not a perfect movie. Some of the acting is less than stellar and I suspect some explanatory scenes were cut, as it sometimes feels rushed and slightly disconnected. But it is not to be missed.
Lyrical and Atmospheric
"I Walked with a Zombie", besides having one of the oddest movie titles, took a different approach to the horror genre than the popular Universal movies of the day. Maybe it harkens back to the earlier Universal heavies like "Dracula" and "Bride of Frankenstein". Made by Val Lewton and Jacques Tourneur, they crafted their collaborations using a poetic, dreamlike approach to cinematic storytelling. Lyrical and atmospheric, "I Walked with a Zombie" recounts the story of a Canadian nurse sent to a small West Indian sugar island to tend for a young comatose woman, the wife of the island's plantation owner. What's wrong with her? Hints abound through the songs of the calypso singers, bits of dialogue, objects in the movie. The story, as odd as it is, is not told directly. You may think it is, but at the end of the film, you're not so certain of what's happened. Were the events the work of the supernatural? Was a crime committed? Or both? Or neither? It's difficult to say. I recommend this movie, it's important not to forget the older, off-beat films.
Does a great job of building mood and atmosphere
Canadian nurse Betsy Connell (Frances Dee) is employed by wealthy Paul Holland (Tom Conway) to take care of his catatonic wife Jessica in the West Indies. It is never said exactly where in the West Indies this is, but it is mentioned that there is a strong presence of voodoo on the island.
Betsy is told by Jessica's doctor that Jessica has been this way since she had a bad case of a tropical fever, and the catatonia was the aftermath. Jessica can walk and follow simple commands, but she is mute and doesn't seem to comprehend what is going on around her.
Betsy gets to know both her boss Paul, who is a joyless curmudgeon who proves to be secretly sensitive, as well as his brother Wesley, who is outwardly charming but dangerously embittered. But it's the permanently unavailable Paul whom she grows to love. When a voodoo-believing servant tells Betsy that voodoo has the power to cure Jessica, Betsy takes Jessica to the voodoo encampment to see if they can cause her to reclaim her sanity. Complications ensue.
The film is for sure atmospheric, like all of the entries from Val Lewton during this time period. That atmosphere includes lumbering women in billowing long white gowns, tall stone staircases, and high gray ceilings. A great sense of unease runs through the veins of this movie from start to finish.
What did I not like? Character development is very abbreviated. And the locals who inhabit the island seem more like they are sporting the accent of the blacks of the American south than the West Indies. Plus the explanation of events is delivered in just a couple of sentences at the end and left me very unsatisfied - Show me, don't tell me! But then this was meant to be a 70-minute RKO quickie, not a horror classic, so it is remarkable that with such a small budget it has managed to have such staying power over the years. I'd recommend it.
Betsy is told by Jessica's doctor that Jessica has been this way since she had a bad case of a tropical fever, and the catatonia was the aftermath. Jessica can walk and follow simple commands, but she is mute and doesn't seem to comprehend what is going on around her.
Betsy gets to know both her boss Paul, who is a joyless curmudgeon who proves to be secretly sensitive, as well as his brother Wesley, who is outwardly charming but dangerously embittered. But it's the permanently unavailable Paul whom she grows to love. When a voodoo-believing servant tells Betsy that voodoo has the power to cure Jessica, Betsy takes Jessica to the voodoo encampment to see if they can cause her to reclaim her sanity. Complications ensue.
The film is for sure atmospheric, like all of the entries from Val Lewton during this time period. That atmosphere includes lumbering women in billowing long white gowns, tall stone staircases, and high gray ceilings. A great sense of unease runs through the veins of this movie from start to finish.
What did I not like? Character development is very abbreviated. And the locals who inhabit the island seem more like they are sporting the accent of the blacks of the American south than the West Indies. Plus the explanation of events is delivered in just a couple of sentences at the end and left me very unsatisfied - Show me, don't tell me! But then this was meant to be a 70-minute RKO quickie, not a horror classic, so it is remarkable that with such a small budget it has managed to have such staying power over the years. I'd recommend it.
Did you know
- TriviaVal Lewton did not like the article "I Walked With A Zombie" by Inez Wallace that had been optioned, so he adapted the story to fit the novel "Jane Eyre" because he felt the article's plot was too clichéd.
- GoofsOn Betsy's first morning, Alma brings her breakfast in bed and fills the coffee cup so full that it spills over. In the very next shot, the cup is much emptier without Betsy having drunk of it.
- Quotes
[first lines]
Betsy Connell: [voice over, giggling after the first line] I walked with a zombie. It does seem an odd thing to say. Had anyone said that to me a year ago, I'm not at all sure I would have known what a zombie was. Oh, I might have had some notion that they were strange and frightening... even a little funny. It all began in such an ordinary way...
- Crazy creditsAt the beginning, in small letters at the bottom of the screen is this disclaimer: The characters and events depicted in this photoplay are fictional. Any similarity to any persons, living, dead, OR POSSESSED, is entirely coincidental.
- ConnectionsFeatured in Aweful Movies with Deadly Earnest: I Walked with a Zombie (1969)
- SoundtracksO Marie Congo
(uncredited)
Traditional
Performed by ensemble
[Sung by the crew of the clipper ship]
- How long is I Walked with a Zombie?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Yo dormí con un fantasma
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 9m(69 min)
- Color
- Aspect ratio
- 1.37 : 1
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