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6.3/10
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In 1906, on Oklahoma's Indian lands, a cowboy fights for oil lease rights against a greedy oilman while a pretty schoolteacher steals both men's hearts.In 1906, on Oklahoma's Indian lands, a cowboy fights for oil lease rights against a greedy oilman while a pretty schoolteacher steals both men's hearts.In 1906, on Oklahoma's Indian lands, a cowboy fights for oil lease rights against a greedy oilman while a pretty schoolteacher steals both men's hearts.
- Director
- Writers
- Stars
- Nominated for 2 Oscars
- 2 nominations total
Foncilla Adams
- Girl
- (uncredited)
Stanley Andrews
- Mason - Indian Agent
- (uncredited)
Charles Arnt
- Joe - Train Conductor
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I didn't expect much from this one but it's better than it has any right being. On the surface it looks like an ordinary, run-of-the-mill B western with cowboy John Wayne leading a revolt against greedy oil baron Albert Dekker. Oh and the obligatory pretty school teacher Martha Scott, who catches the eye of both Wayne and Dekker. But it's actually a fun little movie that captures your attention and never drags. Wayne and Dekker play their white hat/black hat parts well, and Scott is charming with a nice chemistry with Duke. Supporting cast features greats like Gabby Hayes, Marjorie Rambeau, and Paul Fix. And just wait until Teddy Roosevelt shows up. That was my favorite part.
A lesser entry in the John Wayne canon, but not without interest. I thought Duke did quite well with the light comedy in the first part of the film before getting tough later on. And he looks as good as he ever did.
I liked the opening scene as the camera panned along the train interior catching the comments of the passengers - including, I'm sure, Guinn "Big Boy" Williams who had a few words to say, though the film doesn't appear in his filmography on this site or in Quinlan.
Albert Dekker is quite a likable villain, and, for the era in which the film was made, it's quite clear what his intentions are towards Martha Scott; the innuendo is strong, and in the hotel she even looks into the room adjoining hers and gasps when she spots the bed where he wants her to end up.
I'm a bit dubious about the total oil capacity of the various wagons at the end of the film and how easily some of the explosions occurred, but the sequence is quite a novel one. And the period - very early 20th century - is an interesting one, with the film making several allusions to the new life-style that will be made possible by oil.
Apparently Rhonda Fleming is in the chorus line in her very first film, and Gabby Hayes isn't too annoying in his customary old coot/sidekick role.
I liked the opening scene as the camera panned along the train interior catching the comments of the passengers - including, I'm sure, Guinn "Big Boy" Williams who had a few words to say, though the film doesn't appear in his filmography on this site or in Quinlan.
Albert Dekker is quite a likable villain, and, for the era in which the film was made, it's quite clear what his intentions are towards Martha Scott; the innuendo is strong, and in the hotel she even looks into the room adjoining hers and gasps when she spots the bed where he wants her to end up.
I'm a bit dubious about the total oil capacity of the various wagons at the end of the film and how easily some of the explosions occurred, but the sequence is quite a novel one. And the period - very early 20th century - is an interesting one, with the film making several allusions to the new life-style that will be made possible by oil.
Apparently Rhonda Fleming is in the chorus line in her very first film, and Gabby Hayes isn't too annoying in his customary old coot/sidekick role.
This was Republic's most successful picture of 1943, offering solid if unspectacular entertainment.
It is a somewhat unusual western, being set in the early 20th century and featuring an antagonist (played by Albert Dekker) who is a ruthless businessman rather than the conventional evil villain. Dekker represents modernity and Wayne, of course, the more traditional hard moral man.
The two male leads compete for the heart of a romance writer played by Martha Scott, and for the oil rights of the Indian territory, with Wayne representing a much less predatory way of doing business.
Add some humor and lively action scenes and you get a quite enjoyable product, if a bit formulaic.
It is a somewhat unusual western, being set in the early 20th century and featuring an antagonist (played by Albert Dekker) who is a ruthless businessman rather than the conventional evil villain. Dekker represents modernity and Wayne, of course, the more traditional hard moral man.
The two male leads compete for the heart of a romance writer played by Martha Scott, and for the oil rights of the Indian territory, with Wayne representing a much less predatory way of doing business.
Add some humor and lively action scenes and you get a quite enjoyable product, if a bit formulaic.
This a John Wayne film like no other. Take it from a huge fan that's seen most of his movies. Although this not classified as a comedy, the Duke's turns in a sly performance full of great one-liners and facial expressions that had me rolling. Its action adventure in the oil fields and it's very entertaining and fun. Wayne is Cowboy Dan Somers and he competes with oilman Jim Gardner for oil lease rights on Indian land in Oklahoma, as well as for the attentions of schoolteacher turned scandalous book author Cathy Allen. It has a good supporting cast including George "Gabby" Hayes. You will never see the Duke quite like this in any other role. If you're a fan of the Duke, you will love this film. It was originally titled "In Old Oklahoma" and then reissued as "War of the Wildcats".
John Wayne plays a cowboy who allows himself to be underestimated by wildcatter Albert Dekker. His 'aw shucks' manner like Jimmy Stewart in 'Destry Rides Again' masks a tough, intelligent character who rises to the challenge posed by Albert Dekker's Jim Gardner.
Part of what makes the movie interesting is that the villain, Jim Gardner, is not just a standard heavy. Yes, he's a ruthless businessman, single minded in his drive for success. On the other hand, he's competent and he's no coward. Early in the movie he arrives at one of his well sites and is told there's a mechanical problem. None of his workers seem able or willing to fix it. Disregarding his personal safety, he climbs a rope to the top of the well and fixes the problem.
He's also a close physical match for John Wayne's character, with two long fights. Like it or not, Gardner represents the kind of entrepreneur that built this country. You can't help having a grudging respect for him.
Wayne's Dan Somers has a populist outlook. At the sight of an oil well spouting oil, Martha Scott's Cathy Allen, gushes "It smells like a new day, like prosperity"; Somers replies, "To me it just smells".
Somers saves Gardner from getting shot by a disgruntled farmer, then prevents Gardner from beating up the farmer. Somers seems to represent a 'New Deal' philosophy.
Part of what makes the movie interesting is that the villain, Jim Gardner, is not just a standard heavy. Yes, he's a ruthless businessman, single minded in his drive for success. On the other hand, he's competent and he's no coward. Early in the movie he arrives at one of his well sites and is told there's a mechanical problem. None of his workers seem able or willing to fix it. Disregarding his personal safety, he climbs a rope to the top of the well and fixes the problem.
He's also a close physical match for John Wayne's character, with two long fights. Like it or not, Gardner represents the kind of entrepreneur that built this country. You can't help having a grudging respect for him.
Wayne's Dan Somers has a populist outlook. At the sight of an oil well spouting oil, Martha Scott's Cathy Allen, gushes "It smells like a new day, like prosperity"; Somers replies, "To me it just smells".
Somers saves Gardner from getting shot by a disgruntled farmer, then prevents Gardner from beating up the farmer. Somers seems to represent a 'New Deal' philosophy.
Did you know
- TriviaSidney Blackmer made a career out of playing Teddy Roosevelt. He played him eight times in various film projects. 1-"This Is My Affair" (1937) 2-"The Monroe Doctrine" (1939) 3-"Teddy the Rough Rider" (1940) 4-"March On, America!" (1942) 5-"In Old Oklahoma" (1943), 6-"Bill "Buffalo Bill" (1944) 7-"My Girl Tisa" (1948) 8-"Never Kick a Man Upstairs" (TV Movie) (1953).
- Quotes
Bessie Baxter: We've got a long way to go, and a short time to get there.
- ConnectionsEdited into Six Gun Theater: In Old Oklahoma (2021)
- How long is In Old Oklahoma?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Cuando una mujer se atreve
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 42m(102 min)
- Color
- Aspect ratio
- 1.37 : 1
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