Pigs in a Polka

Dressed in a tuxedo, the Big Bad Wolf presents the Big Bad Wolf and the Three Little Pigs. The first Pig builds his straw house quickly and relaxes. The second Pig builds a house from matchsticks and it crumbles. The third Pig builds a house made of bricks.

Generally, this is the standard three little pigs story except for the last house. The first half is fine and unsurprising. There are one fun joke, but it is mostly nothing special. The brick house is the big change and I'm not sure that I like it. The two pigs are too dumb to live. I don't know if I'm rooting for these pigs. The ending is the ending and it ended.

Once again, the two shortsighted pigs manage to survive, only with the help of their smart and thoughtful brother. After the wolf announced what was going to happen, I expected him to be sitting down with a plate full of pork chops, the third brother watching from a distance. It is a well done but weak story. However, the animation is excellent. It is colorful and full of action.

Friz Freleng's 'Pigs in a Polka' is a terrific parody of both Disney's 'Fantasia' and Disney's Oscar winning Silly Symphony 'The Three Little Pigs'. Freleng, always a dab hand at the musical cartoons, sets the Three Little Pigs story to Brahms' Hungarian Rhapsody. On first viewing, I was disappointed in the comparative lack of gags in the cartoon but I was missing the point. The humour here comes from the characters' actions and how impeccably Freleng synchs them up with the music. The cartoon really comes to life the instant the high kicking Wolf makes his appearance. From here on in, there is no dialogue whatsoever, just beautifully choreographed sequences in which the Wolf tries to gain access to the brick house of the third pig. Like the cartoon it parodies, 'Pigs in a Polka' was nominated for an Oscar but unfortunately, unlike Disney's cartoon, it did not win. While it is less well known than it should be, 'Pigs in a Polka' still retains a high level of respect in animation fan circles and its cult reputation is richly deserved. You only have to look at the superb final moments in which the Wolf falls down an elevator shaft, collapses and the iris closes on his face all in perfect time to the music, to know that 'Pigs in a Polka' is a class act.

I remember that I first heard Johannes Brahms's "Hungarian Dances" in "The Great Dictator", when Charlie Chaplin is shaving the guy to the tune of that song. For "Pigs in a Polka", the Termite Terrace crowd continues its tradition of mixing classical music with wacky images, and they do a great job with it. OK, so "Three Little Pigs" is one of the easiest stories to spoof (they later applied music to it again with "Three Little Bops"), but how can you not like how the cartoon came out here? Probably the most eye-opening aspect is how, far from being a triad of warm, cuddly brothers, the pigs have some conflicts. The smartest one - who built his house out of bricks - doesn't like how his siblings take an irresponsible attitude towards everything.

Among other things, we have to remember that these cartoons were not created for children. What they portray requires some knowledge of world history and culture. As it is, I've long considered it honorable that these cartoons could teach children about classical music (much like "What's Opera, Doc?" could).

All in all, a very enjoyable cartoon short.

"This is our interpretation of the familiar tale of 'The Big Bad Wolf And The Three Little Pigs.'" An announcer is telling this to an audience, of which we are privy. He adds this story "is set to the delightful music of Joann Brahm's 'Hungarian Dances.'"

So that's what we get: this fairy tale set to music. The announcer, butchering Brahms' name, is funny, but not a lot of other things are in here. In fact, that might be it. What you mainly have here is a cartoon in which the actions of the people, from walking to dancing and prancing to the wolf chasing the pigs all is set to the music.

Maybe it's just me, but I prefer humor in my cartoons. This was not something I'd watch again.