The stork tells about a harrowing encounter with a gun emplacement. As a result, he declares himself "closed for the duration". His reflection in the mirror, however, gives him a pep talk, r... Read allThe stork tells about a harrowing encounter with a gun emplacement. As a result, he declares himself "closed for the duration". His reflection in the mirror, however, gives him a pep talk, reminding him of his ancestors who flew in the previous wars. The stork sets out with homem... Read allThe stork tells about a harrowing encounter with a gun emplacement. As a result, he declares himself "closed for the duration". His reflection in the mirror, however, gives him a pep talk, reminding him of his ancestors who flew in the previous wars. The stork sets out with homemade armor and, with the help of a cigar smoke screen and a cloud, manages to send the plan... Read all
- Director
- Writers
- Stars
- Stork's Youch
- (uncredited)
- Stork
- (voice)
- (uncredited)
- Walter Winchell
- (uncredited)
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Featured reviews
I'm not sure if this is actually funny. I'm also not sure if this is NOT funny. This is two years after anti-aircraft batteries were saving London from the Blitz. I guess it's now the Germans who are shooting down American bombers. The question then becomes where the Stork was delivering the babies. I can see how someone was pitching an idea to equate a Stork with American bomber planes. I'm just not sure if it's the right idea.
When the story begins, the stork has decided enough is enough...he'll deliver no more babies. This is because when flying over Axis Europe, he was attacked! However, his conscience convinces him to try again...and like the previous time, he's attacked.
This is only a fair cartoon because it was so fixed on being propaganda that it forgot to get laughs...something you'd expect with a cartoon. The animation is fine...but it's more a curiosity than a film you should rush to see.
It's one of the occasional cartoons by George Gordon. Gordon was one of the first animators that Fred Quimby hired when he was told to start a cartoon department at MGM. While he had the needed talent, he never seemed to be able to produce in any volume. This one has some nice bits, including character design -- always a strong point of Gordon's work -- but it has aged poorly due to its wartime content.
This would be George Gordon's only direction screen credit. The five cartoons he directed take a lot of inspiration from the Donald and Pluto shorts from this timeframe. Specifically the basic situations. They have a distinctive style from Avery and Hanna-Barbera, but still maintain the MGM house style.
Disney story veterans Otto Englander and Webb Smith are credited as the writers for this short. The suspenseful mood of Disney's darker films carries over here. The anthropomorphic weapons and military equipment looks reminiscent of some of Disney's propaganda films from the same timeframe. The fact that there's little movement or expression makes them menacing, while still cartoony at the same time. The most clever touches of the film.
While a product of WWII, it's more entertaining and timely nowadays, because of the baby boom that would come just two years later.
A very richly illustrated gem, worth seeking out.
Did you know
- TriviaThe "Big Bertha" gun shown in this cartoon refers to the German nicknamed artillery piece that fired a 42cm-diameter shell up to 9.3km from a 5m-long barrel. The gun and its carriage weighed 42,600 kg (47 tons). It was one of the largest artillery pieces ever made, but only saw service in World War One.
- ConnectionsFeatured in ToonHeads: A ToonHeads Special: The Wartime Cartoons (2001)
Details
- Runtime
- 8m
- Aspect ratio
- 1.37 : 1