Whistling in Brooklyn

Whistling in Brooklyn was the last of three films that Red Skelton did as Wally 'The Fox' Benton, radio criminologist who keeps getting drawn into these real life mysteries via his reputation. Why he didn't just say that he was just an actor playing a role would have saved him a whole lot of trouble. Then again we wouldn't Skelton's Fox films, made at MGM, and they're pretty funny.

Among other things he never quite gets around to is marrying gal pal Ann Rutherford. If another Fox film had been done I'm sure they'll have not done the deed yet again.

There are some murders going on in Brooklyn, the last one being that of a police detective and after each one someone sends the Brooklyn Standard (Eagle) a note as to where the body is and signs it 'Constant Reader'.

At the same time Skelton and his lunkhead man Friday Rag Ragland whom he picked up from the last Fox movie Whistling in Dixie decide that he ought to give out with the publicity stunt that Skelton is really the Constant Reader. That sets up one long chase where Skelton, Ragland, Rutherford, and snoopy reporter Jean Rogers get to solve it all literally on the fly.

Whistling in Brooklyn is a fast paced comedy that is nice and personal for me and for the aging fans of the former Brooklyn Dodgers. There is an extended sequence where Skelton has escaped from both cops and bad guys and has disguised himself as a member of the semi-pro team the Beavers who are playing an exhibition with the Dodgers and they all wear beards. There was a team called the House of David where the players were just like that, they all looked like Hassidic Jews. It was their gimmick and they were an attraction.

MGM did some location work in Brooklyn and such Dodgers as manager Leo Durocher and players like Arky Vaughn, Joe Medwick, Mickey Owen, Billy Herman and Dolph Camilli played themselves. Skelton disguised himself as the Beavers pitcher and took his place on the mound against these guys and retired the side after hitting the first three batters. You've got to see how he does it.

Later on when he's up pitcher Bobo Newsom administers some chin music to Skelton at the plate. Newsom was almost as natural born a performer as Durocher who with this film started hanging around with show business types the rest of his life. Newsom had some right-handed sidearm delivery as you'll see. Those shots of the Brooklyn Dodgers and Ebbets Field are definite treasures that any baseball fan must see.

To tell the truth, the plot is kind of dopey, but the laughs are real enough. For Skelton and baseball fans, a must.

This is the third and funniest of Red Skelton's "Whistling" movies about the murderous misadventures of Wally Benton, actor, who plays most of the roles on radio's mystery show, "The Fox". It is a breakneck farce. Skelton and a horde of comedians race their ways through a tale about how Wally is mistaken for a suspected serial murderer when all he wants to do is go on his honeymoon with Anne Rutherford -- and who could blame him?

S. Sylvan Simon, one of MGM's terrific B talents, directed. His specialty was high speed farce and he pulls things off here at a terrific pace. Simon is largely forgotten. He had just produced the movie version of BORN YESTERDAY when he died suddenly at age 41 in 1951. He directed Skelton in four of his movies and knew how to get a good comic performance out of that talented clown.

Skelton had a successful career in the movies, simultaneously with his radio and television gigs from the late 1930s through the mid-50s. His movies are unfamiliar to most people because his contract called for extra fees to him when his movies played on television! Fortunately, they play fairly often now on Turner Classic movies. Do yourself a favor and see this one.

Back in 1933, Ernest Truex starred in "Whistling in the Dark" and it was a charming little comedy/mystery. Eight years later, the film was remade with Red Skelton and is the much more famous version of the story--though I prefer the original. Despite my preference, the Skelton film was so popular that it resulted in two sequels...first "Whistling in Dixie" and then "Whistling in Brooklyn".

A series of murders have occurred and the police are baffled. However, when radio personality Wally Benton (Skelton) seems to know too many details about the killings, they assume he's the killer. Suddenly, cops are pouring out of the woodwork to arrest the guy. At first, he thinks that it's all a gag. After all, he and his fiancé (Ann Rutherford) are on their way to get married and his co- workers are always playing tricks on him. However, when he realizes they are firing REAL bullets, he and his girl and his idiot chauffeur are on the run. Soon, they are not just dodging the police but crooks as well and EVERYBODY seems to want to kill him.

The best part of the film is towards the end, where Wally pretends to be a baseball player in order to alert the police who the real killer is. But he has to be disguised and sports a beard...and knows nothing about playing ball. But, miraculously, all the stupid things he does seem to work! Overall, enjoyable and pretty much more of the same for the short-lived franchise.

If you like old-fashioned corny humor you'll love this. I'm hesitant to give a movie this silly, corny and stupid eight stars but I had to because overall it was fun to watch and provided a number of genuine laughs. In fact, some of the scenes were downright hilarious. A lot of it is innocent old-time slapstick and, if it entertains, it did its job.

This was my first look at early Red Skelton films (I had only known him through his TV show) and it reminded of some Bob Hope films except this one had more slapstick and action.

It inspired me to go out and buy other Skelton comedies on VHS but, unfortunately, none ever measured up to this one. The real star of film might not have been Skelton, anyway, as Rags Ragland, playing the chauffeur, had perhaps the highest percentage of funny lines. The baseball scene in here also was very good.

Yes, this is stupid, generally-speaking, but it's really entertaining. If only two people have reviewed it (as of my review) then apparently a lot of people haven't seen this. That's too bad, especially with the older crowd, because they've missed a funny movie.

The gags fly thick and fast in this, the last of Skelton's Whistling series for MGM. The pace is so hectic you may have to check your fast-forward. But the first half-hour is near hilarious with the usual Skelton mugging and pratfalls, backed up by experts Rags Ragland and Ann Rutherford, along with clever quips galore, so stay tuned. As usual, the plot amounts to little more than a convenient hat-rack on which to hang Skelton's usual brand of madcap. And what better fare for wartime audiences than a chance to escape the horrors with this slapstick whirlwind. I really did wonder how they would escape the elevator shaft, one of those great moments when you don't know whether to laugh or hide your eyes. And, yes, that is Jean Rogers as the reporter, on a break from Ming the Merciless and his serial effort at conquering the universe and Flash Gordon all in the same breath. There's also a chance to scope out Ebbetts Field and the Brooklyn Dodgers before both were torn down and shipped to LA. All in all, good period fun, even this many years later.