Arsenic and Old Lace

For those who enjoy dark comedy, it's hard to see how anything could be funnier than "Arsenic and Old Lace". With Cary Grant's talent for madcap comedy, with hilariously sinister performances by Raymond Massey and Peter Lorre, with two adorable old ladies who have a very dark secret, plus half-a-dozen other eccentric characters, all involved in a complicated and unpredictable plot, this is a comic masterpiece. Director Frank Capra keeps everything moving and adds his own touch, keeping some dark material entirely light-hearted.

This is the kind of movie for which mere analysis cannot do justice to how well everything fits together. The characters, cast, and writing are all perfect, and the crazy story gives every character some great moments. There is plenty of witty dialogue, lots of funny slapstick and physical humor, and quite a few wild plot developments. None of it is meant to be plausible, but it is all hugely entertaining, and done with such skill that it is easy to suspend disbelief. If you happen not to have seen this before, stick with it for the first few minutes, until you arrive at the home of Cary Grant's two aunts, and then things will take off quickly.

If you enjoy morbid humor, "Arsenic and Old Lace" is an absolute must-see.

This is my all-time favorite classic movie. It has an very sophisticatedly entertaining plot line, the casting is superb, the pace is breathtaking, and it deals with a subject (euthanasia) that is still controversial today. The story is a fine example of "black comedy", where a socially unacceptable idea is shown in a very entertaining manner.

The story is set up brilliantly right from the get-go; where a 'certifiable' publicly-acclaimed bachelor is secretly getting married. The personality of the cast is excellent. I know that Cary Grant reckoned this was his worst movie, saying it was more of a "Jimmy Stewart-type part"; but his spot-on comic timing and professional style hamming plays the role to perfection. Also co-starring in the movie is a brilliant Peter Lorre as a maniac doctor and Raymond Massey as the psychotic brother. Most critics have attacked this film by saying the script refers to the psycho being a Boris Karloff look-alike, highlighting the fact that Boris played the role is the original stage play. However Massey plays the role to deadpan perfection, and the humor of the scenario still works.

My favorite scene is the self-referential one where Mortimer (a theater critic)is describing "bad plays (and movies)". If you watch the background action, and pay attention to the dialog, the ironic situation is brilliantly realized. This film also has my personal favorite quote, said by Cary Grant as Peter Lorre frantically tries to warn him of impending doom; "Stop underplaying - I can't hear you!"

One of the great black comedies. If Boris Karloff had joined his fellow Broadway cast members - Jean Adair, Josephine Hull and John Alexander - I think it would have been an even better movie. Raymond Massey, unquestionably a good actor, did his best, but didn't quite seem to get the joke, or maybe was overwhelmed by having to incarnate Karloff. But it's a quibble, really, and we're more than compensated by the the rest of the cast.

Cary Grant motors the piece along at a terrific pace. He's a joy to watch, with his double-, triple-, even quadruple- and quintuple-takes. Hull and Adair are equally wonderful in their different ways, the former all floaty and tip-toe, the latter hysterically earnest - one of my favourite moments is Adair's superb double-take when she notices, on the dining-room table, a shoe she doesn't recognise.

Peter Lorre, Jack Carson, Edward Everett Horton, James Gleason, and the rest, are all everything they should be, and Priscilla Lane is splendidly dewy-eyed and pouty as the love-interest.

I've seen Arsenic and Old Lace countless times. I've never tired of it, always look forward to it, and highly recommend it.

In Frank Capra's autobiography he explains that the reason he wanted to do Arsenic and Old Lace was that he was planning to go into the service, in preparation for the war he was sure coming. He wanted a surefire moneymaking hit that could be done on the cheap.

Arsenic and Old Lace was running on Broadway at the time and authors Howard Lindsay and Russell Crouse had sold the film rights to Warner Brothers. Capra negotiated a deal with Jack Warner for a percentage and told him how he would do the film on the cheap, but not cut production values. Years of experience at Columbia had taught him how. The property was perfect since 90% of it is on one set, the Brewster living room.

So the shooting was for four weeks and a big percentage of the budget was spent on getting a name star for guaranteed box office, that of course being Cary Grant. Of course this being 1941 the shooting was interrupted briefly by the actual attack on Pearl Harbor. But the film wrapped up quickly and was not released to the public until 1944 after the show on Broadway closed. It was however shown to troops overseas as were several other Hollywood films before they reached the domestic market.

Of course with a Capra selected cast the film was a great triumph. Only Jean Adair and Josephine Hull as the Brewster sisters and John Alexander as "Theodore Roosevelt" Brewster repeated their Broadway roles. Capra had insisted on that.

I don't think Cary Grant was ever more frantic in his film career than in Arsenic and Old Lace. He's one bundle of perpetual motion as Mortimer Brewster theater critic and member of a family where insanity doesn't just run, it gallops. He's got two daffy old spinster aunts who poison lonely old men to cure their loneliness, a brother who thinks he's Teddy Roosevelt, and another brother who is a homicidal maniac. Quite a family tree. Grant's performance is so good, you can see the fevered workings of his mind in his facial expressions as he frantically tries to get his whole family committed before the aunt's deeds are discovered.

Of the supporting cast I think that Raymond Massey as the homicidal brother, Peter Lorre as his sidekick, and Jack Carson as the dense police officer truly stand out. They and the others play parts that seem tailor made for them.

Over fifty years later, Arsenic and Old Lace will still fracture the funny bone in you.

And I wouldn't bet we've still not seen the last Roosevelt in the White House.

I didn't really know what to expect going into this. I have seen a lot of Cary Grant's movies, but none of them prepared me for this dark comedy. Grant is hilarious as the frantic Mortimer Brewster, who finds a body in his aunt's home and tries to get to the bottom of how it got there. There are so many scenes in this film that had me laughing my head off. Much of the credit goes to the actors who all play their parts well, but Frank Capra did a fantastic job with this. A fast pace and great timing and reaction shots made this film that much better. Overall, i would recommend this to nearly everyone. If you don't laugh during this film, I would say that you should check if you still have a pulse.