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5.3/10
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While preparing backstage, an actor tells his castmates about an adventure he had during World War II in the Axis-controlled French colony of Madagascar working for the Resistance and clashi... Read allWhile preparing backstage, an actor tells his castmates about an adventure he had during World War II in the Axis-controlled French colony of Madagascar working for the Resistance and clashing with the collaborationist local police chief.While preparing backstage, an actor tells his castmates about an adventure he had during World War II in the Axis-controlled French colony of Madagascar working for the Resistance and clashing with the collaborationist local police chief.
- Director
- Writers
- Stars
Paul Bonifas
- Michel - Chef de la Sureté
- (as The Molière Players)
Paul Clarus
- Clarousse
- (as The Molière Players)
Jean Dattas
- Man behind Michel, reading a telegram
- (as The Molière Players)
Andre Frere
- Pierrot
- (as The Molière Players)
Paulette Preney
- Yvonne
- (as The Molière Players)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
In wartime with such a shortage of resources, short films made in the French language in Britain in 1944 were undoubtedly made for very distinct purposes. In this situation Hitchcock evidently put his talents entirely at the disposal of the powers that be but, in the absence of concrete information, we can only guess what those purposes were.
In common with "Bon Voyage" - the other of the two films Hitch shot in the French language during the war - the intended audience was Vichy France and the Vichy controlled French colonies (the film is set in Madagascar). Overall they were propaganda films, intended for the French resistance. Each is to some extent instructional particularly warning of pitfalls resistance members could fall into. Here the main character is imprisoned by the Vichy authorities and finds that a defence lawyer has been provided for him. The defence lawyer asks for full details of the man's resistance activities so that he can better defend him. The main character immediately realises that the lawyer is working for the authorities and there solely to extract incriminating information. Noticeable too are the many references to Britain's role in supporting the Resistance - presumably an important part of the film's message.
Overall the film quite slick, pacy and good humoured. Other propaganda elements are not so obvious although presumably the main character's bravery, spirit, wiliness along with his undoubted patriotism (like Petain, a hero of the Battle of Verdun in WW1, indeed known to Petain but having chosen resistance rather than collaboration) perhaps offered something of a role model for the audience. The key line must have been "The greatness of a country is measured by the spirit of its people". Given the reality of occupation and collaboration, "spirit" was one thing that nevertheless could remain undimmed, that national honour could still be fought for and could still be saved.
Interestingly both films were small projects and that it was other directors who handled the now iconic wartime productions.
In common with "Bon Voyage" - the other of the two films Hitch shot in the French language during the war - the intended audience was Vichy France and the Vichy controlled French colonies (the film is set in Madagascar). Overall they were propaganda films, intended for the French resistance. Each is to some extent instructional particularly warning of pitfalls resistance members could fall into. Here the main character is imprisoned by the Vichy authorities and finds that a defence lawyer has been provided for him. The defence lawyer asks for full details of the man's resistance activities so that he can better defend him. The main character immediately realises that the lawyer is working for the authorities and there solely to extract incriminating information. Noticeable too are the many references to Britain's role in supporting the Resistance - presumably an important part of the film's message.
Overall the film quite slick, pacy and good humoured. Other propaganda elements are not so obvious although presumably the main character's bravery, spirit, wiliness along with his undoubted patriotism (like Petain, a hero of the Battle of Verdun in WW1, indeed known to Petain but having chosen resistance rather than collaboration) perhaps offered something of a role model for the audience. The key line must have been "The greatness of a country is measured by the spirit of its people". Given the reality of occupation and collaboration, "spirit" was one thing that nevertheless could remain undimmed, that national honour could still be fought for and could still be saved.
Interestingly both films were small projects and that it was other directors who handled the now iconic wartime productions.
As a major Hitchcock fan, I was excited to get the chance to see this rarely-seen propaganda short that Hitchcock made in England in the French langauge about the French resistance. The results are far below Hitchcock's talents. The film is too dialogue heavy and convoluted. I can just barely tell you what happened in this film, and what I remember now, two minutes after finishing it, will be completely gone within a half an hour. It doesn't work as entertainment, and it certainly doesn't work as propaganda. Perhaps Hitchcock should have studied Eisenstein, who had the capability to churn out propaganda imbued with extraordinary artistry. Aventure Malgache was simply done too quickly and without enough thought. 5/10.
A corrupt Vichy police official & a wily Resistance lawyer have their own intense AVENTURE MALAGACHE during the early years of the Second World War.
Although having lived in Hollywood since 1939, famed film director Alfred Hitchcock nevertheless wanted to be involved in some way with the British war effort against the Axis. So, in 1943 he returned to London & took up the assignment to direct a couple of propaganda films aimed at the French, under the auspices of the British Ministry of Information.
The two film shorts which resulted - BON VOYAGE & AVENTURE MALAGACHE (both 1944) - did not excite the Ministry and were given only very brief exhibition, after which they languished for decades in the vaults of the British Film Institute. Hitchcock, meanwhile, his war service satisfied, returned to California.
AVENTURE MALAGACHE (Adventure in Madagascar) is basically a look at the extreme antagonism between the two principal characters, cut off, as they are, from the main action of the War due to their Indian Ocean location. Extremely fast moving, it demands unblinking attention on the part of the viewer, especially if one must needs be forced to rely on the English subtitles. The acting & production values are quite good - Hitchcock was able to call upon the services of French actors, writers & technicians exiled in Britain.
Although having lived in Hollywood since 1939, famed film director Alfred Hitchcock nevertheless wanted to be involved in some way with the British war effort against the Axis. So, in 1943 he returned to London & took up the assignment to direct a couple of propaganda films aimed at the French, under the auspices of the British Ministry of Information.
The two film shorts which resulted - BON VOYAGE & AVENTURE MALAGACHE (both 1944) - did not excite the Ministry and were given only very brief exhibition, after which they languished for decades in the vaults of the British Film Institute. Hitchcock, meanwhile, his war service satisfied, returned to California.
AVENTURE MALAGACHE (Adventure in Madagascar) is basically a look at the extreme antagonism between the two principal characters, cut off, as they are, from the main action of the War due to their Indian Ocean location. Extremely fast moving, it demands unblinking attention on the part of the viewer, especially if one must needs be forced to rely on the English subtitles. The acting & production values are quite good - Hitchcock was able to call upon the services of French actors, writers & technicians exiled in Britain.
Adventure Malgache (1944)
** (out of 4)
The second of two propaganda films directed by Alfred Hitchcock. Three actors are getting ready for rehearsals when one of them says he doesn't know how to play the part. Another actor then tells him a story of a man he knew who was running a radio broadcast to beat the Nazis. This was a confusing mess of a film that isn't nearly as good as the previous film Bon Voyage. There's way too much dialogue and it's never clear what the director is trying to do with the material.
Bon Voyage (1944)
*** 1/2 out of 4)
One of two Alfred Hitchcock directed shorts this one dealing with an escaped POW (John Blythe) who tells his Captain how he escaped only to have his Captain drop a bombshell on him. This was a wonderful little film that was a lot better than I expected. As usual, Hitchcock manages to build up some wonderful atmosphere and the "twist" in the story is very nicely done and works without any hitches.
** (out of 4)
The second of two propaganda films directed by Alfred Hitchcock. Three actors are getting ready for rehearsals when one of them says he doesn't know how to play the part. Another actor then tells him a story of a man he knew who was running a radio broadcast to beat the Nazis. This was a confusing mess of a film that isn't nearly as good as the previous film Bon Voyage. There's way too much dialogue and it's never clear what the director is trying to do with the material.
Bon Voyage (1944)
*** 1/2 out of 4)
One of two Alfred Hitchcock directed shorts this one dealing with an escaped POW (John Blythe) who tells his Captain how he escaped only to have his Captain drop a bombshell on him. This was a wonderful little film that was a lot better than I expected. As usual, Hitchcock manages to build up some wonderful atmosphere and the "twist" in the story is very nicely done and works without any hitches.
During World War II, Alfred Hitchock made a couple of relatively short propaganda movies for the people of France and their colonies, which, at the time, included a large portion of Africa. A map early in the film shows how much of Africa was under French control during the war. In 1944, much of France had been occupied by the Nazis for about 4 years and prior to D- Day, it looked to many that France could be occupied for quite some time. People needed something to keep their hopes alive and this was one of Hitchcock's attempts. However, this wasn't released during the war and no one really knows if this might have any effect on the moral of the French speaking world or not.
This and "Bon Voyage" were made using French writers, actors, technicians in wartime England. "Aventure malgache"is based on a true story that happened in Madagascar, a former French colony.
The story starts off with members of a French acting troupe performing in London with one actor (Paul Bonifas) trying to figure out how to play the role of a gangster. His resemblance to the police chief in Madagascar, a Nazi appeaser, is noted by another actor (Paul Clarus) and the bulk of the movie is the story of how the French colonists managed to survive with a corrupt police chief while still getting some people off of the island and broadcasting resistance radio services.
This isn't a typical Hitchcock movie and that could account for some of the lower reviews. In watching this, I try to imagine myself as a member of the target audience - one who is hoping to get out from under the tyranny of Nazi rule and to know that there are people in the rest of the world who haven't given up freeing my people. Members of that original target audience would have been subject to arrest (or worse) just by seeing this movie. A glimmer of hope could be worth that for many people.
This and "Bon Voyage" were made using French writers, actors, technicians in wartime England. "Aventure malgache"is based on a true story that happened in Madagascar, a former French colony.
The story starts off with members of a French acting troupe performing in London with one actor (Paul Bonifas) trying to figure out how to play the role of a gangster. His resemblance to the police chief in Madagascar, a Nazi appeaser, is noted by another actor (Paul Clarus) and the bulk of the movie is the story of how the French colonists managed to survive with a corrupt police chief while still getting some people off of the island and broadcasting resistance radio services.
This isn't a typical Hitchcock movie and that could account for some of the lower reviews. In watching this, I try to imagine myself as a member of the target audience - one who is hoping to get out from under the tyranny of Nazi rule and to know that there are people in the rest of the world who haven't given up freeing my people. Members of that original target audience would have been subject to arrest (or worse) just by seeing this movie. A glimmer of hope could be worth that for many people.
Did you know
- TriviaThe French title, "Aventure malgache", in English would be "Malagasy Adventure".
- GoofsWhen Michel picks up the bottle labeled "Vichy", he is holding it in the middle but in the close-up, he is holding it around the neck.
- Alternate versionsThere is an Italian edition of this film on DVD, distributed by DNA srl, "I MULINI DELLA MORTE (1945) + AVVENTURA MALGASCIA (Avventura in Madagascar, 1944)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnectionsReferenced in Lifeboat: Hitchcock/Truffaut (1962)
Details
- Runtime
- 32m
- Color
- Aspect ratio
- 1.37 : 1
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