Frenchman's Creek

A fun movie to watch. Joan Fontaine was never more beautiful. The sets and costumes are absolutely breathtaking and Basil Rathbone completely steals the show. This film has all the elements of a good adventure yarn.

My favorite pirate film was the "Black Swan" (and I didn't hate "Cutthroat Island", either!), but this is a close second even though there is less sea action and it's more ABOUT a pirate. The sets and acting are wonderful; the use of color is magnificent. This is a very enjoyable film with the gorgeous Joan Fonatine (Olivia deHavilland's estranged sister) acting up a storm and at her peak of pulchritude, and the magnificent Basil Rathbone demonstrating his soaring acting talent. The hilight of the film for me was one of the best fight scenes ever filmed - an all-out battle-to-the-death between Rathbone - and Fontaine!! A classic!

I've never seen this fanciful costumer in a theater but a TV broadcast, quite a few years ago, fairly leapt from the screen - the three-strip Technicolor had transferred to video as if it were a pristine print. Paramount obviously spared no expense on this one and, despite some minor objections, I recall being thoroughly entertained by it, especially that absolutely savage battle-to-the-death between Basil Rathbone's quintessentially dastardly villain and a desperately determined Joan Fontaine.

Some years back I somewhere read that, while waiting in full makeup and costumes for the lighting technicians to work their magic, Miss Fontaine rather scathingly queried her costar, Arturo de Cordova, why he was pursuing a career as an actor, apparently with the implication that it was an occupation unworthy of a man. If that's the kind of treatment he had to undergo at the hands of a Hollywood leading lady, one can confidently guess that his much greater success in Latin American cinema left him with few regrets that his Hollywood sojourn never amounted to much.

...or at least women love people who can take them away from a humdrum life ."The Frenchman's creek" could be only just dream.That it was written by Du Maurier is not surprising: "Rebecca"-which featured the same actress- had something dreamlike ,something like a fairy tale with a witch.

A socialite, a distinguished lady of Old England sees time passing her by,with a not-so-handsome husband who is anything but romantic.This lady wants something else ,something more than merely sexual ,or else she would have picked up a young lover in the aristocracy.A revealing scene shows her playing with her children ; ladies from long ago did not do so: their nannies used to do that job.When she sails away with her pirate,it's some kind of game with big children who themselves play -see they them put on the ladies' clothes- or spend most of the time singing obscure French folk songs with a curious Latin accent which is anything but the French accent .

The second part of the movie is a return to a harsh reality ,the well-meaning people ,the society with the laws ,the possessions .The heroine can no longer follow the rules .I was wondering if Milady would wake up from her slumber and discovered she dreamed her life away.

The costumes are lavish,the colors magnificent and Joan Fontaine was never more beautiful: I generally like her sister best but I can't imagine Olivia de Havilland play a tomboy,when the heroine joins the crew.

Olivia de Havilland ,who,in another great movie by Leisen ("Hold back the dawn"),was a simple schoolteacher falling for a mysterious alien ,the same way her sister did here.

Like this?Try these.....

"Moonfleet" (1955) by Fritz Lang "The Spanish Main " (1945) by Frank Borzage "Peter Pan" (1953) by Clyde Geronimi,Hamilton Luske,Wilfred Jackson.

Arturo de Cordova was not Spanish, he was Mexican. His first language was Spanish, but that does not make him "Spanish." Mexican and Spanish are two different things.

The film aired today on TCM. It was a rare showing of this movie, which I have been hunting down since reading about it in Mitchell Leisen's biography 43 years ago. It was then that I read and never forgot about the sumptuous Oscar-winning Technicolor cinematography. I was heartbroken to see it in an extremely washed-out transfer but anything is better than nothing. Would it be possible for Universal to place this on a list of important restorations, given its place in Oscar history?