Frenchman's Creek

This film was shot in Mendocino County and should be in the list of films shot in that area. The creek itself is the Albion River. The boat used in the film was left in the river and was resting on the bottom when I saw it and boarded it in 1944 or 5. My grandparents had an orchard and farm outside the community of Albion. A couple of the crew members stayed at their place when the film was being shot. There were some other locations on the coast that were used as well. The residence was removed and just the leveled field it was situated on and the plants the studio planted to surround the site remained for many years after. This location was outside of Albion near dark Gulch and was just west of highway 1 that runs along the coast in Mendocino and adjacent counties as far south as San Simeon. I have never seen the complete film, so would not to vote on it at this time.

A fun movie to watch. Joan Fontaine was never more beautiful. The sets and costumes are absolutely breathtaking and Basil Rathbone completely steals the show. This film has all the elements of a good adventure yarn.

If you want true life - then maybe you should watch this. However, if you want escapism and the belief that dreams can come true - enjoy watching this posse of actors at, what i believe to be, their best. Basil Rathbone excels as the alter-egotistical villain whilst Arturo De Cordova gives dash and swashbuckling joy to die for! He excels as the dashing Frenchman set lose on the Cornish coastline and Joan Fontaine is delicious as his (almost) tomboy sidekick who is all woman. no remake ever came close to this original costume dramatic effort. What's more, the storyline stays almost entirely true to the original writings of Daphne De Maurier and that can't be a bad thing! . Fantastic, romantic enjoyment at its best!

Yes, this movie is a secret pleasure of mine. I loved the book by DuMaurier--considering it one of my all time favorites--and have read it several times. To have the book brought to life on the screen is rewarding. Yes, the color and acting are great, but I imagine so much more in my fantasies. I wish Hedy Lamarr would have played Dona. She was so beautiful, and I believe, could have carried off the "tomboy" just as well, if not more believably, than Fontaine. (Such as her Samson and Delilah role.) As far as the pirate, I'm OK with Cordova, but his small stature sort of detracts from the fantasy. He's adequate enough, and foreign enough, to carry this film for me. I puzzle over who I would have preferred to play that part. I'm not sure I would have liked Errol Flynn in the part (as suggested). I not familiar with enough foreign actors at that time (1940's) to suggest who. I suppose if it were more recent, possibly Gerard Depardieu would have fit in nicely. All in all, I love this movie. The ending is bittersweet. Basil Rathbone provides a believable menace and Nigel Bruce is perfect in his role as the dithering husband. As I said, a "secret pleasure". I treasure this movie.

I've never seen this fanciful costumer in a theater but a TV broadcast, quite a few years ago, fairly leapt from the screen - the three-strip Technicolor had transferred to video as if it were a pristine print. Paramount obviously spared no expense on this one and, despite some minor objections, I recall being thoroughly entertained by it, especially that absolutely savage battle-to-the-death between Basil Rathbone's quintessentially dastardly villain and a desperately determined Joan Fontaine.

Some years back I somewhere read that, while waiting in full makeup and costumes for the lighting technicians to work their magic, Miss Fontaine rather scathingly queried her costar, Arturo de Cordova, why he was pursuing a career as an actor, apparently with the implication that it was an occupation unworthy of a man. If that's the kind of treatment he had to undergo at the hands of a Hollywood leading lady, one can confidently guess that his much greater success in Latin American cinema left him with few regrets that his Hollywood sojourn never amounted to much.