The Lady and the Monster

Let's start with the great things. Direction and cinematography are top notch. Pacing is great, exciting. Fantastic Gothic atmosphere at the Castle. Set design and construction were superb; not just the stupendous Gothic castle and mad scientist laboratory, but the creamy art-deco nightclub straight out of a Fred Astaire/Busby Berkeley musical, and the fancy lawyer's office that oozed money. Gorgeous matte paintings and model work. Specialized lighting effects were used liberally and effectively. Good job to all those technicians on all their hard work.

Now to the bad things. Putting aside the way-out concept, I can accept that. After all, this is a science fiction story. But some of the writing is just atrocious. Badly phrased dialog abounds. And why a Gothic castle in the Arizona desert? What was that all about? And ye Gods, Vera Hruba Ralston is just a TERRIBLE actress. I don't see the appeal at all. She's not even really THAT pretty. Richard Arlen is a little stiff. Erich Von Stroheim is awesome at what he does, but certainly no one will ever praise him for his versatile range as an actor.

Yes, much less effective and respectable than the 1953 version, "Donovan's Brain." Check that one out first if you haven't seen it. This movie is a fun little low budget genre flick that does have some advantages to it, but it's certainly not hall of fame material.

Prof. Franz Mueller (Erich Von Stroheim) is experimenting with keeping the human brain alive after death. A nearby plane crash gives him the perfect test subject in a dying man named Donovan. Mueller and his assistant, Dr. Cory (Richard Arlen) plop Donovan's brain into a tank full of chemicals and strange, unexpected things start happening.

As you might have noticed, this is the original version of the story that would become the 1950's sci-fi classic, DONOVAN'S BRAIN by Curt Siodmak. Personally, I prefer this version, since it has a deeper story and more interesting characters. After all, it's hard to beat Von Stroheim practicing mad science!...

Science fiction/horror from Republic Pictures and director George Sherman. Dr. Patrick Corey (Richard Arlen) and Professor Franz Mueller (Erich von Stroheim) are conducting scientific experiments involving the preservation of life and the mind. When they get the chance to test out a new preservation process on the brain of dying millionaire Mr. Donovan, they take it. They manage to keep his brain alive in tank filled with liquids and electrodes, and soon the brain begins telepathically communicating with Dr. Corey, eventually taking over his mind completely as Donovan attempts to see to unfinished business.

I don't think that I'd ever heard that 1953's Donovan's Brain was a remake, but here's the original. It has some nice ambiance thanks to good set work and some interesting lighting. Von Stroheim seems born to play megalomaniac mad scientists, while leading man Arlen gets to stretch his limited acting chops in what is essentially a dual role. The film's biggest weakness is Czech ice skating champ Vera Ralston, making her lead acting debut. Her command of English was so poor at the time that she learned her lines phonetically, and she really seems to be struggling with her performance.

There is a completely misleading movie poster that made this film look like it was a vampire movie, probably because they were more popular with audiences at the time.

A short way into this film I realized that it is the same film that remade as "Donovan's Brain" (with Lew Ayers)--a very good movie. "The Lady and the Monster" is the original version of this story but based on the title you'd never know it--after all, there really is no monster in the film and it's not exactly a horror film...not exactly.

Erich Von Stroheim of all people plays the lead in this film. He's a not exactly mad scientist who has weird theories about keeping a brain alive after death--on the other hand, he sure ain't normal! He is a guardian for a rather hysterical young lady who is a bad actress (Vera Ralston--who was apparently sleeping with the head of the studio). And, he has an assistant (Richard Arlen) who can't make up his mind about the ethics of Von Stroheim's work.

One day, an actual human subject falls into Von Stroheim's lap, so to speak. There was an accident and he was called in to treat the victims--one of which was a rich and powerful man, Mr. Donovan. He and Arlen 'borrow' the brain when Donovan dies--unethical, sure, but probably not a bad thing...or is it?! The experiment turns out to be a great success--the brain is kept alive for many days. However, something weird happens--the brain begins to show amazing powers--powers to control Arlen and Von Stroheim!

As I said above, this isn't exactly a horror film. While it has some elements, the story is a but more understated and the scientists aren't quite mad enough to qualify it as a horror film. I think of it more as 'horror lite'. I enjoyed the film, for the most part, but also think the film needed a bit more polish and a few changes. The biggest problem was Ralston's character. Throughout much of the early part of the film she seemed really high-strung and went on and on about how horrible Von Stroheim was---even though he hadn't really done anything yet! It just made little sense--nor did her usual bizarre delivery of her lines. Apart from that the film was good but did seem to meander a bit here and there. As a result, and I RARELY say this, I really think the remake was a better film--and with a much more appropriate title.

Although I did like my two viewings of Felix E. Feist's 1953 film version of Curt Siodmak's DONOVAN'S BRAIN (with Lew Ayres and Gene Evans), somehow I have yet to acquire it for my home video collection; besides, I am also familiar (from an age-old Italian TV screening) with the later Freddie Francis version entitled VENGEANCE aka THE BRAIN (1962) where Peter Van Eyck and Anne Heywood had the leading roles. What I did acquire very recently, however, is the even rarer original version directed by the reliable George Sherman and starring the great Erich von Stroheim, Contrary to expectations, the latter is neither the monster of the title nor (for the initiated) the man taken over by the dead financial wizard's brain; that unlucky guy is Richard Arlen – the hero of ISLAND OF LOST SOULS (1932) no less – who, as Stroheim's unlikely assistant in his underground experiments, gets to become even more obsessed with their celebrated cerebral specimen than his crazed mentor! From the rest of the cast, Vera Hruba Ralston may have later become Mrs. Herbart J. Yates (when she married the head of Republic Pictures, the studio behind this film) but, frankly, she brought very little to this particular film; on the other hand, it was nice to see Sidney Blackmer – best-known for portraying Adrian Marcato in Roman Polanski's ROSEMARY'S BABY (1968) – albeit in a supporting role of the suspicious attorney. Incidentally, the sequences depicting the blooming romance between Arlen and Ralston and those between Blackmer and Donovan's wife can mostly be written off as mere padding; small wonder, therefore, that the film was shorn of 19 whole minutes (cut down from 86 to 67!) for a later re-release…not to mention being saddled with the highly ludicrous (and utterly misleading) alternate titles of TIGER MAN and MONSTER AND TIGER MAN!! Speaking of titles, despite the sheer similarity to the earlier Paramount horror entry THE MONSTER AND THE GIRL (1941), as can be gleaned from my own reviews of both films, they have nothing whatsoever in content (other than being of the same era and genre). Despite these flaws, I generally liked the film more than I was expecting to and that fact is mostly down to two simple factors: the presence of Erich von Stroheim in front of the cameras and that of celebrated cinematographer John Alton behind them! Even though the quality of the copy I acquired was fairly fuzzy at best, Alton's atmospheric lighting came through just the same – particularly during the atmospheric laboratory sequences and the eerie scenes showing Arlen's 'possession'.