An unscrupulous woman and her brood prey on soldiers and sailors in an embarkation city.An unscrupulous woman and her brood prey on soldiers and sailors in an embarkation city.An unscrupulous woman and her brood prey on soldiers and sailors in an embarkation city.
Dorothy Morris
- Rosalie Dibson
- (as Dorothy Ruth Morris)
Wally Cassell
- Jenkins
- (uncredited)
Kernan Cripps
- Police Scientist
- (uncredited)
Tom Drake
- Radio Broadcaster
- (voice)
- (uncredited)
Dick Elliott
- Mac McLean
- (uncredited)
William Frambes
- Serviceman in Police Station
- (uncredited)
Dell Henderson
- Plainclothesman
- (uncredited)
Herbert Heywood
- Hotel Clerk
- (uncredited)
John Kellogg
- Soldier Assisting Police
- (uncredited)
Nolan Leary
- Messenger
- (uncredited)
Mitchell Lewis
- Plainclothesman
- (uncredited)
Robert Middlemass
- Detective
- (uncredited)
Featured reviews
MGM usually produced smoother B-films than MAIN STREET AFTER DARK, a curious item that starts out as a small-town study of crime, turns into a family melodrama about a bunch of pick-pockets and thieves, and then turns deadly serious when a murder is committed and the "crime doesn't pay" theme is attached to the unhappy ending.
SELENA ROYLE is the tough head of a crime family (in the sort of role you'd expect to find Shelley Winters) with TOM TROUT and DAN DURYEA as her criminal sons and AUDREY TOTTER as her wise-cracking daughter-in-law. The story involves girls who prey on soldiers and sailors to steal their wallets and anything else for financial gain so the profits can be turned over to the local pawnbroker (HUME CRONYN).
It's rather slow going even for a film that lasts just under an hour and leads to an obvious "crime doesn't pay" sort of conclusion.
The treatment is dated and heavy-handed with EDWARD ARNOLD in one of his least convincing roles as a detective committed to solving the series of petty crimes that eventually lead to a murder.
Summing up: You'll find the cast interesting but the plot is strictly by the numbers.
SELENA ROYLE is the tough head of a crime family (in the sort of role you'd expect to find Shelley Winters) with TOM TROUT and DAN DURYEA as her criminal sons and AUDREY TOTTER as her wise-cracking daughter-in-law. The story involves girls who prey on soldiers and sailors to steal their wallets and anything else for financial gain so the profits can be turned over to the local pawnbroker (HUME CRONYN).
It's rather slow going even for a film that lasts just under an hour and leads to an obvious "crime doesn't pay" sort of conclusion.
The treatment is dated and heavy-handed with EDWARD ARNOLD in one of his least convincing roles as a detective committed to solving the series of petty crimes that eventually lead to a murder.
Summing up: You'll find the cast interesting but the plot is strictly by the numbers.
This film belongs to the first part of Edward L Cahn's career, before he drowned in grade B and even Z movies industry. This light hearted crime film made for MGM is not uninteresting for gem diggers as I am. This is a feature destined to the whole family for matinee theaters. It is short but not as sharp and brutal as a Warner Bros pictures of the same period, because this is not Ma Barker and her sons gang, another crime family scheme. And I found very amusing a scene of the whole criminal family, sitting in the living room and listening on the radio, not a song nor the news but guess what, the police messages thtru a scanner.....very unusual...
Main Street After Dark (1945)
** (out of 4)
Edward L. Cahn directed this drama about a family a pickpockets who prey on sailors at a local bar. Cahn directed several of the "Crime Does Not Pay" entries for MGM and I'm going to guess this 57-minute film was meant to be an extended version of that. Sadly there isn't too much going in this film and comes off rather dull in the end. The storyline never really takes off even though there's an impressive cast including Edward Arnold, Selena Royle, Audrey Totter and Hume Cronyn.
This one shows up on Turner Classic Movies ever couple of years.
** (out of 4)
Edward L. Cahn directed this drama about a family a pickpockets who prey on sailors at a local bar. Cahn directed several of the "Crime Does Not Pay" entries for MGM and I'm going to guess this 57-minute film was meant to be an extended version of that. Sadly there isn't too much going in this film and comes off rather dull in the end. The storyline never really takes off even though there's an impressive cast including Edward Arnold, Selena Royle, Audrey Totter and Hume Cronyn.
This one shows up on Turner Classic Movies ever couple of years.
Main Street After Dark starts out like a big city Shadow of A Doubt, takes a brief turn into Arsenic and Old Lace territory, and then spends it's last half hour playing out as an expanded edition of MGM's Crime Does Not Pay series. It's vaguely unsatisfying but features a stellar cast and has moments of noir sensibility. There are many worse ways to spend a mere 57 minutes of time.
This film is about a family of scum and a cop, Lt. Lorrgan (Edward Arnold) who knows that they are scum and hopes to catch them! It seems that the Dibson family would rather make money picking pockets and rolling drunks instead of working and one of the sons, Lucky, is coming home from prison. He's learned nothing from his incarceration and plans on going right back to his crooked ways....just like his mother, brother, sister and Lucky's wife.
Up until the end, I fully intended to give this one a 7...or possibly and 8. MGM Made an awfully good B-movie...that is, up until the end. Just a few minutes from the end of the film, the Lieutenant goes to the Dibson family home to look for the sons. However, Ma doesn't want him arresting her sons, so she pulls a gun on the cop. He's able to get it away from her and only a minute or so later, the sons arrive. Now, remember, Ma just threatened to kill the cop with a gun...and no one is paying attention to her and she, once again, grabs a gun!! Now, no cop could be THAT stupid...and Arnold's character didn't seem dumb at all up until then. I think the director just wanted to wrap the film up and keep it B-movie length....and Bs were supposed to be inexpensive...so they just filmed this contrived portion instead of coming up with some better ending!
Up until the end, I fully intended to give this one a 7...or possibly and 8. MGM Made an awfully good B-movie...that is, up until the end. Just a few minutes from the end of the film, the Lieutenant goes to the Dibson family home to look for the sons. However, Ma doesn't want him arresting her sons, so she pulls a gun on the cop. He's able to get it away from her and only a minute or so later, the sons arrive. Now, remember, Ma just threatened to kill the cop with a gun...and no one is paying attention to her and she, once again, grabs a gun!! Now, no cop could be THAT stupid...and Arnold's character didn't seem dumb at all up until then. I think the director just wanted to wrap the film up and keep it B-movie length....and Bs were supposed to be inexpensive...so they just filmed this contrived portion instead of coming up with some better ending!
Did you know
- TriviaFilm debut of Audrey Totter.
- GoofsWhen Lorrigan is checking Lefty's hands with the ultraviolet lamp, Lefty's hands alternate from palms up to palms down between shots.
- ConnectionsReferenced in The Middle Men (2021)
Details
- Release date
- Country of origin
- Language
- Also known as
- Paddy Rollers
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 57m
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content