Main Street After Dark

This film is about a family of scum and a cop, Lt. Lorrgan (Edward Arnold) who knows that they are scum and hopes to catch them! It seems that the Dibson family would rather make money picking pockets and rolling drunks instead of working and one of the sons, Lucky, is coming home from prison. He's learned nothing from his incarceration and plans on going right back to his crooked ways....just like his mother, brother, sister and Lucky's wife.

Up until the end, I fully intended to give this one a 7...or possibly and 8. MGM Made an awfully good B-movie...that is, up until the end. Just a few minutes from the end of the film, the Lieutenant goes to the Dibson family home to look for the sons. However, Ma doesn't want him arresting her sons, so she pulls a gun on the cop. He's able to get it away from her and only a minute or so later, the sons arrive. Now, remember, Ma just threatened to kill the cop with a gun...and no one is paying attention to her and she, once again, grabs a gun!! Now, no cop could be THAT stupid...and Arnold's character didn't seem dumb at all up until then. I think the director just wanted to wrap the film up and keep it B-movie length....and Bs were supposed to be inexpensive...so they just filmed this contrived portion instead of coming up with some better ending!

Too bad that more work and fine tuning wasn't put into this film. What you get is a mildly entertaining programmer about a family of pickpockets harassed by a police lieutenant who could be held partly responsible for the murder that takes place during a robbery. Even the title is misleading. with a title like "Main street After Dark," one would expect to see either a film noir or a "Naked City" type docudrama. Instead we get a "Crime Does Not Pay" type package that plays too much like a stage presentation, especially for the first thirty minutes. That's not to take away from an intriguing story, acted out by a stellar cast. One of the reviewers for IMDb mixes up the family, although the review itself is excellent. The family consists of ma, one daughter, and two sons. Lefty is one of the sons. He is married to Jessie Belle.

Main Street After Dark (1945)

** (out of 4)

Edward L. Cahn directed this drama about a family a pickpockets who prey on sailors at a local bar. Cahn directed several of the "Crime Does Not Pay" entries for MGM and I'm going to guess this 57-minute film was meant to be an extended version of that. Sadly there isn't too much going in this film and comes off rather dull in the end. The storyline never really takes off even though there's an impressive cast including Edward Arnold, Selena Royle, Audrey Totter and Hume Cronyn.

This one shows up on Turner Classic Movies ever couple of years.

While boasting "more stars than there are in heaven" MGM was not terribly stellar when it came to making crime pictures. This is a somewhat clunky example of that shortfall, but still worth an hour of your time.

What's interesting about Main Street After Dark is its noirish view of the American home front during World War II, made when the war was still going on.

No Andy Hardy-like coziness here. Main Street in this burg is teeming with pickpockets and pattyrollers (whatever those are) all eager to bamboozle the boys in uniform before they ship out.

All in all, it's a surprisingly gritty take on the seamy side of wartime America, enlivened by the screen debut of Audrey Totter, who plays-what else?-one tough dame.

Edward Arnold is a police lieutenant prowling Main Street After Dark invthis 1945 film also starring Selena Royle, Dan Duryea, Hume Cronyn, Audrey Totter, and Dorothy Morris. Directed by Edward L. Cahn.

Royle heads up a family gang of thieves, the Dibsons, and Cronyn is Keller, their pawnbroker. The big excitement in the family is that Lefty (Trout) is being released from prison. His wife Jessie (Totter) would be happier, but she seems to be in competition with her mother-in-law who takes charge of his welcoming.

The family's major concentration is on ripping off soldiers coming through town with wage packets, so none of them are very likable. And though Lefty is warned by his mother not to carry a gun, he does.

This is a more sophisticated Ma Barker group as they sit around the radio listening to - police scans instead of Jack Benny.

Audrey Totter is great in her debut.

This is supposed to be light-hearted but I felt sorry for the soldiers.