Main Street After Dark

While boasting "more stars than there are in heaven" MGM was not terribly stellar when it came to making crime pictures. This is a somewhat clunky example of that shortfall, but still worth an hour of your time.

What's interesting about Main Street After Dark is its noirish view of the American home front during World War II, made when the war was still going on.

No Andy Hardy-like coziness here. Main Street in this burg is teeming with pickpockets and pattyrollers (whatever those are) all eager to bamboozle the boys in uniform before they ship out.

All in all, it's a surprisingly gritty take on the seamy side of wartime America, enlivened by the screen debut of Audrey Totter, who plays-what else?-one tough dame.

Main Street After Dark (1945)

** (out of 4)

Edward L. Cahn directed this drama about a family a pickpockets who prey on sailors at a local bar. Cahn directed several of the "Crime Does Not Pay" entries for MGM and I'm going to guess this 57-minute film was meant to be an extended version of that. Sadly there isn't too much going in this film and comes off rather dull in the end. The storyline never really takes off even though there's an impressive cast including Edward Arnold, Selena Royle, Audrey Totter and Hume Cronyn.

This one shows up on Turner Classic Movies ever couple of years.

It's a typical wartime home: service star in the window, family sitting quietly in the living room. The door bell rings. It's a a telegram. There's tension. Tom Trout is coming home! They discuss what food there'll be and argue over who gets to cook it. After all, it's not everyday that Tom gets out of prison!

Selena Royle is the mother of the brood, with Dan Duryea as the other son; Audrey Trotter (in her screen debut) is Trotter's wife, and there's little Dorothy Morris to round out the clan. Police lieutenant Edward Arnold never seems far away, urging Trotter to keep out of trouble, mentioning that the farms are short-handed Mostly, though, this movie is hanging around, waiting for the boys to do something dangerous and get collared. With less than an hour to do it in, it doesn't take long.

A great opening scene and Arnold playing one of his chuckling characters keeps this one good. Otherwise, it looks like an expanded entry in the Crime Does Not Pay series.

Too bad that more work and fine tuning wasn't put into this film. What you get is a mildly entertaining programmer about a family of pickpockets harassed by a police lieutenant who could be held partly responsible for the murder that takes place during a robbery. Even the title is misleading. with a title like "Main street After Dark," one would expect to see either a film noir or a "Naked City" type docudrama. Instead we get a "Crime Does Not Pay" type package that plays too much like a stage presentation, especially for the first thirty minutes. That's not to take away from an intriguing story, acted out by a stellar cast. One of the reviewers for IMDb mixes up the family, although the review itself is excellent. The family consists of ma, one daughter, and two sons. Lefty is one of the sons. He is married to Jessie Belle.

This film belongs to the first part of Edward L Cahn's career, before he drowned in grade B and even Z movies industry. This light hearted crime film made for MGM is not uninteresting for gem diggers as I am. This is a feature destined to the whole family for matinee theaters. It is short but not as sharp and brutal as a Warner Bros pictures of the same period, because this is not Ma Barker and her sons gang, another crime family scheme. And I found very amusing a scene of the whole criminal family, sitting in the living room and listening on the radio, not a song nor the news but guess what, the police messages thtru a scanner.....very unusual...