Shadows in the Night

Nina Foch comes to see psychiatrist Warner Baxter. She''s been sleepwalking onto the beach from her house by the shore, and having threatening, incoherent dreams. Eventually, Baxter comes to visit her. Miss Foch's family is decayed gentry. Although she has the house, she earns a living as a textile designer. She also runs a perpetual house party for family and friends, including mildly nutty chemist George Zucco, her sister and brother-in-law, and so forth. To see if there is something about her bedroom, she sleeps in one of the guest rooms and has Baxter take hers for the night.... and he has threatening, incoherent dreams and goes sleepwalking onto the beach. Then Zucco turns up dead.....and everyone in the house seems intent on the inquest declaring it an accident.

It's a pretty good mystery, although there's a fake-science edge to it, but the cast of capable performers do nicely with the material under high-speed director Eugene Forde. The result is an excellent B picture, one of the series that occupied Bater for most of the last decade of his life.

There are reminders here both of Sherlock Holmes and Agatha Christie, in the mystic gloom of the environment with secret corridors and caves and even hypnotic gas, which would have interested Agatha Christie, who was the expert on chemistry in crime; but here the intrigue is just as intricate and complicated as any intrigues of hers, and like in her stories, it is impossible to figure out who the murderer is, although he has time to commit a number of murders in the course of the film, which is just for about 70 minutes. Warner Baxter's cases are always interesting, since he is both a psychiatrist with a criminal past who knows how to use his knuckles while at the same time he is an expert psychologist and doctor, so you can always rely on him, even when he gets into trouble himself and starts sleepwalking finding strange dead bodies in strange places. This is criminal entertainment and almost as good as any Sherlock Holmes adventure, while you will not be the only one to be surprised at the end.

Former criminal Dr. Robert Ordway is now a criminologist. Ordway is visited at three in the morning by the mysterious Lois Garland. Lois complains of nightmares, where the theme of suicide keeps recurring. Ordway then decides to stay in her haunted house, located on the Pacific Ocean. Lois receives several mysterious guests and one of them is murdered. Ordway decides to unmask the culprit using hypnosis and begins investigating the dark cellars beneath Lois's house.

A good entry of the crime Doctor series starring the charismatic Warner Baxter who gets involved in murder and strange apparitions. The ambience is certainly classic dark and brooding with lots of nooks and corners with the house overlooking the sea. Loved all the hidden stairways to the cave to the beach. The Gothic elements, headed by Zucco as a suavely sinister uncle and a ghostly apparition dripping wet from the sea, is well done.

Nina Foch stars in the meller from Columbia Pictures about a troubled textile designer, living in her oceanfront home with a group of leeching friends, who seeks help from a psychiatrist when she can no longer tell the difference between her dreams and reality (she wakes up with her feet covered in sand!). Warner Baxter returns as sleuthing Dr. Ordway, aka "The Crime Doctor", in what would be the third entry in a 10-picture series turned out by Columbia between 1943 and 1949, based on the radio serial in which different actors assumed the lead role. Satisfactory murder mystery with spooky trimmings packs a lot of plot into its 67mns, what with a dead body appearing and disappearing, a host of houseguests acting suspiciously, and the silhouette of a long-haired figure that appears in a cloud of mist. Resolution of the crime is amusingly right out of a game of Clue; rest of the film is adequate--and the tag at the end is funny--although more wit in the writing would have been welcomed. ** from ****

Of the ten Crime Doctor films starring Warner Baxter released by Columbia from 1943 through 1949, this is the only one that Turner Classic Movies has never aired. This third entry is one of the earliest screen roles for the young Nina Foch (pronounced Fosh), who plays a neurotic young woman having strange nightmares and calls upon Dr. Ordway to pay a house call at her seaside estate. There is no shortage of suspicious characters not the least of which is Nina's chemist uncle Frank Swift, played by the always enjoyable George Zucco. Other familiar faces include Lester Matthews and Ben Welden. A screen heartthrob during the early talkie era whose health problems by this time included emphysema and arthritis, Warner Baxter was truly grateful for the steady employment of a 'B' movie series like this one. Columbia was one of the few Hollywood majors whose bread and butter came from series like the Crime Doctor, The Whistler, Boston Blackie, and the trio of "I Love a Mystery," all of which were based on popular radio shows of the day. Until their recent airings on TCM, these films had not been widely seen so 'B' movie buffs like myself have been rejoicing ever since. The Crime Doctor series differs from the others in that (with the exception of the initial entry) the title character was never saddled with a love interest and always dedicated to the psychological aspects of the cases (shades of Philo Vance!). Warner Baxter was a native of Columbus Ohio who died in 1951 at the age of 62, much beloved at the time but quietly forgotten today, although his early talkies include appearances opposite Bela Lugosi and Boris Karloff. While none of Dr. Robert Ordway's adventures were truly outstanding, the only one I could not recommend remains the one set in Paris (the ninth, "The Crime Doctor's Gamble," director William Castle's 4th and last entry). Perhaps the most intriguing entry would be the last, "The Crime Doctor's Diary" (1949) which featured an early Hollywood appearance by future Moneypenny Lois Maxwell.