After suffering a head injury during the Blitz, an actor comes to believe himself to be the Brighton Strangler, the murderer he was playing onstage.After suffering a head injury during the Blitz, an actor comes to believe himself to be the Brighton Strangler, the murderer he was playing onstage.After suffering a head injury during the Blitz, an actor comes to believe himself to be the Brighton Strangler, the murderer he was playing onstage.
- Director
- Writers
- Stars
Norman Ainsley
- First Passenger
- (uncredited)
George Atkinson
- Bellboy
- (uncredited)
Frank Baker
- Inspector
- (uncredited)
Frank Benson
- Bellboy
- (uncredited)
Sammy Blum
- Bit Role
- (uncredited)
Lillian Bronson
- Hotel Maid
- (uncredited)
George Broughton
- Bellboy
- (uncredited)
- Director
- Writers
- All cast & crew
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Featured reviews
John Loder plays Reginald Parker, an actor whose portrayal of a serial killer has made him the toast of London's theater district. During the height of the german blitz Parker has tirelessly played the part to sold out crowds seeking diversion from the horrors of world war 2.
After nearly two years of constant work Parker is on the brink of exhaustion. When his wife and friends demand he take a break he agrees grudgingly but only after one last performance for on leave military personnel.
That night Parker stays late at the theater to review some last minute additions to the script. As he reads german bombers attack London. A stray bomb strikes the theater causing the roof to collapse on the unfortunate actor. He survives but recieves a nasty blow to the head. The blow gives him partial amnesia allowing him to recall nothing save that of the part he has paractically lived for the last two years.
Believing the details of the script are actual memories he comes to believe he is the Brighton Strangler. So it is off to Brighton where he begins hunting down those who resemble his victims from the play.
The plot is a rather far fetched and the story sags in the middle. But John Loder's tormented transform from kindly actor to maniacal killer makes the film worth a look.
After nearly two years of constant work Parker is on the brink of exhaustion. When his wife and friends demand he take a break he agrees grudgingly but only after one last performance for on leave military personnel.
That night Parker stays late at the theater to review some last minute additions to the script. As he reads german bombers attack London. A stray bomb strikes the theater causing the roof to collapse on the unfortunate actor. He survives but recieves a nasty blow to the head. The blow gives him partial amnesia allowing him to recall nothing save that of the part he has paractically lived for the last two years.
Believing the details of the script are actual memories he comes to believe he is the Brighton Strangler. So it is off to Brighton where he begins hunting down those who resemble his victims from the play.
The plot is a rather far fetched and the story sags in the middle. But John Loder's tormented transform from kindly actor to maniacal killer makes the film worth a look.
Though the film is sometimes hard to take, and had flimsy scenes, Loder is great as the actor overcome by shock, who becomes the character he was portraying on stage, a maniacal strangler! Certainly worth seeing on TV, since it does note seem available on video. And try to catch some of Nosseck's other flics, as he was in interesting german director, and handled noir well, especially with Lawrence Tierney.
In 1945 London a kind, gentle actor Reginald Parker (John Loder) is performing in a play called "The Brighton Strangler". During an air raid he's hit on the head. When he regains consciousness he has amnesia and begins playing out his character from the play.
The plot is old now but was probably new in 1945 and it is extremely well-done. The script is fast, there's good quick direction and there are some very creepy sequences. The acting by Loder is just great--he let's you see the confusion and hatred hiding behind his very gentle exterior. He reminded me of Laird Cregar who played similar roles in "The Lodger" (1944) and "Hangover Square" (1945). My guess is that this was made to cash in on the Cregar movies (both were huge hits).
The sets are just gorgeous and there's some truly funny comic relief -- both intentional and unintentional (it's hard to keep a straight face when one character keeps saying "swell" all the time). The only bad thing is June Duprez--she's beautiful but a very poor actress.
Well worth seeing if just for Loder. Why wasn't he more well known?
The plot is old now but was probably new in 1945 and it is extremely well-done. The script is fast, there's good quick direction and there are some very creepy sequences. The acting by Loder is just great--he let's you see the confusion and hatred hiding behind his very gentle exterior. He reminded me of Laird Cregar who played similar roles in "The Lodger" (1944) and "Hangover Square" (1945). My guess is that this was made to cash in on the Cregar movies (both were huge hits).
The sets are just gorgeous and there's some truly funny comic relief -- both intentional and unintentional (it's hard to keep a straight face when one character keeps saying "swell" all the time). The only bad thing is June Duprez--she's beautiful but a very poor actress.
Well worth seeing if just for Loder. Why wasn't he more well known?
During WW II as one of the Luftwafte air raids hits London, Reginald Parker, a successful actor, is knocked out and heavily concussed. Upon awaking he believes himself to be Edward Grey, the notorious Brighton Strangler he has been portraying on the stage!
Clocking in at just 67 minutes, The Brighton Strangler just about has enough time to get in and do it's job excellently. Something of an under seen gem, it's a film that has enough creepy menace about it to reward the black and white thriller fan. Boasting excellent sets, some very neat camera work from director Max Nosseck and a fabulous lead performance from John Loder, I personally feel that it deserves to be seen by more people. Typically it's a picture that rarely gets aired on British TV, and when it does it's sadly tucked away on BBC 2 at some ungodly hour in the AM. Until film's like this get decent exposure from our TV schedulers then they are going to remain criminally under seen. So keep your eyes out for this one, the formula may now be seen as old hat, but transport yourself back to 1945, out in the London smog and be wary of that hatted man coming towards you.........8/10
Clocking in at just 67 minutes, The Brighton Strangler just about has enough time to get in and do it's job excellently. Something of an under seen gem, it's a film that has enough creepy menace about it to reward the black and white thriller fan. Boasting excellent sets, some very neat camera work from director Max Nosseck and a fabulous lead performance from John Loder, I personally feel that it deserves to be seen by more people. Typically it's a picture that rarely gets aired on British TV, and when it does it's sadly tucked away on BBC 2 at some ungodly hour in the AM. Until film's like this get decent exposure from our TV schedulers then they are going to remain criminally under seen. So keep your eyes out for this one, the formula may now be seen as old hat, but transport yourself back to 1945, out in the London smog and be wary of that hatted man coming towards you.........8/10
In 1947 Ronald Colman won an Oscar for Best Actor by portraying an actor who becomes obsessed with the role he is playing .This was Othello ,in Shakespeare's play of the same name .The obsession turns into violence and insanity .It was an A movie production featuring the acclaimed Colman and with the prestigious A list director George Cukor behind the camera . The Brighton Strangler was made 2 years earlier and deals essentially with the same theme but has more modest ambitions .It aims merely to be a neat little chiller and it achieves this ambition with some distinction .John Loder plays an actor in the West End of London during the German blitz on the city in World War 2 .He is playing a strangler in a long running play ;when the theatre is levelled by a German bomb he is rendered unconscious but survives .On waking he is an amnesiac and begins wandering the London streets in a dazed condition .He finds himself at Victoria railway station where he overhears a chance remark from a stranger that is an exact duplicate of one from the play .Convinved that he is really a strangler he boards a train for the seaside resort of Brighton where he begins to re-enact his stage role by embarking on a string of strangulation murders ,his steps dogged by the police. Loder is good and Max Nosseck directs with due skill aided by a good script. The supporting cast is capable and the movie will pass an hour or so with some pleasure for the viewer . Its not a major work but is a good study of dual personality along Jekyll and Hyde lines
Did you know
- TriviaFinal film of Gilbert Emery
- GoofsThe establishing shot is a stock picture of the British House of Parliament. Apparently no one noticed that it was printed backwards, as the building is on the wrong side of the Thames.
- Quotes
Reginald Parker: There'll be no New Year for you. You'll go out with the old one.
- ConnectionsFeatured in Aweful Movies with Deadly Earnest: The Brighton Strangler (1968)
Details
- Runtime
- 1h 7m(67 min)
- Color
- Aspect ratio
- 1.37 : 1
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