Frank Sinatra teaches a group of young boys a lesson in religious tolerance.Frank Sinatra teaches a group of young boys a lesson in religious tolerance.Frank Sinatra teaches a group of young boys a lesson in religious tolerance.
- Awards
- 3 wins total
Freddie Chapman
- Boy in Gang
- (uncredited)
Vincent Graeff
- Boy in Gang
- (uncredited)
Teddy Infuhr
- Boy in Gang
- (uncredited)
Harry McKim
- Boy in Gang
- (uncredited)
Ronnie Ralph
- Jewish Boy
- (uncredited)
Merrill Rodin
- Boy in Gang
- (uncredited)
Axel Stordahl
- Axel Stordahl - Orchestra Conductor
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Frank Sinatra sings "If You Are But A Dream" and the title song. In between he lectures some kids on religious tolerance.
Given Sinatra's contract with MGM, and that of his director for this, Mervyn Leroy, it's mildly puzzling why this is an RKO release. But the folks at most of the Majors were hesitant in making a fuss about prejudice. This was because most of them were Jewish, and they worried about fitting in. It took the most WASPish of production heads to push tolerance, as Darryl Zanuck would soon begin to.
Sinatra's voice is in fine form at this point, with plenty of vibrato in his singing.
Given Sinatra's contract with MGM, and that of his director for this, Mervyn Leroy, it's mildly puzzling why this is an RKO release. But the folks at most of the Majors were hesitant in making a fuss about prejudice. This was because most of them were Jewish, and they worried about fitting in. It took the most WASPish of production heads to push tolerance, as Darryl Zanuck would soon begin to.
Sinatra's voice is in fine form at this point, with plenty of vibrato in his singing.
This short subject gathered kudos from all kinds of places for its plea for religious toleration.
After a session at a recording studio Frank Sinatra leaves and comes upon a group of kids beating up on another because he was Jewish. He lectured them as only an American icon could about the meaning of prejudice and what we had just fought for against the Nazis. The meaning could not be clearer.
Both songs from this short subject were recorded and sold big for Columbia records. If You Are But A Dream and the song written for the film, The House I Live In. The latter is one of the best songs about an idealized version of America, we'd all like to strive for.
Sinatra in fact recorded The House I Live In again during the Sixties for a joint album he did for his Reprise record label. The album is now a rarity and it shouldn't be. His collaborators were Bing Crosby and Fred Waring and his Pennsylvanians with the orchestra conducted by Nelson Riddle.
Axel Stordahl was Sinatra's primary music conductor and arranger during the forties. When he died that position eventually fell to Nelson Riddle. Stordahl does the orchestration for the short and the Columbia record, Riddle for the Reprise record.
Sinatra aficionados and others should listen to both back to back and compare. And catch this worthwhile film whenever it is shown.
After a session at a recording studio Frank Sinatra leaves and comes upon a group of kids beating up on another because he was Jewish. He lectured them as only an American icon could about the meaning of prejudice and what we had just fought for against the Nazis. The meaning could not be clearer.
Both songs from this short subject were recorded and sold big for Columbia records. If You Are But A Dream and the song written for the film, The House I Live In. The latter is one of the best songs about an idealized version of America, we'd all like to strive for.
Sinatra in fact recorded The House I Live In again during the Sixties for a joint album he did for his Reprise record label. The album is now a rarity and it shouldn't be. His collaborators were Bing Crosby and Fred Waring and his Pennsylvanians with the orchestra conducted by Nelson Riddle.
Axel Stordahl was Sinatra's primary music conductor and arranger during the forties. When he died that position eventually fell to Nelson Riddle. Stordahl does the orchestration for the short and the Columbia record, Riddle for the Reprise record.
Sinatra aficionados and others should listen to both back to back and compare. And catch this worthwhile film whenever it is shown.
This is a very excellent movie. Although it is very short (10 minutes or so) it shows an ideal of America. Frank Sinatra used this vehicle to show his attitude toward this ideal of tolerance and understanding. It is worth seeing by just about anyone but I would especially like to see it shown to young people. It is probably too short to ever be a commercial success and I have not been able to find a VHS or DVD copy of it anywhere. I have only seen it twice and heard the complete sound track (not just the music, but the entire dialog as well) twice. I would certainly like to have it in my personal collection.
"The House I Live In" is a movie which everyone ought to see ... not just for its substantial entertainment value, but for its true depiction of what it means to be an American. (I came to the U.S.A. from elsewhere as an adult, so I know how precious American citizenship is.) After the world changed forever on September 11, 2001, "The House I Live In" is more relevant than ever before.
Frank Sinatra plays himself in this film. He encounters a group of street boys who are bullying another boy because they don't like his religion. Sinatra handles this issue intelligently and logically, offering some ideas that the boys haven't thought about. (For instance: What if one of your relatives got a blood transfusion from someone who has the "wrong" religion?)
To top off his argument, Sinatra sings "The House I Live In", a song which is often incorrectly identified as "What Is America to Me?" This is a good song by any standards - nice tune, pleasant lyrics - but it's also one of the most moving statements of the American identity I've ever encountered. The usual flag-waving tactics of most patriotic film are completely absent here.
Frank Sinatra was a complex man. His flaws were often displayed in public, while his virtues (such as his many philanthropic acts) were usually exercised only in private, without publicity. In "The House I Live In", Sinatra seems to exhibit his sincere belief in America's deepest values. And if it isn't sincere, then Sinatra was a better actor than he ever let on. Whatever else he may have been, Frank Sinatra was a patriotic American.
There are many excellent films, but very few truly great ones. "The House I Live In" is a great film about the greatest nation in the world.
Frank Sinatra plays himself in this film. He encounters a group of street boys who are bullying another boy because they don't like his religion. Sinatra handles this issue intelligently and logically, offering some ideas that the boys haven't thought about. (For instance: What if one of your relatives got a blood transfusion from someone who has the "wrong" religion?)
To top off his argument, Sinatra sings "The House I Live In", a song which is often incorrectly identified as "What Is America to Me?" This is a good song by any standards - nice tune, pleasant lyrics - but it's also one of the most moving statements of the American identity I've ever encountered. The usual flag-waving tactics of most patriotic film are completely absent here.
Frank Sinatra was a complex man. His flaws were often displayed in public, while his virtues (such as his many philanthropic acts) were usually exercised only in private, without publicity. In "The House I Live In", Sinatra seems to exhibit his sincere belief in America's deepest values. And if it isn't sincere, then Sinatra was a better actor than he ever let on. Whatever else he may have been, Frank Sinatra was a patriotic American.
There are many excellent films, but very few truly great ones. "The House I Live In" is a great film about the greatest nation in the world.
An RKO Short Subject.
A group of rowdy little bullies are given a lesson in tolerance by crooner Frank Sinatra, who compares America to THE HOUSE I LIVE IN.
This little film delivers a pertinent message about the evils of prejudice & bias. Sinatra is an absolute natural in front of the camera; intense & sincere, he is the perfect spokesperson for the values espoused here.
Sinatra sings The House I Live In,' by Lewis Allan & Earl Robinson. This fine tune, with a solid, pro-American message, is being given something of a comeback since the horrendous events of September 11, 2001.
After Pearl Harbor, Hollywood went to war totally against the Axis. Not only did many of the stars join up or do home front service, but the output of the Studios was largely turned to the war effort. The newsreels, of course, brought the latest war news into the neighborhood theater every week. The features showcased battle stories or war related themes. Even the short subjects & cartoons were used as a quick means of spreading Allied propaganda, the boosting of morale or information dissemination. Together, Uncle Sam, the American People & Hollywood proved to be an unbeatable combination.
A group of rowdy little bullies are given a lesson in tolerance by crooner Frank Sinatra, who compares America to THE HOUSE I LIVE IN.
This little film delivers a pertinent message about the evils of prejudice & bias. Sinatra is an absolute natural in front of the camera; intense & sincere, he is the perfect spokesperson for the values espoused here.
Sinatra sings The House I Live In,' by Lewis Allan & Earl Robinson. This fine tune, with a solid, pro-American message, is being given something of a comeback since the horrendous events of September 11, 2001.
After Pearl Harbor, Hollywood went to war totally against the Axis. Not only did many of the stars join up or do home front service, but the output of the Studios was largely turned to the war effort. The newsreels, of course, brought the latest war news into the neighborhood theater every week. The features showcased battle stories or war related themes. Even the short subjects & cartoons were used as a quick means of spreading Allied propaganda, the boosting of morale or information dissemination. Together, Uncle Sam, the American People & Hollywood proved to be an unbeatable combination.
Did you know
- TriviaLewis Allen, lyricist for the title song, is the pseudonym of Abel Meeropol (1903-86), best known for the anti-lynching poem and later song "Strange Fruit," made famous by Billie Holiday. He is credited as Lewis Allen because of the blacklist. When he saw the film for the first time, he walked out because the line in his lyric "my neighbors white and black" was not included in the film.
- GoofsWhen Sinatra is talking to the gang, he says the battleship Haruna was bombed a few days after Pearl Harbor. The Haruna was actually sunk, at her moorings, on July 28, 1945.
- Quotes
Frank Sinatra: Look fellas, religion makes no difference, except maybe to a Nazi or somebody as stupid. Why people all over the world worship God in many different ways. God created everybody. He didn't create one people better than another. You're blood's the same as mine. My blood's the same as his. Do you know what this wonderful country is made of? Its made up of a 100 different kind of people - and a 100 different ways of talking - and a 100 different ways of going to church. But, they're all American ways.
- ConnectionsFeatured in Hollywood Out-takes and Rare Footage (1983)
- SoundtracksIf You Are But a Dream
(uncredited)
Written by Moe Jaffe, Jack Fulton, and Nat Bonx
Performed by Frank Sinatra
Details
- Runtime
- 11m
- Color
- Aspect ratio
- 1.37 : 1
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