House of Dracula

Universal was known for strong production values on their products, even for their "B" pics. This entry, the last serious film in the talkie horror cycle had those elements, but they were rushed. The action was rushed. The music was rushed. Even though the score was stock music from several of the predecessor films, the themes were played way too fast this time. This is most evident during the chase scene where the whole village pursues Dr. Edelman through the cemetery back to his castle. The violinists must have had severe cramps after that sequence.

The last 5 minutes were even worse than the average serial chapter. Erle Kenton usually did much better as he did with House of F and Ghost in previous attempts. This was a bad imitation of Ford Beebe. It was just a collision of story and budget that was done on the cheap.

It seems like Universal was in a great hurry to get out of the horror business. This could have been a much better film with slowing down the pace (and music) to allow some of the flow to make sense.

There were some good scenes, for example when Baron Latos was seducing Nurse Morrell, the piano changing from Beethoven to Satan's music was well done. Carradine's overall performance as Dracula was quite good. It deserved to be in a better film.

House of Frankenstein was a much better film than House of Dracula simply for having a better pace. I wonder if anyone in the horror unit looked back at this last chapter with regret.

That said, the horror cycle was a pretty good ride. No other studio put out a similar product on a consistent basis, with the possible exception of SOME of the Lewton films at RKO. I still watch House of Dracula even with its shortcomings. It's like an old friend that comes over for a visit; even if he's not your BEST friend, you understand him and are comfortable with him. That's still not a bad thing.

Baron Latos appears to Dr. Edelman (Onslow Stevens) in the middle of the night and reveals that he's really Count Dracula (John Carradine). He seeks a cure for his vampirism. A trip to the basement shows that Dracula has already taken the liberty of moving in - there's his coffin, filled with the dirt from his own grave. Dr. Edelman takes this brazenness in stride while refusing to believe in the supernatural. Later, Lawrence Talbot (Lon Chaney, Jr.) shows up, asking for a cure for his lycanthropy. He can't bear to change into a werewolf one more time. Edelman must save Talbot from a suicide attempt when Talbot throws himself into the ocean and gets swept into a cave. While in the cave, Edelman and Talbot find Frankenstein's monster (Glenn Strange). Edelman decides to revive him, but Talbot and Edelman's hunchbacked female assistant (Jane Adams) talk him out of it. Meanwhile, Edelman's other assistant (Martha O'Driscoll) finds herself seduced by Count Dracula; while Edelman finds the evil count has an even more powerful influence over his own life.

Dracula's corruption of Edelman adds a Jekyll-and-Hyde type story to this already over-monstered brew. Why didn't they throw in the Mummy and the Invisible Man for the hell of it?

Of all the Universal Horror films that are wacky-idiotic, this is the most entertaining. Stevens is very enjoyable as Edelman; the plot moves fast; a certain character gets his first happy ending; and it's fun to imagine that the real reason Frankenstein's monster is angry is that he sees the movie is almost over and he hasn't even done anything yet.

MORD39 RATING: **1/2 out of ****

HOUSE OF DRACULA is a small notch below the previous HOUSE OF FRANKENSTEIN, mostly because the novelty of the three monsters theme feels repetitive. Just the same, it's much fun and a fitting conclusion to the "serious" monster pictures in a beloved series.

John Carradine is capable again as Dracula, but Lon Chaney's Wolfman stint is really automatic by now. Once again, Glenn Strange is an impressive Frankenstein Monster, albeit a brief one for the last minute or two. The real attraction this time is Onslow Stevens in the role of a kindly sympathetic doctor who sets out to "cure" Dracula and the Wolfman, but ultimately becomes a sort of Jekyll/Hyde as a result of his efforts. Stevens is excellent in this film, and takes center stage.

Still, there is a feeling of "yesterday's leftovers" with the film. Stock footage is lifted again from GHOST OF FRANKENSTEIN and BRIDE OF FRANKENSTEIN, and there is a general aura around the proceedings which suggests that it was thrown together more hastily.

These negative comments in no way make for an unsatisfactory view, however...HOUSE OF DRACULA is the last of its line, and still an essential Universal Horror.

House of Dracula is another of the series of all-star monster extravaganzas produced by Universal in the 40s.

This one deals with The Wolf Man (Lon Chaney Jr.) and Dracula (John Carradine) coming to scientist Onslow Stevens for a cure for what ails them. Along the way they find the Frankenstein Monster (Glenn Strange) and try to help him as well. Well, we all know that things will not go smoothly and the monsters will soon be running amok.

Carradine, playing Dracula for the second time, is quite effective in the role. He gives it his own interpretation and doesn't try to copy Bela Lugosi. Chaney gives a sympathetic performance as the doomed Lawrence Talbot. Stevens, in a rare leading role, also stands out as the doctor. The Frankenstein monster has little to do until the final minutes of the film.

As monster films go, this isn't one of the all-time greats, but on the other hand it does provide 67 minutes of solid entertainment.

There has been a debate raging for Universal Monster fans over the decades as to what's the better film -- "House of Frankenstein" or "House of Dracula"? For me, I may prefer HOUSE OF FRANKENSTEIN, but I certainly wouldn't count out an evening with this one, the final "serious" entry in Universal's classic monster series. It's still pretty good, though I feel its main problem is just being a victim of familiarity and nowhere else to really go at this stage. At least "Frankenstein" was a fresh idea at the time, while "Dracula" repeats the old formula again and reveals that our favorite cherished monsters had reached their limitations.

Dracula (John Carradine) arrives at the home of the kindly Dr. Edelmann (Onslow Stevens) to seek a cure from his vampirism. At the same time, the Wolf Man (Lon Chaney) shows up looking for release from his lycanthropy. Through a series of chaotic events, the warm hearted doctor turns into a Jekyll/Hyde madman and becomes intent on reviving the Frankenstein Monster (Glenn Strange). Throw in a pretty "hunchback" nurse and you've got what the ads curiously touted as "FIVE Monsters!"

What "House of Dracula" has going for it is more of that vintage Universal atmosphere and soothing music soundtrack, and a superb dual performance from Onslow Stevens as the scientist. John Carradine turns in another fine rendition of his suave Count Dracula, but Lon Chaney's werewolf is pretty much by the books at this point, although the end of the movie contains an interesting little twist for a change. Glenn Strange makes a very awesome-looking Frankenstein Monster, but unfortunately spends 99% of the film lying flat on his back with the exception of a few minor shots when he's up on his feet; some of his most active footage is swiped from BRIDE OF FRANKENSTEIN and GHOST OF FRANKENSTEIN.

All things considered you could undoubtedly do a lot worse than "House of Dracula" for a nightly Monster Mash, but it's easy to see why Dracula, the Wolf Man and Frankenstein's Monster were retired after this chapter, and why they needed Abbott & Costello to resuscitate them three years later. **1/2 out of ****