The story of three sisters and the men they marry. One is happily married but childless; the second promiscuously escapes an unhappy, loveless marriage; the third is tortured by the mental c... Read allThe story of three sisters and the men they marry. One is happily married but childless; the second promiscuously escapes an unhappy, loveless marriage; the third is tortured by the mental cruelties inflicted by a domineering husband.The story of three sisters and the men they marry. One is happily married but childless; the second promiscuously escapes an unhappy, loveless marriage; the third is tortured by the mental cruelties inflicted by a domineering husband.
- Director
- Writers
- Stars
- Awards
- 1 win total
Pamela Mason
- Margaret
- (as Pamela Kellino)
Brefni O'Rorke
- Coroner
- (as Brefni O'Rourke)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a truly shocking film, and it is certainly not a weepie. Usually Gainsborough films have left me cold, indulging mostly in a fake delirium of both plots and characters. There are exceptions and this is one of them. It shows in tragic detail the details of false marriages, and the pain that children feel watching helplessly and not being able to escape or react. The plot is not melodramatic, and the suffering, intensely portayed by the three sisters of the title, and how only one of the three is happy with her husband rings true. To give away the plot is unfair, because the unravelling of the three marriages is so meticulously done. Dulcie Gray is the most tragic of the three and acts very well, and so does Phyllis Calvert but the third sister played by Anne Crawford ( who died far too young ) gives an extraordinary performance. Her coldness towards her husband almost equals the cold male brutality James Mason portrays as a real emotional killer. I also think in watching this film that viewers of our era should not find the mannerisms of the first half of the 20th C. to be out of date or ' funny ' in any way. Each period has its social mannerisms and if time allows at the end of this century people may look back and laugh. I do not find the film dated, and the subject matter of marital abuse and cruelty is as important today as then. Watch the scene where a father threatens to take away a loved dog from his child, by either giving it to a woman who does not want it or have it ' put down '. The devastation on the child's face is terrible to watch, and the director Arthur Crabtree excels in showing human tyranny and human suffering without sentimentality. Only the final scene nearly ruins what went before, but I guess after WW2 in 1945 an audience could only take so much. I would give it a 10 if that scene had not ( perhaps ) been tagged on.
This British film is very similar to the earlier Warner Brothers film "The Sisters". It follows the lives of three sisters from when they were dating to many years later after they have been married for some time. Vera is a selfish and vain woman who is more concerned with her affairs than her husband. Lucy is very happily married to a very good man but she's the only sister who has no children. And Charlotte is pitiful...devoted to a horrible and abusive husband (James Mason). While the husband is rather cold and nasty towards his two youngest children, he's unnaturally attached to his oldest daughter, Margaret--a substitute for the wife he disdains. Despite this being a film about sisters, the stand out actor in the film was Mason. He dominated the scenes he was in and his character was so caustic and evil he is hard NOT to notice!
This is an exceptional film and I like how it shows how each sister makes choices--for good or evil. I also LOVE that it shows the impact of these decisions on the children. A sad, moving movie...well worth seeing though I must admit it starts VERY slowly. Stick with this one. It's worth it...and the ending is very, very sweet...but in the best of ways.
This is an exceptional film and I like how it shows how each sister makes choices--for good or evil. I also LOVE that it shows the impact of these decisions on the children. A sad, moving movie...well worth seeing though I must admit it starts VERY slowly. Stick with this one. It's worth it...and the ending is very, very sweet...but in the best of ways.
I once read an article which stated that Phyllis Calvert and Peter Murray-Hill would have been "Britain's Nick and Nora" had they made more films together. On seeing them act separately in films, I took that commentary to be a bit too hopeful. Then, I saw "They Were Sisters". And - move over Myrna and Bill! When together, Phyl and Peter did not seem at all like they were acting, they were just a happily married couple bantering, teasing the other lightly and ad-libbing as if they were not in a movie at all, but just out for a weekend picnic. Their scenes together were by far the movie's best.
At the other end of the scale is James Mason and Pamela Kellino (later Pamela Mason). They were playing father and daughter in the movie, and if you hadn't known about their off-screen relationship, seeing the way they interacted on the screen would have been a bit worrying.
With the wrong actors, "They Were Sisters" could have easily been a ridiculous farce, and at times it does begin to stray towards over-acting. But with the right actors, including the three youngest children, it comes across perfectly and is a movie well worth watching. 10/10
At the other end of the scale is James Mason and Pamela Kellino (later Pamela Mason). They were playing father and daughter in the movie, and if you hadn't known about their off-screen relationship, seeing the way they interacted on the screen would have been a bit worrying.
With the wrong actors, "They Were Sisters" could have easily been a ridiculous farce, and at times it does begin to stray towards over-acting. But with the right actors, including the three youngest children, it comes across perfectly and is a movie well worth watching. 10/10
If you have seen "The Man in Grey (1943)" and enjoyed it, you should take the time and trouble to seek out this forgotten gem from 1945 for it again stars James Mason playing a sadistic, manipulative husband, albeit in modern dress.Alongside, it tells the story of three very different sisters at a time between the two world wars.The story also follows their respective marriages and the type of husbands they wed.
Phylis Calvert (Lucy) plays a "goody two shoes" sister who has tragically lost a daughter but has a very supportive, understanding husband.A very sexy Anne Crawford plays a promiscuous wife (Vera) who finds her husband boring and looks for affairs on the side.To be fair to her character, she did say to her fiancé that she did not love him before they wed.Nevertheless they have a daughter together.There is a brief sexy scene where Vera is putting on her stockings which is far more daring than you will see in American films of the time with the Hays Censorship Code in place.I have quite a collection of films of this vintage and the only equivalent film I can think of is the Madeleine Carroll/Robert Donat scene in the Scottish hotel bedroom from "The 39 Steps" (1935).As an aside, if you would like to see another performance by Anne Crawford, seek out "Millions Like Us" (1943).
Finally Dulcie Gray plays (Charlotte) the passive victim-type sister who marries "Geoffrey" (James Mason) at his sadistic best.They have an elder daughter and a younger son and daughter who come to despise their cruel, manipulative father.You may smile at their frightfully refined, polished accents (presumably taught at stage school) but this is one of the charms I find from films of this time.Another reviewer commented on the near incestuous relationship hinted at in the film with his elder daughter played by his later real wife, Pamela Mason. Good must triumph in these morality films of the time.No, I won't provide a spoiler.I do know that I have my wife's attention with a film such as "They Were Sisters" if I dare to speak during it and she cuts me off.This was no exception!!
Phylis Calvert (Lucy) plays a "goody two shoes" sister who has tragically lost a daughter but has a very supportive, understanding husband.A very sexy Anne Crawford plays a promiscuous wife (Vera) who finds her husband boring and looks for affairs on the side.To be fair to her character, she did say to her fiancé that she did not love him before they wed.Nevertheless they have a daughter together.There is a brief sexy scene where Vera is putting on her stockings which is far more daring than you will see in American films of the time with the Hays Censorship Code in place.I have quite a collection of films of this vintage and the only equivalent film I can think of is the Madeleine Carroll/Robert Donat scene in the Scottish hotel bedroom from "The 39 Steps" (1935).As an aside, if you would like to see another performance by Anne Crawford, seek out "Millions Like Us" (1943).
Finally Dulcie Gray plays (Charlotte) the passive victim-type sister who marries "Geoffrey" (James Mason) at his sadistic best.They have an elder daughter and a younger son and daughter who come to despise their cruel, manipulative father.You may smile at their frightfully refined, polished accents (presumably taught at stage school) but this is one of the charms I find from films of this time.Another reviewer commented on the near incestuous relationship hinted at in the film with his elder daughter played by his later real wife, Pamela Mason. Good must triumph in these morality films of the time.No, I won't provide a spoiler.I do know that I have my wife's attention with a film such as "They Were Sisters" if I dare to speak during it and she cuts me off.This was no exception!!
Loved this film. James Mason gorgeously dastardly and children roles not as superficial as many other films. Very confused about IMDB and Wickipedia entries though. Saw this today and Lucy character had lost a child. Hence discussing removing a picture of their dead daughter before notice Judith came to stay for fear of upsetting her that children sometimes die. Yet IMDB and Wickipedia both say she was childless, have they watched the film!
Did you know
- TriviaJames Mason's real-life wife, Pamela, plays the role of his daughter "Margaret" in this film. They were married in 1941.
- Crazy creditsOpening credits prologue: 1919
- SoundtracksHors d'Oeuvres
(uncredited)
Music by David Comer
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Details
- Release date
- Country of origin
- Language
- Also known as
- Tre systrar
- Filming locations
- Gainsborough Studios, Islington, London, England, UK(studio: made at The Gainsborough Studios, London)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 55m(115 min)
- Color
- Aspect ratio
- 1.37 : 1
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