The Men Who Tread on the Tiger's Tail

I have watched this several times and enjoyed each viewing. It's a very early Kurosawa, apparently done on a shoestring of a budget. However, we can already see Kurosawa's talents in pacing and setting up shots. Kenichi Enomoto as the porter appears out of place at first with his over the top mannerisms and broad comedy, but he fits into the story and breaks up the slower pace of some of the scenes. For Kurosawa and samurai fans, I think this will be more than just a curiosity. This has an early appearance of Masayuki Mori (the murdered husband in Roshomon) and a fairly early appearance of Takashi Shimura (leader of the seven samurai). I recommend this for the usual suspects.

In 1185, the Seike family fights against the Minamoto family. After a bloody naval battle in the Pacific Ocean, Yoshitsune Minamoto (Shubo Nishina) defeats the enemy and the survivals commit suicide. When the triumphant Yoshitsune arrives in Kyoto, his brother, the Shogun Ioromoto, is lured and orders his men to arrest Yoshitsune. However, Yoshitsune escapes with six loyal samurais led by Benkei (Denjirô Ôkôchi) and they head to the country of his only friend Idehira Fukiwara.

Nearby the border, after crossing the forest disguised as monks, their smiley conveyor Suruga (Yoshio Kosugi) discloses that they are Yoshitsune and the six samurais and advises that the fearful Kagiwara and his soldiers are waiting for them in the border to arrest them. Yoshitsune disguises as a carrier and Benkei has to convince Kagiwara that they are six monks traveling to collect donation to build a large temple in Kyoto.

"Tora no o wo Fumu Otokotachi" is the third feature of Master Akira Kurosawa that shows his talent even with very limited budget. The acting is superb and Denjirô Ôkôchi performs a very wise samurai. Yoshio Kosugi is annoying and funny at the same time, with his chuckles. The conclusion is a little disappointing and gives the sensation that the story will be continued. The subtitles in the Brazilian DVD from Continental Distributor have synchronicity problems many times, and I had to use the rewind to read them. My vote is seven.

Title (Brazil): "Os Homens que Pisaram na Cauda do Tigre" ("The Men that Stepped on the Tail of the Tiger")

Akira Kurosawa was, well, a genius.

This early film is only further proof.

Before he made Rashomon, the Seven Samurai and Ran he made this and it's great.

The cast is fantastic. Kenichi Enomoto is especially great as the porter. That character is brilliant comic relief, which is especially evident in the scene where he attempts to dance.

Jason Biggs doing a stupid dance in American Pie is not funny. Kenichi Enomoto doing a stupid dance in Tora no o wo fumu otokotachi is.

The rest of the cast is great, too.

The characters are wonderful. There's of course the cowardly porter, and the clever character who, pretending to be a monk, has to think quickly and it's fun to watch.

Not only that, there is some very fine music and dialogue in this.

Only problem: Too short. . . but then again, I could say the same about the Seven Samurai and Ran. A great movie is always too short.

Highly recommended.

So, seven outlawed noblemen are.... here we see the roots of THE SEVEN SAMURAI. Except that in an hour and writing by himself, Kurosawa winds up concentrating solely on one of them, Denjirô Ôkôchi.

Kurosawa would later note that he preferred to work with other writers, so that other characters could come to the fore. Anyway, they're trying to get past a barrier and to safety in a time of war. Sounds a bit like THE HIDDEN FORTRESS, doesn't it? According to my reading, all of Toho's actresses had been sent out of Tokyo because of bombing. Otherwise he might have made the other movie in 1945. There's surely a hint of it, when the noblemen they are trying to keep safe is said to look like a girl.

This film is just less than an hour long and tells a simple tale about a warrior with his six followers (one is a "driver" who almost reminds me of a Japanese Stan Laurel) and their quest to move on. They disguise themselves as monks. The film is set in the year 1195. The second half of the film is better, where they have to prove to others that they indeed are monks. The tension, including facing otherwise certain death, is extremely well done. I labeled the film curious due to its simplicity in telling the story. Kurosawa is rarely this straightforward, usually there are interesting twists and turns. That said, this watchable, there is a little comic relief, but it is not A list Kurosawa. Thats fine in and of itself.