A crashed plane that had a shrunken head aboard is the only clue to a mystery involving a secret code.A crashed plane that had a shrunken head aboard is the only clue to a mystery involving a secret code.A crashed plane that had a shrunken head aboard is the only clue to a mystery involving a secret code.
- Director
- Writers
- Stars
Bud Averill
- Museum Guard
- (uncredited)
Edward Earle
- E.R. Willard
- (uncredited)
John Elliott
- John the Butler
- (uncredited)
Fred Godoy
- Mendoza
- (uncredited)
Richard Hale
- Curator Raymond Halliday
- (uncredited)
Coulter Irwin
- Frank
- (uncredited)
Thomas E. Jackson
- Detective Captain Quinn
- (uncredited)
Frank Martin
- Narrator
- (uncredited)
Frank Mayo
- Gordon R. Mitchell
- (uncredited)
Mary Newton
- Karger's Nurse
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
We too often forget that director Heny Levin began his career at Columbia pictures directing such small budget movies. This one belongs to the I LOVE A MYSTERY list, several horror mystery features, under one hour length. A bit talkative, I admit, but also providing a pretty good atmosphere. Not the one Val Lewton's production made, though. This one is Ok, thanks to this atmosphere, no matter the story itself. Henry Levin will become famous with his VOYAGE TO THE CENTER OF THE EARTH, his masterpiece, and several other adventure action movies, finishing with "beach" flicks in the early sixties.
The "I Love A Mystery" films from Columbia were all based on a radio program of that name and each of them was made into very entertaining mysteries, the sort that Columbia was able to churn out on a tight budget with directors like Henry Levin.
This is the most gripping mystery in the batch, full of ingredients that will have you guessing from beginning to end just how all the loose ends will be tied up.
It starts off with the shrunken heads discovered when a plane crashes en route from California to Columbia, and then the plot includes a missing explorer who has possibly been murdered, an anxious wife afraid that someone is trying to kill her (MONA BARRIE), a young woman and her fiancé (ANITA LOUISE and MICHAEL DUANE)who resent being followed by detectives, and the detectives hired to cover the case (JIM BANNON and BARTON YARBOROUGH). Also in the mix: a restless black panther and the weird owner of a taxidermist shop (PAUL E. BURNS).
Nicely photographed in crisp B&W with appropriate set decorations, it has the look of a better than average programmer from Coumbia (not Republic, as another comment suggests).
Guaranteed to surprise and entertain, it's well worth watching.
This is the most gripping mystery in the batch, full of ingredients that will have you guessing from beginning to end just how all the loose ends will be tied up.
It starts off with the shrunken heads discovered when a plane crashes en route from California to Columbia, and then the plot includes a missing explorer who has possibly been murdered, an anxious wife afraid that someone is trying to kill her (MONA BARRIE), a young woman and her fiancé (ANITA LOUISE and MICHAEL DUANE)who resent being followed by detectives, and the detectives hired to cover the case (JIM BANNON and BARTON YARBOROUGH). Also in the mix: a restless black panther and the weird owner of a taxidermist shop (PAUL E. BURNS).
Nicely photographed in crisp B&W with appropriate set decorations, it has the look of a better than average programmer from Coumbia (not Republic, as another comment suggests).
Guaranteed to surprise and entertain, it's well worth watching.
Jack Packard and Doc Long are back—the detectives of I Love a Mystery. Jim Bannon is Packard: serious, cool, businesslike, and tough to fool. Barton Yarborough is Doc—he of the southern drawl, gentle sarcasm, and vaguely comical attitude and behavior. Together they tackle another case, this time attempting to sort out a set of entanglements involving family and colleagues of a missing adventurer.
The opening minutes set up the mystery quite well—the characters are introduced and laid out carefully, but it's genuinely tough to tell who is who, who's on which side. Gradually, deliberately, the mystery opens and unravels and eventually builds to a rather exciting climax. The story itself features a shrunken head, the mysterious disappearance of an explorer who may or may not be dead in a jungle somewhere, a collection of his mutually suspicious family members, and a taxidermist who keeps a large black mountain lion in a cage outside his shop.
The acting is passable if not great Bannon and Yarborough are fine if slightly bland, Anita Louise and Michael Duane are tightly wound and thus somewhat unpredictable as the young couple, Mona Barrie is suitably concerned yet perhaps a tad shady as wife and stepmother.
The dialog occasionally aims at humor (standing next to a museum case of shrunken heads, Packard suggests that he and Doc put their own heads together, at which Doc winces, "I wish you wouldn't say that"—ha ha) but mostly it's a straight mystery that plays up the spookiness of such elements as said shrunken heads, some poison dart guns, the growling cat, and the general air of suspicion that the family members create around themselves and each other.
A tidy little mystery that's tightly plotted and efficiently produced.
The opening minutes set up the mystery quite well—the characters are introduced and laid out carefully, but it's genuinely tough to tell who is who, who's on which side. Gradually, deliberately, the mystery opens and unravels and eventually builds to a rather exciting climax. The story itself features a shrunken head, the mysterious disappearance of an explorer who may or may not be dead in a jungle somewhere, a collection of his mutually suspicious family members, and a taxidermist who keeps a large black mountain lion in a cage outside his shop.
The acting is passable if not great Bannon and Yarborough are fine if slightly bland, Anita Louise and Michael Duane are tightly wound and thus somewhat unpredictable as the young couple, Mona Barrie is suitably concerned yet perhaps a tad shady as wife and stepmother.
The dialog occasionally aims at humor (standing next to a museum case of shrunken heads, Packard suggests that he and Doc put their own heads together, at which Doc winces, "I wish you wouldn't say that"—ha ha) but mostly it's a straight mystery that plays up the spookiness of such elements as said shrunken heads, some poison dart guns, the growling cat, and the general air of suspicion that the family members create around themselves and each other.
A tidy little mystery that's tightly plotted and efficiently produced.
Good combination of horror and noir. Now if I could just figure out whose head belongs on which body, I might be able to figure out the plot. But, no matter since the film is carried by some great noirish atmosphere. The gloom hangs heavy over everyone, so you just know anything might happen. The movie's adapted from a radio stage play and it shows in the stretched out storyline that sometimes appears to ramble. Still, brighter bulbs than mine may be able to follow out the mystery part. Anyhow, I really like the obscure Michael Duane as the ambivalent Rex Kennedy; he brings unexpected depth to the part. The cast is basically an ensemble of no-names, who, nevertheless do well enough in their roles. No, the movie never rises above programmer status, but does show how imaginative these bottom-of-the-bill B- movies could be.
"The Devil's Mask" (1946) is one of the "I LOVE A MYSTERY" series of B-movies produced by Columbia Studios, based on the then-popular radio show. Poker faced Jim Bannon heads up a duo of private detectives who appear in each of the mysteries.
This one begins after a shrunken head is found in the ruins of a crashed plane that was headed from California to Latin America. A woman, who believes that her step-daughter is planning to kill her, hires the pair of detectives.
The mystery deepens when the woman's butler is killed by a poison dart from a blow-gun similar to those used by the jungle tribe of head-hunters responsible for the shrunken head. Add a blackmailing psychiatrist, a crazy taxidermist, a ferocious black panther, a few nebulous characters of dubious repute, and you have an atmospheric little chiller that's most enjoyable.
You may be able to figure out who the killer is, but that won't stop you from searching out more of these neat little "I LOVE A MYSTERY" thrillers.
This one begins after a shrunken head is found in the ruins of a crashed plane that was headed from California to Latin America. A woman, who believes that her step-daughter is planning to kill her, hires the pair of detectives.
The mystery deepens when the woman's butler is killed by a poison dart from a blow-gun similar to those used by the jungle tribe of head-hunters responsible for the shrunken head. Add a blackmailing psychiatrist, a crazy taxidermist, a ferocious black panther, a few nebulous characters of dubious repute, and you have an atmospheric little chiller that's most enjoyable.
You may be able to figure out who the killer is, but that won't stop you from searching out more of these neat little "I LOVE A MYSTERY" thrillers.
Did you know
- TriviaSecond of the three 'I Love a Mystery' thrillers released by Columbia PIctures, based on the popular radio series of the same name that aired on the NBC radio network from 1939 to 1944.
- ConnectionsFollowed by The Unknown (1946)
Details
- Release date
- Country of origin
- Language
- Also known as
- La máscara del diablo
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 5m(65 min)
- Color
- Aspect ratio
- 1.37 : 1
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