Dual Alibi

Like one or two others here, I recall seeing this on TV years ago. It certainly made an impression and watching it again recently reminded me why it did.

The story never falters from the start and there's neither an extraneous scene nor wasted word of dialogue. The word 'noir' is often used inaccurately on IMDb and elsewhere these days to describe a run of the mill crime movie that happened to be shot in black and white, but this film is the real thing. Not a single scene takes place in daylight, and the often oppressive ambiance is caught in the opening shot as a bedraggled group of unemployed men are made up as clowns to go out in the pouring rain with sandwich boards to promote Vincent Barney's circus. The kindly Barney recognises one of the de Lisles, identical twins and trapeze artists who used to be his star attraction and who now recounts his fall from grace.

Director Alfred Travers did not enjoy a high profile, making few films, mostly obscure second features, but he clearly knew what he was doing here. By comparison, for example, the renowned Terence Fisher's 'noirs' for Hammer in the early 1950s are heavy-handed and soporific. Apart from Travers' skill in keeping the story moving, the circus atmosphere is conjured brilliantly through the judicious choice of background music, particularly Stanley Black's haunting trapeze theme, since the budget apparently didn't stretch to featuring any actual circus acts apart from the twins' high-flying act and brief glimpses of a horse and an elephant. Not least he gets some excellent performances too. Herbert Lom is superb as the twins, bringing out their subtle differences, and with the aid of James Wilson's masterly trick photography, all the more remarkable on such a poverty row production, it's easy to suspend disbelief. The talented and popular comedian of radio and concert parties Ronald Frankau, making a rare screen appearance, brings charm, authority, and a sense of fun to his portrayal of the avuncular and sympathetic Barney. Terence de Marney is convincing as the repellent and ruthless Mike Bergin, whilst playing his accomplice, Penny, is 'Britain's First Lady of Striptease' Phyllis Dixey. She doesn't do a bad job; but this was only her second and last film appearance. Her striptease act must have been of a very genteel variety, in fact according to one aficionado 'her girls did the stripping while she gave the audience the occasional "flash"! She was portrayed by Lesley-Anne Down in an excellent TV biopic THE ONE AND ONLY PHYLLIS DIXIE, broadcast in November 1978.

DUAL ALIBI concludes with a twist ending as unforced and logical as it is uncompromising, and should definitely be a candidate for DVD release by one of those companies specialising in forgotten classic British films!

Herbert Lom plays twins in this movie. Also acrobats. Also a murderer.

Hired by Ronald Frankau to perform their two-act at Blackpool, the twin-acrobat act is a sensation. When publicist Terence de Marney discovers they have won the grand prize of a million francs in the French national lottery, he sets his girlfriend, Phyllis Dixey, to make up to one of the twins and steals the lottery ticket. When they discover this, they track him down and one of them murders the thief, while the other is performing solo, providing an alibi for the other. But which is it?

It's a gimmick mystery, with a strong noir element: sleazy setting, sleazy characters and some clever camera, provided by split-screen camerawork, and enough character differentiation to offer some good acting. The acrobatic work is offered in long shots, so that the Cromwell Brothers could do the work. This was their only movie appearance.

Herbert Lom, best remembered now for his appearances as Commissioner Dreyfus in the Pink Panther franchise, was born in 1917 and christened Herbert Charles Angelo Kuchacevich ze Schluderpacheru. He made his first movie in 1937 in Czechoslovakie. By 1942 he was in Great Britain, where he played Napoleon, villains in crime dramas, and his favorite role, in THE LADYKILLERS. He appeared in almost a hundred movies, and his last performance was in 2007 on TV's AGATHA CHRISTIE'S MARPLE series. He died a couple of weeks after his 95th birthday.

This was a fine example of a British film, well acted and directed, an excellent storyline and no slip ups or confusion as sometimes arises in plots like this. Herbert Lom gives a spellbinding performance as the twins, and the rest of the cast are marvellous too. Everyone gives 100% and we enjoyed it very much. It should have got some awards. Please do watch it, if you get the chance. you wont be disappointed. A fine cast of actors doing a brilliant job with a first class director. Superb. I had not been aware of this director before and as he wrote the script too, (oh yes, I forgot to say excellent script) he has excelled himself. Why no proper recognition ? I had not even heard of this film before. It was shown at a quarter to three in the morning! The photography was well done and the matching was excellent too. This film should be acknowledged as a classic British film.

In "Dual Alibi", the British actor, Herbert Lom, plays dual roles--the identical French twins, Georges and Jules. And, he's excellent in both parts and the movie is quite the thriller.

When the story begins, one of the de Lisle twins (Lom) has fallen on hard times and is notices by his old boss at the circus. Now this part is a bit muddled...and based on the story that follows there is no way the boss wouldn't have remembered the man immediately....but somehow it was written as if the old boss could barely remember him. In the story, there is ample reason to believe he's remember the de Lisles until the day he died!

The story that follows is a long flashback, showing what led from the de Lisles being among the best trapeze acts in the world to this. It begins with them signing a huge contract with the owner of the circus. Georges is all business but Jules is a bit less so. So, after a crook in the circus learns that Jules has won 1,000,000 fr in a lottery, instead of telling Jules, he has his slimy girlfriend cozy up to Jules...with the hope that they can steal the ticket and cash it in themselves. What's next? Well, it would spoil the film to say more!

The bottom line is that this is a very well written dark suspense film...one that makes you cheer for a killer and wish him the best! Yes, that IS unusual! Combine this with excellent acting and direction, and you have one of the better British suspense films of the era.

Dual Alibi is directed by Alfred Travers who also collectively adapts the screenplay with Stephen Clarkson and Vivienne Ades from a story written by Renalt Capes. It stars Herbert Lom, Phyllis Dixey, Terence De Marney and Ronald Frankau. Music is by Stanley Black and cinematography by James Wilson.

Top French trapeze artists, the de Lisle twins (Lom), are hired by a British promoter to go work in Blackpool in the North West of England. Whilst in Blackpool one of the twins falls for an aspiring singer, causing tremors in the brother's relationship. But when news comes through that they have won the French lottery, the brothers unite in their good fortune. However, good fortune is not to last as their world comes crashing down in a ball of treachery, greed, the misfortunes of fate and murder!

Moody monochrome, flashback structure, kilter circus atmosphere, femme fatale and a haunting musical score, welcome to the world of under seen British noir. The low budget is barely noticed as Travers and Wilson skilfully move the film at a good pace whilst draping it in shadows and murk, and the trick photography accomplishment that brings two Herbert Lom's together on screen brilliantly belies that this is a poverty row production.

Lom is excellent in the dual role, giving each twin its own characteristic so the audience is never out of the loop. Yet he also deftly manages to ascertain a deep emotional bond between the two men, so when the darkness comes (the ending for instance is miserably non conformist) we feel the slap of film noir's hand. Around Lom are effective performances from Marney as the repugnant Mike Bergin and Dixey who slinks about with conviction as smouldering fatale Gloria Gregg (AKA: Penny).

Highly recommended for anyone interested in British film noir. 8/10