IMDb RATING
7.6/10
3.2K
YOUR RATING
An unwed mother, forced to give up her child to avoid scandal, follows her son's life from afar even as she prospers in business.An unwed mother, forced to give up her child to avoid scandal, follows her son's life from afar even as she prospers in business.An unwed mother, forced to give up her child to avoid scandal, follows her son's life from afar even as she prospers in business.
- Won 1 Oscar
- 3 wins & 2 nominations total
Olivia de Havilland
- Jody Norris
- (as Olivia De Havilland)
Billy Ward
- Gregory - Younger
- (as Bill Ward)
Featured reviews
This is a beautifully acted and realized "soap" kind of mother love films, which done in 1946, has the ability to still bring down the toughest EVIL MEANIE to his or her knees. De Havilland is deserving of the Academy Award she won for her range and her excellence as a screen actress. She may not have come from the Method school of training or RADA but her varied performances which can quite literally be called a brilliant melange of characters in THE HEIRESS to SNAKE PIT in which she is as good as it gets in female roles. Charlie Brackett wrote a tight screenplay for what could have gone on for hours and the art direction and music all work along with one of those great supporting group of character actors of the day. All told, it is De Havilland's controlled and believable performance that make this a film a must see for the most hardened critic. Grown men will not admit to liking this film because it more than likely will bring a tear of two.....it is that good.
First, let me say I'm in awe of the previous reviewers and their spot-on knowledge of this film and Olivia de Havilland's body of work. Bravo, and thank you for pointing me towards this "hidden" treasure.
So allow me to confirm that this "small" 1946 movie is still riveting fare in 2010. The subject matter is just as relevant today and will speak to women for generations to come. In that regard, its forever timeless.
Filmed in b&w, and happily so, though 7 years newer than "The Wizard of Oz"... I'm still waiting for them to colorize the rest of that bloated Saturday matinée flick. *s* Tune in next time when I attack "Gone with the Wind," "Casablanca" and "Citizen Kane."
This film dealt with a delicate subject in a frank and realistic manner. I'm particularly impressed by the way this movie was story-boarded. It flowed brilliantly. If shot today, it would be shoved in my face, every stinkin' detail, nothing left to the imagination... plenty of yelling, smashing dishes and cussing.
Equally impressive is Ms. de Havilland's Oscar-winning performance. I couldn't take my eyes off her. When the movie took her back 20 years younger, my mouth dropped.
But it was much more than the make-up. It was Olivia.
Happy ending or sad? not telling. I'll reveal this, though. This 55 year old man doesn't typically cry at weddings or funerals, but by the closing credits, both cheeks were wet. But then maybe its because she reminds me of my mother, 1933-1981.
Search out this gem.
So allow me to confirm that this "small" 1946 movie is still riveting fare in 2010. The subject matter is just as relevant today and will speak to women for generations to come. In that regard, its forever timeless.
Filmed in b&w, and happily so, though 7 years newer than "The Wizard of Oz"... I'm still waiting for them to colorize the rest of that bloated Saturday matinée flick. *s* Tune in next time when I attack "Gone with the Wind," "Casablanca" and "Citizen Kane."
This film dealt with a delicate subject in a frank and realistic manner. I'm particularly impressed by the way this movie was story-boarded. It flowed brilliantly. If shot today, it would be shoved in my face, every stinkin' detail, nothing left to the imagination... plenty of yelling, smashing dishes and cussing.
Equally impressive is Ms. de Havilland's Oscar-winning performance. I couldn't take my eyes off her. When the movie took her back 20 years younger, my mouth dropped.
But it was much more than the make-up. It was Olivia.
Happy ending or sad? not telling. I'll reveal this, though. This 55 year old man doesn't typically cry at weddings or funerals, but by the closing credits, both cheeks were wet. But then maybe its because she reminds me of my mother, 1933-1981.
Search out this gem.
I found this web site so I could find this movie! This story was so captivating and Olivia's performance was so endearing that I was glued to the television at 2am and didn't care! For those of you who love the tales of tragic love denied and then bestowed - this is one of the best kept secrets of classic movies.
To Each His Own covers more than twenty years in the life of Josephine "Jody" Norris (Olivia DeHavilland), a successful American-born businesswoman now working in London as an air raid warden. Jody thinks back to an earlier time in her life when she had fallen in love with a handsome WWI fighter pilot named Bart Cosgrove (John Lund, in his motion picture debut). Shortly after she becomes pregnant by Cosgrove, Jody learns he has been killed in action. To avoid public scandal, she concocts a scheme to keep her child, but it backfires. Her son, who becomes a fighter pilot like his late father, doesn't know who his real mother is. But Jody's confidante, Lord Desham (Roland Culver, in a wonderfully understated performance), does, and he believes it's his duty to right the situation. A superior soap opera, the film is deftly directed by Mitchell Leisen and features restrained, impressive performances by the entire cast. For her efforts as Jody, deHavilland won the 1946 Oscar for Best Actress. Victor Young's music is never overbearing, and Charles Brackett and Jacques Thery's screenplay is wise and intelligently written.
The title of the movie was misleading,but as a huge fan of Ms. de Havilland, I watched this movie. It was a very tender story of the enduring and endearing love a mother had for her child.
It brought to mind the contrast of today's societal views of unwed mothers(as it were).
The story made me even more grateful to have 3 wonderful sons.
I would love watch this movie with my mom and my five sister,on the day before mothers' day. What a good way to have your 'tears jerked'! What a celebration of motherhood!
I will be happy when it is released on DVD. Hopefully very soon.
It brought to mind the contrast of today's societal views of unwed mothers(as it were).
The story made me even more grateful to have 3 wonderful sons.
I would love watch this movie with my mom and my five sister,on the day before mothers' day. What a good way to have your 'tears jerked'! What a celebration of motherhood!
I will be happy when it is released on DVD. Hopefully very soon.
Did you know
- TriviaThis was Olivia de Havilland's first film role in three years. She was suspended by Warner Brothers after she filed suit against the studio on August 23, 1943, and was officially fired upon winning her suit by unanimous decision on December 8, 1944. Because of this lawsuit and her reputation as a perfectionist, de Havilland was labeled "difficult" in show business, temporarily making her an undesirable choice for many producers.
- GoofsWhen Captain Cosgrove shuts off the power to his biplane, it continues to glide on a level path. Biplanes have very high drag because they have two wings and all the supports in between. The plane would have started to fall toward the ground, not continue on. The clouds in the background show a level path of travel.
- Quotes
[last lines]
Captain Bart Cosgrove: I think this is our dance, Mother.
- ConnectionsFeatured in The 40th Annual Academy Awards (1968)
- SoundtracksThree Little Fishies (Itty Bitty Poo)
Word & Music by Saxie Dowell
- How long is To Each His Own?Powered by Alexa
Details
- Runtime
- 2h 2m(122 min)
- Color
- Aspect ratio
- 1.37 : 1
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