IMDb RATING
7.6/10
3.2K
YOUR RATING
An unwed mother, forced to give up her child to avoid scandal, follows her son's life from afar even as she prospers in business.An unwed mother, forced to give up her child to avoid scandal, follows her son's life from afar even as she prospers in business.An unwed mother, forced to give up her child to avoid scandal, follows her son's life from afar even as she prospers in business.
- Won 1 Oscar
- 3 wins & 2 nominations total
Olivia de Havilland
- Jody Norris
- (as Olivia De Havilland)
Billy Ward
- Gregory - Younger
- (as Bill Ward)
Featured reviews
I caught this one on a late-night TV broadcast some years ago and was immediately hooked by Olivia's beautiful performance (plus being a sucker for tear-jerking stories with a flashback structure, I'm embarrassed to admit.) With Paramount's finest artisans and technicians in all departments to enhance her return to the screen, Olivia's Oscar was well-earned, indeed.
Other IMDb comments on this title are "on the money" (except for the one nay-sayer...Can't please everyone!) but no one mentioned John Lund's (as Gregory, Josephine Norris' long-lost son, rediscovered during his wartime London leave) constantly having to exclaim "Holy Canarsie!" before nearly every line of his dialog. After the first couple of times I wanted to scream at him, "Oh, stuff it!" But then, we're all guilty of overusing certain expressions, but THAT one was REALLY annoying. No wonder the script failed to win the Academy Award. So there!
Other IMDb comments on this title are "on the money" (except for the one nay-sayer...Can't please everyone!) but no one mentioned John Lund's (as Gregory, Josephine Norris' long-lost son, rediscovered during his wartime London leave) constantly having to exclaim "Holy Canarsie!" before nearly every line of his dialog. After the first couple of times I wanted to scream at him, "Oh, stuff it!" But then, we're all guilty of overusing certain expressions, but THAT one was REALLY annoying. No wonder the script failed to win the Academy Award. So there!
After winning her two-year court battle with Warner Bros., OLIVIA DE HAVILLAND became a free-lancer and got her big chance when Paramount offered her TO EACH HIS OWN, a script that had already been turned down by Ingrid Bergman and Ginger Rogers. Everyone shines in this movie, from the leads (OLIVIA DE HAVILLAND and JOHN LUND) to the smallest bit players.
De Havilland was perfect as Jody Norris, realistically portraying a young girl of seventeen and then various stages of maturity, ending as a brusque, middle-aged business woman in war-torn London of 1944. Her range as an actress is fully demonstrated and she does a remarkable job of playing the heroine at various stages of development.
John Lund is excellent too in a dual role (her lover and later her grown son), Bill Goodwin as a good-hearted pal, Philip Terry as another suitor who still loves her after marrying her friend (Mary Anderson). Anderson never had a better role than she does as the jealous, neurotic wife unwilling to let Jody have her own child back.
An intelligent script, detailed period direction by Mitch Leisen, fine background score by Victor Young and memorable moments from every player in the large cast. This is one Madame X kind of story that still holds up today. Probably the best soap-opera of the '40s, played to the hilt by a wonderful cast.
I would be remiss if I didn't mention Roland Culver as Lord Desham. Brilliant performance. And on top of all the drama, there's a lot of humor and touches of real Americana, especially in the early scenes depicting Jody's small-town life.
Summing up: This was a huge box-office hit in the summer of '46 and re-ignited Olivia's career after a three year absence from the screen.
De Havilland was perfect as Jody Norris, realistically portraying a young girl of seventeen and then various stages of maturity, ending as a brusque, middle-aged business woman in war-torn London of 1944. Her range as an actress is fully demonstrated and she does a remarkable job of playing the heroine at various stages of development.
John Lund is excellent too in a dual role (her lover and later her grown son), Bill Goodwin as a good-hearted pal, Philip Terry as another suitor who still loves her after marrying her friend (Mary Anderson). Anderson never had a better role than she does as the jealous, neurotic wife unwilling to let Jody have her own child back.
An intelligent script, detailed period direction by Mitch Leisen, fine background score by Victor Young and memorable moments from every player in the large cast. This is one Madame X kind of story that still holds up today. Probably the best soap-opera of the '40s, played to the hilt by a wonderful cast.
I would be remiss if I didn't mention Roland Culver as Lord Desham. Brilliant performance. And on top of all the drama, there's a lot of humor and touches of real Americana, especially in the early scenes depicting Jody's small-town life.
Summing up: This was a huge box-office hit in the summer of '46 and re-ignited Olivia's career after a three year absence from the screen.
To Each His Own covers more than twenty years in the life of Josephine "Jody" Norris (Olivia DeHavilland), a successful American-born businesswoman now working in London as an air raid warden. Jody thinks back to an earlier time in her life when she had fallen in love with a handsome WWI fighter pilot named Bart Cosgrove (John Lund, in his motion picture debut). Shortly after she becomes pregnant by Cosgrove, Jody learns he has been killed in action. To avoid public scandal, she concocts a scheme to keep her child, but it backfires. Her son, who becomes a fighter pilot like his late father, doesn't know who his real mother is. But Jody's confidante, Lord Desham (Roland Culver, in a wonderfully understated performance), does, and he believes it's his duty to right the situation. A superior soap opera, the film is deftly directed by Mitchell Leisen and features restrained, impressive performances by the entire cast. For her efforts as Jody, deHavilland won the 1946 Oscar for Best Actress. Victor Young's music is never overbearing, and Charles Brackett and Jacques Thery's screenplay is wise and intelligently written.
I found this web site so I could find this movie! This story was so captivating and Olivia's performance was so endearing that I was glued to the television at 2am and didn't care! For those of you who love the tales of tragic love denied and then bestowed - this is one of the best kept secrets of classic movies.
10lora64
What a gentle, tender story! This is a Romance 'par excellence' handled with maturity, insight, and simply told in flashbacks which take us back to earlier years, into the realities of life for a young woman who loses her true love during wartime (WW1) then finds herself unmarried and bringing a child into the world whom she must give up afterwards due to a twist in circumstances. It's a truly wonderful role for Olivia de Havilland, as Jodie Norris, and I can't think of anyone else who could play it so convincingly.
Roland Culver, in his supporting role as Lord Desham, provides a substantial backup for the elderly 'Jodie' who meets him rather abrasively during WW2 days but later relates to him the personal tragedy in her youth. He has the presence of mind and determination to see that old wrongs are set aright -- all of which leads to one of the most beautiful endings to a film anyone could wish for.
It's a film that poignantly reflects the war years when so many lives were uprooted, hopes dashed, yet carried on with courage. I wish they made more films like this one, it's a gem.
Roland Culver, in his supporting role as Lord Desham, provides a substantial backup for the elderly 'Jodie' who meets him rather abrasively during WW2 days but later relates to him the personal tragedy in her youth. He has the presence of mind and determination to see that old wrongs are set aright -- all of which leads to one of the most beautiful endings to a film anyone could wish for.
It's a film that poignantly reflects the war years when so many lives were uprooted, hopes dashed, yet carried on with courage. I wish they made more films like this one, it's a gem.
Did you know
- TriviaThis was Olivia de Havilland's first film role in three years. She was suspended by Warner Brothers after she filed suit against the studio on August 23, 1943, and was officially fired upon winning her suit by unanimous decision on December 8, 1944. Because of this lawsuit and her reputation as a perfectionist, de Havilland was labeled "difficult" in show business, temporarily making her an undesirable choice for many producers.
- GoofsWhen Captain Cosgrove shuts off the power to his biplane, it continues to glide on a level path. Biplanes have very high drag because they have two wings and all the supports in between. The plane would have started to fall toward the ground, not continue on. The clouds in the background show a level path of travel.
- Quotes
[last lines]
Captain Bart Cosgrove: I think this is our dance, Mother.
- ConnectionsFeatured in The 40th Annual Academy Awards (1968)
- SoundtracksThree Little Fishies (Itty Bitty Poo)
Word & Music by Saxie Dowell
- How long is To Each His Own?Powered by Alexa
Details
- Runtime
- 2h 2m(122 min)
- Color
- Aspect ratio
- 1.37 : 1
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