The Unknown

"The Unknown" (1946) is a surprisingly entertaining and atmospheric mystery inspired by the "I LOVE A MYSTERY" radio program. It is actually one of three Republic B-movies based on the program, all featured straight arrow detective Jack Packard and his corn-pone partner Doc Long (Barton Yarborough).

In "The Unknown" Jack and Doc are hired to escort young Nina Arnold (Jeff Donnell) to her ancestral mansion in Kentucky for the reading of her grandmother's will. The twist is that Nina was placed in foster care as an infant and will be meeting her mother Rachel (Karen Morley) for the first time. The mansion is spooky with her grandfather's body buried behind the fireplace and a mausoleum full of seemingly restless ancestors located outside the house.

I was very surprised at how well written and nicely paced this film was. It's a good yarn with a lot of misdirection and some unexpected plot elements.

Although Bannon and Yarborough are the series regulars, top billing for "The Unknown" went to Morley. Deservedly so as it is clearly her film, she plays an addled woman who never recovered from the loss of her baby daughter. She keeps a baby crib in her bedroom and hears a baby crying throughout the film. The was probably Morley's best performance, shortly after she fell victim to the HUAC hearings and worked very little in the industry from that point.

The other two "I LOVE A MYSTERY" thrillers are also quite entertaining but neither has anything to match Morley's performance.

Then again, what do I know? I'm only a child.

Unknown, The (1946)

** (out of 4)

The third and final film in Columbia's short-lived "I Love a Mystery" series. This time out Jack (Jim Bannon) and Doc (Barton Yarborough) travel to the South with a woman who claims to be the granddaughter of a woman who recently died. The will is about to be read and those who were expecting more money aren't too thrilled with the new family member and soon they're trying to uncover a secret from the past. Having now seen all three entries in this series I can easily say this is a major step up from the second film (THE DEVIL'S MASK) but not quite as good as the first (I LOVE A MYSTERY). I think this films biggest flaw is that there's simply way too much story and too many mysteries trying to be solved. The film starts off with a good ten-minute prologue that sets up various things that are going to happen throughout the film. I thought the opening was handled very well but the rest of the film didn't really build on it. Once in the present day it takes way too long for all the characters to be introduced and in the end the mystery just has too much fluff and not enough interesting things. Both Bannon and Yarborough slide into their roles quite nicely, although I'm sure there are going to be some that won't enjoy their brand of "comedy" so to speak. The real star is is Karen Morley who even manages to get the top billing. I thought she delivered a fine performance and really made her character quite interesting. The film's Southern settings are actually pretty good and we're really given a dark and Gothic look in this old mansion. There are many horror trappings mixed in with the comedy and drama but in the end THE UNKNOWN simply doesn't have strong enough of a screenplay to make everything work.

Re: the review of the Unknown by the reviewer from Kentucky. Republic Studios did not produce the I Love A Mystery series. It was Columbia Pictures. I have the original lobby card from the first film, "I Love A Mystery" (adapted from the radio play "The Decapitation of Johnathen Monk) and probably the only film in the series that was faithful to the radio series. The other two films simply used the characters of Jack Packard and Doc Long. My friend, Carole Mathews appeared in the first film, and signed the lobby card for me. She also provided me with a DVD of the film. Columbia also produced the Whistler film series, which for some reasons lasted longer. There were only 3 films made in the I Love A Mystery series and why they were discontinued is anybody's guess. Probably box office appeal.

The Unknown is directed by Henry Levin and adapted to screenplay by Charles O'Neal and Dwight Babcock from the radio play written by Malcolm Boylan and Julian Harmon. It stars Karen Morley, Jim Bannon and Jeff Donnell. Music is by Alexander Steinert and cinematography by Henry Freulich.

A wonderfully good old fashioned spooky house mystery finds a group of relatives arrive at a big mansion estate for the reading of a will. Pretty soon strange occurrences and accidents are the order of the night.

Clocking in at just seventy minutes in run time, Levin's picture doesn't have time to bore or bother with pointless filler. Standard creepy house rules apply here, shadows dominate the visuals (Freulich's photography excellent), which accentuate uneasy atmosphere as characters trawl through secret passageways, barely lit corridors, the ominous staircase and even a mausoleum that sits next to the house.

The sound mix is important because you have to have creaks and groans, and the unnerving cry of a child in the night, all is spot on there. While the characters are a ripe blend of eccentrics, suspicious suspects,intrepid investigators and a dainty dame. The mystery element holds strong throughout, and while the resolution is hardly a bolt from the blue, it pays off well enough to round out a good time spent with the viewing. 6.5/10

Back in 1946, A trio of films was made from the "I Love a Mystery" radio programs; this was one of them. (The other 2 were the "Devils' Mask" and the "Decapitation of Jefferson Monk"). This film is about the 2nd best of the series (with "Monk" being the best).

Someone had told me that this film was based on the "ILAM" pgm, "The Thing That Cries in the Night", but it ISN"T! (The only thing it has in common is the sound of a baby crying).

FAR too much time is given to the "history" and "family skeletons" of a Southern family (in fact, the film reminded me of "Hush, Hush Sweet Charlotte"!). Jack & Doc were added almost as an afterthought!

And, unbelieveable as it seems, some of those Civil War people were STILL alive in 1946; this is stretching the imagination a bit TOO far!

Carleton E. Morse had (potentially) great material to work with; this is one of his (very few) failures.

Norm