The Time, the Place and the Girl
- 1h 45m
IMDb RATING
5.9/10
390
YOUR RATING
A nightclub near an opera singer's home faces closure from her manager. The club owners befriend her, but when she starts liking popular music, more troubles arise as they try to launch a Br... Read allA nightclub near an opera singer's home faces closure from her manager. The club owners befriend her, but when she starts liking popular music, more troubles arise as they try to launch a Broadway show.A nightclub near an opera singer's home faces closure from her manager. The club owners befriend her, but when she starts liking popular music, more troubles arise as they try to launch a Broadway show.
- Nominated for 1 Oscar
- 1 nomination total
S.Z. Sakall
- Ladislaus Cassel
- (as S.Z. 'Cuddles' Sakall)
Nick Condos
- Specialty Dancer
- (as The Condos Brothers)
Steve Condos
- Specialty Dancer
- (as The Condos Brothers)
Mimi Aguglia
- Inez - Victoria's Maid
- (uncredited)
Ramsay Ames
- Bar Patron
- (uncredited)
Lynn Baggett
- Nurse
- (uncredited)
Rose Bascom
- Trick Roper
- (uncredited)
Monte Blue
- Stage Manager
- (uncredited)
5.9390
1
2
3
4
5
6
7
8
9
10
Featured reviews
Pleasant trifle...typical Warner Bros. formula musical...
While THE TIME, THE PLACE AND THE GIRL never rises above being a pleasant little "let's put on a show" musical, it does feature a few sprightly song numbers that are easy on the eyes and ears--and all of the performances are genial and appealing.
Dennis Morgan and Jack Carson are ideal as show biz guys willing to put something over on Martha Vickers in order to get backing for their enterprise. Vickers comes across as even more appealing than she was in THE BIG SLEEP as the nymphomaniacal daughter. And for good measure, there's the always vivacious Janis Paige doing her standard musical comedy thing with finesse. Donald Woods does a standout job as the stuffy tutor of musical pupil Vickers.
Comic relief from Florence Bates and S.Z. Sakall is a big help--especially since the script itself is none too witty. But what really makes the film a special delight are the handsome production values which went into this formula musical and two outstanding songs that are given first-rate treatment: A GIRL FROM CALICO and A RAINY NIGHT IN RIO.
If you like backstage musicals, you'll enjoy this minor delight.
Dennis Morgan and Jack Carson are ideal as show biz guys willing to put something over on Martha Vickers in order to get backing for their enterprise. Vickers comes across as even more appealing than she was in THE BIG SLEEP as the nymphomaniacal daughter. And for good measure, there's the always vivacious Janis Paige doing her standard musical comedy thing with finesse. Donald Woods does a standout job as the stuffy tutor of musical pupil Vickers.
Comic relief from Florence Bates and S.Z. Sakall is a big help--especially since the script itself is none too witty. But what really makes the film a special delight are the handsome production values which went into this formula musical and two outstanding songs that are given first-rate treatment: A GIRL FROM CALICO and A RAINY NIGHT IN RIO.
If you like backstage musicals, you'll enjoy this minor delight.
Standard WB Musical
The beautiful "Oh, But I Do," is the Arthur Schwartz theme song of this Warners entry, with "Calico" and "Rainy Night in Rio" completing the tuneful bill.
These fine numbers are given full production numbers to their credit, which are colorful and pleasing.
There's nothing wrong with the casting either, headed by the lovable Dennis Morgan and versatile Jack Carson.
If only the scripting were better. It's really quite stock writing, with formula lines and situations--nothing special.
Don't know about you, but having "blackface numbers" pop up from nowhere for laughs is increasingly irksome in these period pieces.
All in all, a slight pastiche in the WB stock company folio.
These fine numbers are given full production numbers to their credit, which are colorful and pleasing.
There's nothing wrong with the casting either, headed by the lovable Dennis Morgan and versatile Jack Carson.
If only the scripting were better. It's really quite stock writing, with formula lines and situations--nothing special.
Don't know about you, but having "blackface numbers" pop up from nowhere for laughs is increasingly irksome in these period pieces.
All in all, a slight pastiche in the WB stock company folio.
Brilliant
My Mother, Martha Vickers was in this wonderful movie , that I love to this day and still sing " Met a Gal In Calico"...I lost my mother Martha when I was 16 and now I will be 50 in June...so many moons ago but I can still get this movie to view at Eddie Brandts on Vineland and watch it and smile and still sing the songs from this wonderful movie....as it is her best I feel she has done....even better then the Big Sleep!....go and get it and enjoy!... This movie was never put on video but you can get it from Eddie Brandt on Vineland as long as you rent another movie...so if you are there then get my mothers other movie, " That Way with women" another great classic and then you get these two for free and just have to rent tow other movies..do it!...
A Beautiful Song-Filled Musical!
This movie is excellent.The cast was wonderful..Dennis Morgan, Jack Carson,Janis Paige,Martha Vickers,S.Z. Sakall and more... WOW!!I especially noticed that Dennis Morgan looked very relaxed in this film.It seemed like he was having lots of fun!He always is excellent in movies with Jack Carson.They performed easily with each other because they were such good friends.It shows!! Janis Paige and Martha Vickers are very lovely and great actresses.My favorite parts in this film are the romantic scenes with Dennis and Martha and when Janis accidentally sprays Jack in the face with a bottle of seltzer.Dennis couldn't help but giggle in that scene!This movie is full of songs and very highly enjoyable!
Color, more than Paramount did for Bing and Bob
Warner Brothers did for Dennis Morgan and Jack Carson something that Paramount until the Road To Bali never did for Bing and Bob. The Time, The Place And The Girl was done in some really nice technicolor and they gave the musical numbers by Arthur Schwartz and Leo Robin full production numbers. They could do this because a great deal of the film has a nightclub setting.
A nightclub setting that Morgan and Carson own and are trying to open. But they are next door to S.Z. Sakall and Florence Bates and their townhouse. Sakall is a symphony conductor and their granddaughter Martha Vickers is studying grand opera. Funny we hear no operatic notes from her.
What to do but send the old lady killer Morgan into action. But he really falls for Vickers. I think you can figure the rest out.
The musical numbers are not as elaborate as Busby Berkeley stuff in the Thirties, but are more elaborate than Road films numbers which only had the Crosby/Hope personalities to put them across and they certainly didn't do a bad job.
One interesting bit of casting is that of Donald Woods as Sakall's business manager who plays it like Edward Everett Horton and threatens to close the whole club down and ruin Morgan and Carson. A change of pace for Woods who was never quite a leading man, but was a chameleon like actor who fit into many characters without a bit of personality usually. Here he borrows Horton's.
Dennis's light tenor and Carson's antics are always entertaining.
A nightclub setting that Morgan and Carson own and are trying to open. But they are next door to S.Z. Sakall and Florence Bates and their townhouse. Sakall is a symphony conductor and their granddaughter Martha Vickers is studying grand opera. Funny we hear no operatic notes from her.
What to do but send the old lady killer Morgan into action. But he really falls for Vickers. I think you can figure the rest out.
The musical numbers are not as elaborate as Busby Berkeley stuff in the Thirties, but are more elaborate than Road films numbers which only had the Crosby/Hope personalities to put them across and they certainly didn't do a bad job.
One interesting bit of casting is that of Donald Woods as Sakall's business manager who plays it like Edward Everett Horton and threatens to close the whole club down and ruin Morgan and Carson. A change of pace for Woods who was never quite a leading man, but was a chameleon like actor who fit into many characters without a bit of personality usually. Here he borrows Horton's.
Dennis's light tenor and Carson's antics are always entertaining.
Did you know
- TriviaThe big production number "A Rainy Night in Rio" was featured prominently in the Bugs Bunny short Long-Haired Hare (1949). In the short, Bugs Bunny disrupts a burly opera singer's rehearsal of The Barber of Seville by singing A Rainy Night in Rio loudly nearby. The opera singer - Giovanni Jones - overhears Bugs Bunny's rendition of the song and absent-mindedly sings along in operatic style. Jones loses his temper repeatedly and accosts Bugs Bunny violently, resulting in Bugs stating his famous and oft-quoted line: "Of course you know this means *war*!" The short proceeds with a sequence of humorous retaliations from Bugs Bunny at Jones' performance later that evening at the Hollywood Bowl.
- Quotes
Ladislaus Cassel: Sheesh!
- ConnectionsFeatured in Let's Sing a Song from the Movies (1948)
- SoundtracksI Happened to Walk Down First Street
Music by Arthur Schwartz
Lyrics by Leo Robin
Performed by Dennis Morgan, Jack Carson, Janis Paige, Angela Greene (perhaps dubbed)
Details
- Release date
- Country of origin
- Language
- Also known as
- Der Himmel voller Geigen
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 45m(105 min)
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content







