A nightclub near an opera singer's home faces closure from her manager. The club owners befriend her, but when she starts liking popular music, more troubles arise as they try to launch a Br... Read allA nightclub near an opera singer's home faces closure from her manager. The club owners befriend her, but when she starts liking popular music, more troubles arise as they try to launch a Broadway show.A nightclub near an opera singer's home faces closure from her manager. The club owners befriend her, but when she starts liking popular music, more troubles arise as they try to launch a Broadway show.
- Nominated for 1 Oscar
- 1 nomination total
S.Z. Sakall
- Ladislaus Cassel
- (as S.Z. 'Cuddles' Sakall)
Nick Condos
- Specialty Dancer
- (as The Condos Brothers)
Steve Condos
- Specialty Dancer
- (as The Condos Brothers)
Mimi Aguglia
- Inez - Victoria's Maid
- (uncredited)
Ramsay Ames
- Bar Patron
- (uncredited)
Lynn Baggett
- Nurse
- (uncredited)
Rose Bascom
- Trick Roper
- (uncredited)
Monte Blue
- Stage Manager
- (uncredited)
5.9391
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Featured reviews
Standard WB Musical
The beautiful "Oh, But I Do," is the Arthur Schwartz theme song of this Warners entry, with "Calico" and "Rainy Night in Rio" completing the tuneful bill.
These fine numbers are given full production numbers to their credit, which are colorful and pleasing.
There's nothing wrong with the casting either, headed by the lovable Dennis Morgan and versatile Jack Carson.
If only the scripting were better. It's really quite stock writing, with formula lines and situations--nothing special.
Don't know about you, but having "blackface numbers" pop up from nowhere for laughs is increasingly irksome in these period pieces.
All in all, a slight pastiche in the WB stock company folio.
These fine numbers are given full production numbers to their credit, which are colorful and pleasing.
There's nothing wrong with the casting either, headed by the lovable Dennis Morgan and versatile Jack Carson.
If only the scripting were better. It's really quite stock writing, with formula lines and situations--nothing special.
Don't know about you, but having "blackface numbers" pop up from nowhere for laughs is increasingly irksome in these period pieces.
All in all, a slight pastiche in the WB stock company folio.
Delighful Bit of Fluff
For what it is, and it is simply a well crafted ball of fluff, THE TIME,THE PLACE and the GIRL is a delight. From Dennis Morgan crooning to Jack Carson clowning there are worse ways to spend a few hours. Best though is the Arthur Schwartz score with RAINY NIGHT IN RIO and A GAL IN CALICO rolling around in your brain days after the film is over. Check your brain at the door and sit back and relax. THE TIME THE PLACE AND THE GIRL is a real old fashioned charmer!!!!!!!!!!
A Beautiful Song-Filled Musical!
This movie is excellent.The cast was wonderful..Dennis Morgan, Jack Carson,Janis Paige,Martha Vickers,S.Z. Sakall and more... WOW!!I especially noticed that Dennis Morgan looked very relaxed in this film.It seemed like he was having lots of fun!He always is excellent in movies with Jack Carson.They performed easily with each other because they were such good friends.It shows!! Janis Paige and Martha Vickers are very lovely and great actresses.My favorite parts in this film are the romantic scenes with Dennis and Martha and when Janis accidentally sprays Jack in the face with a bottle of seltzer.Dennis couldn't help but giggle in that scene!This movie is full of songs and very highly enjoyable!
WB musical comedy? Where's the laughs.
What can be said about this WB boxoffice hit of 1946? The word inconsequential comes to mind. The formula for the WB musical is in full effect here, slight, fluffy story, plain and unsubtle vaudeville pastiche and affable leading men with slightly jarring crooning voices, a couple of hit songs by the top writers of the day and the best of them in the WB movies, impressively photographed, lit and well executed musical numbers to match the songs. If this is your cup of tea, so be it. Carson and Morgan do have a Crosby/hope chemistry and were supposed to be WB answer to the Road movies. They made a couple more but the success waned creating the end of the team.
Color, more than Paramount did for Bing and Bob
Warner Brothers did for Dennis Morgan and Jack Carson something that Paramount until the Road To Bali never did for Bing and Bob. The Time, The Place And The Girl was done in some really nice technicolor and they gave the musical numbers by Arthur Schwartz and Leo Robin full production numbers. They could do this because a great deal of the film has a nightclub setting.
A nightclub setting that Morgan and Carson own and are trying to open. But they are next door to S.Z. Sakall and Florence Bates and their townhouse. Sakall is a symphony conductor and their granddaughter Martha Vickers is studying grand opera. Funny we hear no operatic notes from her.
What to do but send the old lady killer Morgan into action. But he really falls for Vickers. I think you can figure the rest out.
The musical numbers are not as elaborate as Busby Berkeley stuff in the Thirties, but are more elaborate than Road films numbers which only had the Crosby/Hope personalities to put them across and they certainly didn't do a bad job.
One interesting bit of casting is that of Donald Woods as Sakall's business manager who plays it like Edward Everett Horton and threatens to close the whole club down and ruin Morgan and Carson. A change of pace for Woods who was never quite a leading man, but was a chameleon like actor who fit into many characters without a bit of personality usually. Here he borrows Horton's.
Dennis's light tenor and Carson's antics are always entertaining.
A nightclub setting that Morgan and Carson own and are trying to open. But they are next door to S.Z. Sakall and Florence Bates and their townhouse. Sakall is a symphony conductor and their granddaughter Martha Vickers is studying grand opera. Funny we hear no operatic notes from her.
What to do but send the old lady killer Morgan into action. But he really falls for Vickers. I think you can figure the rest out.
The musical numbers are not as elaborate as Busby Berkeley stuff in the Thirties, but are more elaborate than Road films numbers which only had the Crosby/Hope personalities to put them across and they certainly didn't do a bad job.
One interesting bit of casting is that of Donald Woods as Sakall's business manager who plays it like Edward Everett Horton and threatens to close the whole club down and ruin Morgan and Carson. A change of pace for Woods who was never quite a leading man, but was a chameleon like actor who fit into many characters without a bit of personality usually. Here he borrows Horton's.
Dennis's light tenor and Carson's antics are always entertaining.
Did you know
- TriviaThe big production number "A Rainy Night in Rio" was featured prominently in the Bugs Bunny short Long-Haired Hare (1949). In the short, Bugs Bunny disrupts a burly opera singer's rehearsal of The Barber of Seville by singing A Rainy Night in Rio loudly nearby. The opera singer - Giovanni Jones - overhears Bugs Bunny's rendition of the song and absent-mindedly sings along in operatic style. Jones loses his temper repeatedly and accosts Bugs Bunny violently, resulting in Bugs stating his famous and oft-quoted line: "Of course you know this means *war*!" The short proceeds with a sequence of humorous retaliations from Bugs Bunny at Jones' performance later that evening at the Hollywood Bowl.
- Quotes
Ladislaus Cassel: Sheesh!
- ConnectionsFeatured in Let's Sing a Song from the Movies (1948)
- SoundtracksI Happened to Walk Down First Street
Music by Arthur Schwartz
Lyrics by Leo Robin
Performed by Dennis Morgan, Jack Carson, Janis Paige, Angela Greene (perhaps dubbed)
Details
- Release date
- Country of origin
- Language
- Also known as
- Der Himmel voller Geigen
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 45m(105 min)
- Aspect ratio
- 1.37 : 1
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