The Whale Who Wanted to Sing at the Met

As a tiny child, I liked this, but found it incredibly sad. Now, I still enjoy it, for many reasons. It is a fifteen minute cartoon to love and treasure. It has a fun, quite exciting storyline, cute Disney animation, good opera and the emotion and the warmness this creates in your heart are incredibly good as well.

The cartoon starts with newspaper headings - and continues with quite a few of these every now and again. Someone has heard someone singing way out to sea and eventually someone finds the singing is coming from a whale. The professors and ordinary people are baffled, until one scientist makes his last decision, an opera singer is stuck inside the whale. He goes out to try and find the whale, with interesting consequences...

Before you watch it, you should make sure you can cope with opera, if you closed your eyes and just listened to this cartoon, most of what you would hear is opera. That is one of the beautiful things about this cartoon. I also recommend this to people who like Disney things and to people who are passionate about cartoons. Enjoy "Willie the Operatic Whale"! :-)

P.S Another extraordinary thing about this is that all of the voices are done by one man, he does the narrating, the three kinds of opera and even some woman voices.

I was introduced to opera at 6 years age listening repeatedly to the 78 RPM 3 disk recording of this magnificent Disney production. I never saw the video until I was 40 years old. It is a charming and exciting animation that will captivate young children. I forgot about opera by 9 years age until I accidentally heard the sextet from Lucia di Lammermoor at college and immediately recognized Willie. I fell in love with grand opera all over again at that moment and pushed aside my rock and pop collections.

Music from Barber of Seville (Rossini), Lucia di Lammermoor (Donizetti), Pagliacci (Leoncavallo), Mephistofiles (Boito), Tristan und Isolde (Wagener), Martha (Flotow), possibly other I do not recognize.

Play it to your children. Wean them with it, and one day they will remember.

"Willie the Operatic Whale"... my oh my, I have just watched this for the first time in ages. I barely remembered anything from this. This is one of the segments from Walt Disney's "Make Mine Music".

While certainly not as good as the little masterpiece "Peter and the Wolf", this one is enjoyable in a different way. The first minutes are a bit weak, but once the whale Willie is introduced, this improves notoriously.

This whale's name (Willie) could almost cause some confusion with Willy (the orca from the "Free Willy" movies). But only their names are similar. Similar, not equal. And yes, they are both whales, but this Willie is a sperm whale.

Willie himself makes this short so enjoyable. He might be enormous, but he's a nice and friendly whale. In other words, a gentle giant. He doesn't hurt or do anything bad to anyone, he's just a very unusual whale that likes to take advantage of his incredible talent to sing Opera music. He sings very well, especially that delightful Italian song "Figaro" (a song which can also be heard in a great commercial of the Fiat Ritmo). In fact, that's precisely what Willie wishes most: to become an Opera singer... which happens. Willie has more amazing and unbelievable abilities that make him a very special whale. The ending, however, is sad: poor Willie! Whales are certainly majestic and fantastic big animals. They fascinate me. Sadly, they are an endangered species. If this keep going like this, someday there will be no more whales.

As for the cartoon, it has generally good artwork, aside in the first minutes before the whale appears. The sceneries, the seagulls and Willie are especially well drawn.

A Walt Disney Cartoon.

Endowed with tremendous vocal powers, WILLIE THE OPERATIC WHALE dreams of leaving his ocean home and becoming a success on the stage of the New York Met.

This heart touching little film, originally the closing segment of MAKE MINE MUSIC (1946), is buoyed along by the colorful animation and a prodigious vocal performance by Nelson Eddy who enacts all the roles - young & old, male & female, human & animal. The ending couldn't be better.

Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.

While "chester"'s review was kind-hearted, I felt, as someone who has viewed "Willie the Whale" numerous times, I had to expand on it. While he feels this movie has no other motive than to entertain, I feel it makes the most of the human experience.

Nelson Eddy does an inexplicably emotive narrative and also sings ALL of the songs. His inflection on the narration of this story could be the only reason to watch it. But, no, we also have a trained American opera singer (Eddy, again) singing all of the songs, without fault. If you closed your eyes and listened to this video, your emotions would still be evoked to the highest possible level, stimulated by music and narrative.

The story is so bittersweet. Although this is an old Disney production, I was not introduced to it until my daughter picked it up at a video store in the 90's. It has, at the core, a burning political statement, all the while, making it simple enough for the smallest children to relate to and to reconcile. All creatures are different; all have their own talents; we don't have precidence over anything we just don't understand; and we all make mistakes.

I cannot get through this video without tears at the end. It is simple and complex. Kids could relate it to the playground; we can relate it to world politics.

I've said all of this without mentioning a note that Nelson Eddy sings. There are some universal reknowned songs intertwined into this video, and if you know the background of them, "Shortnin' Bread", "Figaro", et. al., then you will get the underlying message. I think Disney and other production companies are very clever at using this type of medium to send a bigger message. If you really listen, you will hear, but if you don't want to, then you will still enjoy this gem of a short. It's a very sweet story.